London
Kiss Me Kate, Old Vic TheatreWednesday, 28 November 2012
Cole Porter’s musical spin on Shakespeare demands the fluidity, fizz and acidity of champagne. In Trevor Nunn’s revival, which transfers to London after a successful run in Chichester, it’s more like gelato. It has sweetness, and a rich abundance of... Read more... |
Let’s Wrestle, Tigercats, Omi Palone, The LexingtonWednesday, 28 November 2012
Twenty-first century rock bands have a problem, and it’s a problem that they’ve had for decades: how to stay focused on the rebel oomph of distorted guitars, rudimentary drumming, sorting-out-the-bottom-end bass guitar and – let’s face it –... Read more... |
Robbie Williams, O2 ArenaFriday, 23 November 2012
Frustratingly, the ramshackle rail service from Brighton deposits me at the crammed O2 20 minutes into Robbie Williams's set. After the eerie quiet of the airport-like walkways around the perimeters, the torrid atmosphere inside the gigantic arena... Read more... |
Squeeze, The Dome, BrightonThursday, 22 November 2012
Any gig is partly defined by its audience. Brighton audiences, particularly Brighton Dome audiences, are usually a lively bunch but tonight’s crowd, at least until beyond halfway through, are still as dummies in their seats, quiet as mice. Looking... Read more... |
The Magistrate, National TheatreThursday, 22 November 2012
You don't see much of Arthur Wing Pinero's considerable output these days. Although he was largely contemporaneous with Oscar Wilde, George Bernard Shaw and Gilbert and Sullivan, whose works have stayed the course, his plays have not, with just a... Read more... |
CD: David Cronenberg's Wife - Don't Wait To Be Hunted To HideWednesday, 21 November 2012
For those wont to say “that’s well dark,” at the slightest hint of edgy content, here is true darkness. The third album by London alt-folk oddballs David Cronenberg’s Wife is stewed in pitch-black lyrical themes and revels in dragging its listeners... Read more... |
Crossfire HurricaneSaturday, 17 November 2012
What a year for great British institutions. Sixty years of Elizabeth II, 50 years of James Bond, and a half-century of the Rolling Stones. To recycle an even older cliche, we will never see the like of any of them again.Brett Morgen's Crossfire... Read more... |
Kurt Elling and Sheila Jordan, Queen Elizabeth HallThursday, 15 November 2012
Just occasionally an artist hits the truth of the song in such spectacular fashion that it makes you feel with ever greater intensity what it means to be human. Last night, vocalist Sheila Jordan's performance of the Jimmy Webb standard, “The Moon... Read more... |
Black Top #5, Café OtoTuesday, 13 November 2012
For the way it combined mercurial, on-the-fly interplay, seismic textural shifts and listening of the highest order, this gig was remarkable. In the space of two continuous sets there wasn't a longueur to be found, such was the incredible union of... Read more... |
Extract: Etc Etc AmenSaturday, 10 November 2012
When Zachary C noticed his audience were no longer beguiled by his best Zachary B smile, he arranged for his chargrilled-sweetcorn teeth to be replaced by a mouthful of ultraviolet-sensitive acrylic. Much to his delight, shop windows, car... Read more... |
My Brother the DevilFriday, 09 November 2012
There must be a way out of their Hackney council estate life for brothers Rashid (James Floyd, very sharp on screen here) and Mo (non-professional Fady Elsayed), whose claustrophic home life lived (more or less) to traditional parental rules,... Read more... |
theartsdesk Q&A: Director Julien TempleSaturday, 03 November 2012
Julien Temple’s directing career has been struck seemingly stone-dead twice. After working with Malcolm McLaren and the Sex Pistols on The Great Rock’n’Roll Swindle (1979), then again after the flop big-budget British jazz musical Absolute Beginners... Read more... |
