tue 23/04/2024

Ireland

Rose Plays Julie review - a sombre story of rape, adoption and a search for identity

Rose (Ann Skelly; The Nevers) is adopted. The name on her birth certificate is Julie and the possibility of a different identity – different clothes, different hair, different accent - beckons. If she could embrace this second life, she thinks, she...

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End of Sentence review - an American father and his estranged son reconcile in Ireland

It’s not until the final moments of End of Sentence that Frank (John Hawkes) lets himself laugh – he’s swimming in the icy waters of an Irish lake - and what a relief it is to hear. Icelandic director Elfar Adalsteins’s debut feature (Sailcloth, a...

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Album: Imelda May - 11 Past the Hour

11 Past the Hour opens with its title song, a delicious, twangy, string-laden Nancy Sinatra Bond theme that never was. The album closes with a lyrically empowered torch song, “Never Look Back”, which rises and rises over a marching band drum tattoo...

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LFF 2020: Nomadland review - Francis McDormand gives a career-defining performance

Chloé Zhao’s The Rider was a film of rare honesty and beauty. Who would have thought she’d be able to top the power of that majestic docudrama? But with Nomadland she has.To call it a loose adaptation of Jessica Bruder’s Nomadland: Surviving America...

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The Other Lamb review - a surreal portrait of an abusive cult

“Thank you, Shepherd, for allowing us to be your wives. Come down upon me and fill me with yourself.” Collective ecstasy – and a lot of wool – is the order of the day in this cult led by Michael, aka Shepherd (Michiel Huisman; Game of Thrones; The...

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Rialto review - beautifully acted but relentless

What news on the rialto? Not much of particular buoyancy or light in the Peter Mackie Burns film Rialto, which takes a grimly focused view of a married Irishman's struggle with his same-sex leanings. Adapted by Mark O'Halloran from his 2011 stage...

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Three Kings, Old Vic: In Camera review - Andrew Scott vividly evokes generational pain

The world premiere of Stephen Beresford’s new hourlong play, livestreamed to home audiences in four performances as part of the Old Vic’s In Camera series, was postponed a couple of times due to Andrew Scott undergoing minor surgery. Thankfully, the...

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The Deceived, Channel 5 review - who's fooling who?

Last night I dreamt I went to Manderley again, except somebody had renamed it The House at Knockdara. This was the title of the first novel by Michael Callaghan, Cambridge literature don, aspiring writer and serial seducer of his female students....

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Album: Fontaines DC – A Hero's Death

Be careful what you wish for. Turns out the dream that most bands yearn for isn't all it's cracked up to be. Fontaines DC's debut album, Dogrel went large (and won a Mercury Prize nomination and BBC 6 Music's Album of the Year). They toured like...

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Ailish Tynan, Iain Burnside/Allan Clayton, James Baillieu, Wigmore Hall online/BBC Radio 3 review – alone together

Loneliness haunts the solo song – not simply all those solitary wanderers and defiant wayfarers of the Lied tradition, but the forsaken lovers and questing pilgrims who fill the folk-song repertoire of many lands. So, amid the general poignancy of...

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Artemis Fowl review - flash bang nothing

It’s taken over 18 years for Artemis Fowl to reach the big screen, with Miramax originally buying the rights in 2001. Finally, Disney have brought the world’s youngest criminal mastermind to life, but was it worth the wait? Well, the fact it’s...

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'In a country of marvellous communicators': violinist Katherine Hunka on life with the Irish Chamber Orchestra

As a musician I spend so much time on the road that a day spent at home is a rarity. And now, with the restrictions we all face, and concerts an impossibility, I am becoming a keen gardener and making a lot of soup. It is also a time of reflection....

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