sat 28/05/2022

London Coliseum

My Fair Lady, London Coliseum review - tasteful revival powered by stirring performances

First staged in 2018, Bartlett Sher’s Lincoln Center Theater production of My Fair Lady is London’s latest import from Broadway, coming here hot on the heels of Oklahoma!. In returning to the city where its story is set, Lerner and...

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Dance for Ukraine, London Coliseum, online review - a gala to remember

What do top ballet dancers keep permanently in their back pocket? Answer: a fully rehearsed, ready-to-go gala item, to judge by a one-off fundraising  event mounted in double-quick time at the Coliseum last month and now available to stream,...

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The Handmaid's Tale, English National Opera review - a red-hot classic for our times

However familiar you are with The Handmaid’s Tale in Margaret Atwood’s novel or its TV adaptation, you might still be knocked sideways by the impact it makes as an opera. Poul Ruders’s music plunges us viscerally into its emotional world,...

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The Cunning Little Vixen, English National Opera review - half-realised men and beasts

Nature in the form of Storm Eunice stopped this Cunning Little Vixen in her tracks on Friday evening. ENO shrugged off the cancellation and rescheduled for Sunday afternoon. And here we were, getting the essential message that humans must reach an...

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Raymonda, English National Ballet, Coliseum review - a creaky old standard, lavishly restored to health

Neglected classics, whether books, plays or ballets, are usually neglected for a reason, and so it is with the three-act ballet Raymonda. A hit in 1898 for the Imperial ballet in St Petersburg but unperformed in this country since the 1960s, its...

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HMS Pinafore, English National Opera review - shipshape classic comedy craft

Yes, it was bound to be HMS Laugh-a-minute, given Cal “One Man, Two Guvnors” McCrystal’s ENO comedy riffs on an already funny early G&S classic, but what does this tight little craft have to say to Little England today?That a British sailor’s “...

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Hairspray, London Coliseum review - brighter and more welcome than ever

A revival of a multi-award winning musical, with a big star or two, may look like a safe choice to re-open London’s largest theatre, the Coliseum, but there was a tingle of jeopardy in the air, exemplified when the show catches you by surprise...

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Messiah highlights, English National Opera, BBC Two review – short-cut sorrow and redemption

Well, it wasn’t quite Messiah, but it was a source of joy. In ENO’s end-of-lockdown staging, BBC Two’s transmission of Handel’s resurrection song delivered a scant 54 minutes of music from the Coliseum on Easter Saturday. In contrast, two ancient...

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Mozart's Requiem, English National Opera, BBC Two review - strong and direct act of remembrance

It must have felt very strange to Mark Wigglesworth that he returned to the London Coliseum under such unanticipated circumstances. ENO’s shortest-lived but also (many of us think) best Music Director campaigned from the start for direct...

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The Marriage of Figaro, English National Opera review - energised attitudes, lower-level humanism

So Susanna and Figaro got married on Saturday, just before the entire Almaviva household and its home, the London Coliseum, went into quarantine. Let's at least celebrate the fact that these splendid singer-actors, with youth especially on the five...

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Luisa Miller, English National Opera review - Verdi in translation makes a stylish comeback

Those who booed the production team last night - there was nothing but generous cheering for singers, conductor and orchestra - might reflect that this was at least regietheater, that singular brand of not-all-bad director's opera in Germany, with...

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English National Ballet 70th Anniversary Gala, Coliseum review - a fine celebration

Just when you thought Christmas was well and truly over, along comes another box of delights. And there isn’t a disappointment in it. If it were nuts, there’d be nothing but cashews; if chocolates, there wouldn’t be a single disgusting lime-cream....

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