London galleries
Chantal Joffe, Victoria Miro GalleryMonday, 28 March 2011
Chantal Joffe first came to attention in the 1990s with a series of paintings reproducing pornographic images, using a typically thick, impastoed paint and heavy brushstroke to depict hard-core acts in a defiantly flat, emotionless tone. Since then... Read more... |
Dirt: The Filthy Reality of Everyday Life, Wellcome CollectionWednesday, 23 March 2011
Weeds, memorably, have been described as merely being plants that grow where we don’t want them. Walking through the Wellcome’s fine new exhibition, we can conclude that the “dirt”, too, is merely material appearing out of its appropriate... Read more... |
Art Gallery: The Wellcome's Dirt - The Filthy Reality of Everyday LifeWednesday, 23 March 2011
There have been exhibitions, indeed even a whole museum, dedicated to cleanliness: the Deutsches Hygiene Museum in Dresden, for instance (image 9), which was founded for the purpose of public education in hygiene and health, but which later embraced... Read more... |
Antoine Watteau, Royal Academy and Wallace CollectionFriday, 11 March 2011
As a young man searching for a way to make a living in Paris, Antoine Watteau briefly tried his hand at engraving fashion plates. He seems to have had a natural affinity for cloth and drew its folds and creases with such apparent ease that you can... Read more... |
Terje Isungset's Ice Music, Somerset HouseThursday, 06 January 2011
Clichés about the frozen North aside, music from the Nordic countries is often described as redolent of glacial landscapes or icy wastelands. But the music of percussionist Terje Isungset goes further – his instruments are carved from Norwegian ice... Read more... |
Never the Same River (Possible Futures, Probable Pasts), Camden Arts CentreFriday, 17 December 2010
Simon Starling’s wonderfully eccentric exhibition Never the Same River (Possible Futures, Probable Pasts) will inevitably mean more to those who have visited the Camden Arts Centre regularly over the years. Places gradually acquire a patina of... Read more... |
Cézanne's Card Players, Courtauld GalleryFriday, 29 October 2010
Give me a small side order of Cézannes over a great feast of Gauguins any day. This small, perfectly formed survey will surely be noted as one of the best exhibitions this year, the type of exhibition at which the Courtauld Gallery clearly excels:... Read more... |
'Things' Ain't What They Used To BeWednesday, 06 October 2010
The public works for free. That is the founding principal of modern broadcasting culture. It phones radio stations with its air-filling thoughts on this and that. It monopolises Saturday nights on primetime in singing and dancing and plate-spinning... Read more... |
Corinne Bailey Rae, Somerset HouseSaturday, 17 July 2010
Was this a Corinne Bailey Rae audience or a Somerset House audience? “We’re Somerset House fans,” I heard one posh punter proudly tell some friends. Then later I heard a woman talking about the Florence and the Machine gig that she’d missed earlier... Read more... |
Resonances at the Wallace CollectionMonday, 10 May 2010
It's an admirable project: to recast the interiors of stately homes as immersive artworks, a musical recital combined with sound installations designed to make the viewer look anew at their surroundings. Certainly as I entered the hallway of... Read more... |
Bill Fontana: River Sounding, Somerset HouseMonday, 03 May 2010
The fountains have been switched on at Somerset House, and I watched a group of tourists giggling as they picked their way through the water jets. They obviously hadn’t noticed the cheerful sound of running water coming from the edge of the... Read more... |
Identity, The Wellcome CollectionFriday, 11 December 2009
Perhaps we think we’ve got the whole thing more or less sewn up in the nurture versus nature debate. DNA profiling, gene studies, twin studies, inherited traits - this is the stuff we read about almost daily and it is all meant to tell us who we are... Read more... |
