Leeds
Joseph Middleton
Everyone needs friends and everything is connected. As we throw the doors open on to the 2024 Leeds Lieder Festival I am struck by just how remarkable classical music can be for a community, particularly when it is looked after and invested in by its own community.It was well documented that last year the Leeds Lieder Festival was dealt a blow by Arts Council England, when they rejected a Festival grant application for the first time in our decades long history. Ironically that Festival welcomed the highest number of first-time concert attendees and was praised in The Guardian for Read more ...
Tom Greed
For musicians, the period from early 2020 to mid-2021 was one of great reflection, with so many questions to puzzle over. Could we satisfy the basic need to interact with others and express ourselves? What on earth was Zoom, and how, as performers, could we learn to use technology to provide live experiences? Would things ever go back to the way they were? And should they?Avenue Ensemble was a concept that I began to sketch out during the pandemic. It was partly inspired by the longing to perform chamber music with friends once again when restrictions were finally over, but predominantly due Read more ...
Mark Kidel
The best popular music tunes into the zeitgeist. It can reflect cultural currents, encourage them, or enable the public to turn away and just party. At a time when the future of humanity feels more uncertain than at any time since the height of the Cold War, Yard Act, one of the most interesting British bands to emerge in recent years, play on the sense of doom around the corner, while laughing in its face.The acclaimed band from Leeds, fronted by James Smith, who speaks the lyrics as much as he sings, come in a tradition of English bands – often from the North – who place cultural and Read more ...
Robert Beale
Opera North have a new pairing for Mascagni’s popular but clichéd Cavalleria Rusticana in this double bill: an early Rachmaninov one-acter, written when he was 19. The production of the former is a revival of the one seen in 2017 in their Little Greats season, and its director then, Karolina Sofulak, has returned to create this Aleko alongside it.So interest is inevitably more in what she has done with the new piece, and, intriguingly, how she has used the overlapping casting of the two to find striking resonances in their stories.Both are tragic tales of murder born of infidelity and Read more ...
Robert Beale
Reviving Tim Albery’s production of Così fan tutte, now almost 20 years old, again at Leeds Grand Theatre, Opera North have a bet that’s as safe as Don Alfonso’s in the story – that “Women are all the same”. It’s a sure-fire winner, and the best part this time round lies in the balance and contrast of both voices and personalities in the casting of the central pairs of lovers.Albery sees the piece as a kind of Enlightenment-era scientific demonstration, in which truth is to be revealed by an unblinking camera lens. Almost all the action takes place inside a giant “camera obscura”, as we Read more ...
Robert Beale
Reviving Giles Havergal’s 2013 production from its “Festival of Britten” of that year, Opera North have an Albert Herring that’s both immersive and intimate, to quote their own publicity.Immersive because it was designed specifically for the refurbished Howard Assembly Room inside the Grand Theatre buildings in Leeds, with the audience mainly on two sides of the long performance space, with a few at the narrow end furthest from the 13-piece orchestra; intimate because it’s all very close-up, the action taking place often only a few feet away from us. (It isn’t going to tour, unlike the other Read more ...
Guy Oddy
Andrew Eldritch, vocalist and convent leader of the Sisters of Mercy, is a famously obtuse character. This may have made him seem somewhat mysterious over the years, but it has also meant that he has missed a few open goals too.The Sisters haven’t put out an album of original material in 30 years, but they still keep writing and performing new material. This means that their set now consists of about 50% familiar tunes and 50% of material that has never seen the inside of a recording studio. So, if you want to keep up with the new stuff, live recordings of varying sound quality on YouTube is Read more ...
Thomas H. Green
Bradford unit Bad Boy Chiller Crew blew up from a regional scene which combined jokey lo-fi videos, a bangin’ fusion of UK garage and hard house (“bassline house” as they termed it), and grime-style rapping in local accents.Boasting parochial slang, tongue-in-cheek self-awareness, and a defiantly working class attitude, they were a breath of fresh air. Their vibe was redolent of acts such as Kurupt FM, Die Antwoord and Goldie Looking Chain. They were a blast. Live, they likely still are, but their new album sees them jump the shark.For one thing, it’s 21 tracks long where, as every artist Read more ...
Robert Beale
Sir David Pountney’s creation of a “masque” performance for our times, recycling music Purcell wrote for his, is downright good entertainment even if the plotline’s a bit incoherent.Now that’s a virtue, if you look at the 17th century models he’s starting from. Shows with masques never were designed to have much narrative logic, and the music – even when it had words attached – could as easily fit one story as another. So for this new “eco-entertainment” he’s plundered several of Purcell’s stage works including The Indian Queen, The Tempest and The Fairy Queen, and crowbarred in several Read more ...
Kieron Tyler
In an interview following the release of Pale Saints’ March 1992 second album In Ribbons, the band’s Ian Masters expressed his admiration for Eyeless in Gaza, Laura Nyro and Television. He told Option magazine “I find it incredible how much I am moved by Laura Nyro’s songs and how much of the emotional input that she has translates. I find it quite disturbing – it’s uplifting and depressing and really has the full spectrum of feelings.”Of Television, he revealed “I’ve just been buying up old copies of [their debut LP] Marquee Moon and stacking them in my living room. Sooner or later, I’ll Read more ...
Robert Beale
There’s a charmingly retro feel to Opera North’s new Falstaff, which comes from it being done as part of their new “green”, i.e. ecologically conscious, season.Leslie Travers’ set is made of bits from other productions and – most notably – shows Falstaff’s home as a worn-out little 1970s caravan, actually found unwanted in the grounds of a pub on the north side of Leeds by resourceful operatic bargain hunters.In Olivia Fuchs’ production of Verdi’s final masterpiece, the story’s been transported to the 1980s, and the bourgeoisie of Windsor, who make up most of the roles in the story, are first Read more ...
Sir David Pountney
Purcell came very early to me. When I was a chorister at St. John’s Cambridge “Jehova quam multi sunt” was a perennial favourite and we were thrilled by the evenings when George Guest brought in some string players to accompany Purcell’s verse anthems. These were special occasions. Then, since no management had the wit to invite me to direct Purcell, I finally engaged myself to direct The Fairy Queen at ENO.That was very directly the genesis of Masque of Might which is being given its world premiere by Opera North tomorrow.The Fairy Queen is like the other Purcell “masques” or “theatrical Read more ...