wed 04/12/2024

jazz

Sheku Kanneh-Mason and Harry Baker, Noisenight 13, Jazz Cafe review - distinctive and easygoing chemistry

The elation in the queue was palpable as people stood laughing and chatting in the November cold waiting for the doors of the Jazz Café to open for the latest crowd-funded event organised by Through the Noise. This 13th Noisenight – which brings...

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Album: Stormzy - This Is What I Mean

“All of this music, it’s nothing to do with the listener,” Stormzy announced to Louis Theroux in a recent TV interview. “All I can do is feel what I feel and document that, and whatever that is, that’s what it’s going to be.”The 29-year-old rapper...

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The Manhattan Transfer, Queen Elizabeth Hall review - a class act

On a dreary evening in our dark winter of discontent, a couple of hours spent in the company of The Manhattan Transfer was a joyous uplift. The sell-out audience at London’s Queen Elizabeth Hall clearly agreed, happily engaging in a sort-of call-and...

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Nu Civilisation Orchestra & ESKA: 'Hejira' and 'Mingus', Poole Lighthouse review - redistributing the future

I had high hopes for this show. After all, Eska Mtungwazi is pretty much the only singer on earth I’d go out of my way to hear sing Joni Mitchell songs.Not only does she have the necessary vocal range and control, but her own sole solo album sits...

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EFG London Jazz Festival round-up review - great moments in London's tiny clubs

There are moments when a very great jazz musician makes her or his ideas flow naturally, unstoppably and with complete conviction. And when one is in a tiny venue and can feel the joyous intensity with which every single person in the room is...

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Native Rebel showcase, EartH review - jazz community, psychedelia and iffy acoustics

Quite how Shabaka Hutchings manages to be Shabaka Hutchings is one of the great mysteries of modern culture, and one that could probably teach us all a lot of value to society if we ever worked it out. From the devastating energy of The Comet Is...

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Oslo World review - a dizzying selection of high-tech, grassroots global brilliance

The Oslo World organisers are at pains to point out that, despite the name, they are not a “world music” festival. And with good reason, really. There may have been a few familiar WOMAD veterans headlining over the week-long event – Senegal’s...

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Album: STR4TA - STR$TASFEAR

There’s retro and there’s retro. Some music – what you might call the Oasis tendency – simply reproduces the obvious signifiers of the past as signposts of cool. But there’s other stuff that shows deep understanding of both the technique and the...

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Album: Xhosa Cole - Ibeji

“For life to exist, we need rhythm” announces Ian Parmel on the opening track of rising UK jazz saxophonist Xhosa Cole’s sophomore album. This is a view that Xhosa has taken to heart – for while his debut album was awash with echoes of John Coltrane...

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Album: Beth Orton - Weather Alive

Beth Orton has never rushed her music. Her first four albums came one every three years, then since 2002 it’s averaged at a five year gap each time. So it’s no wonder also that there can be stylistic schisms from one to the next.In contrast to its...

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Album: Julia Hülsmann Quartet - The Next Door

Not every musician has friends in high places in quite the way German jazz pianist and composer Julia Hülsmann does these days.A few weeks ago she played a private concert at the invitation of the German Head of State. Bundespräsident Frank-Walter...

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Album: Gabriele Mirabassi and Stefano Zanchini - Il gatto e la volpe

The clarinet-player, clarinet-owner or clarinet-lover in your life is going to want and need this record. The combination of a glorious sound, lyricism that is lived and (okay, obviously) breathed, contrasted with insane finger-busting at crazy...

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