London
Marianka Swain
Writing about writers: exploring what you know, or the very definition of stifling egoism? Either way, it can be a terrible trap for the playwright, with craft becoming not just the subject of a work, but its defining feature. Hugh Whitemore narrowly avoids that fate in his unashamedly writerly 1977 piece about poet and novelist Stevie Smith, which is packed to the gills with erudite bon mots, yet, in Christopher Morahan’s leisurely revival, somewhat lacking in dramatic thrust.Whitemore’s play sticks with the most tried-and-tested version of biographical theatre – namely, the semi-narrated Read more ...
Gavin Dixon
Andrew Manze chose an all-English programme for his debut with the London Philharmonic Orchestra. Clarity of texture and disciplined, propulsive tempos are the hallmarks of his conducting, the results of many years as a violinist and ensemble leader in the period instrument movement. They may not seem ideal qualities for the early 20th century romanticism of Elgar, Ireland and Walton, but all of the works responded well to Manze’s treatment, each in its own way.While he clearly has an ear for detail, Manze is never inclined to constrain his players or to limit expansive orchestral textures. Read more ...
Marina Vaizey
Philippa Perry, 20 years a psychotherapist, was the dashing narrator of this history of 300 years of agony aunts (or uncles). Wearing a bright orange coat, she cycled between libraries, universities, newspaper and magazine offices, looking at centuries-old publications and interviewing contemporary writers. It was a fact-studded visual essay, but in spite of the raciness of its subject, oddly bland.It all started in the 1690s with The Athenian Mercury, published for one of the new coffee houses which had sprung up in London. Its editor-in-chief John Dunton is given the accolade of inventing Read more ...
fisun.guner
The unveiling of the Fourth Plinth has, since his election to office, been an opportunity for Mayor Boris Johnson to work the press pen with a comic turn. So, the commission, sponsored by the mayoral office, gets a media-chummy spokesperson whose art critiques add a note of gaiety to proceedings, even if they’re self-evidently at odds with what the artist had in mind. See them as an ongoing election campaign. Hans Haacke’s Gift Horse, which was unveiled yesterday, is a larger than life-size bronze skeleton of a horse, modelled on an anatomic etching by George Stubbs, the 18th-century Read more ...
Katie Colombus
For the headliners of the Women Of The World Festival at London's Southbank Centre, there is less feisty feminism put on for show than you might expect. It's a nod to how far things have progressed - that other than the obligiatory thanksgiving for "being a loud woman on a stage of loud women plus a man who loves women", it's strength of self belief in the artists of tUnE-yArDs that lets us know what they believe in - and it's truly inspiring. It's testament to their credence that they are this strong in themselves, their musical talents, their creativity and their confidence to be able to Read more ...
Barney Harsent
I first saw Spectres last October at the 10th birthday celebrations for their label, Sonic Cathedral. That night, they struck me as noisy, spiky and fun. If that sounds like faint praise, it really wasn't meant to be – noisy, spiky fun is in my all-time top three funs. Now, they've gone from bottom of the bill to headline act in less than six months on the back of an album so incendiary it should come wrapped in a fire blanket (well, it beats a tote bag any day) and, oh my… how they have grown. Really, this band’s development needs to be measured in cat years.They step out, plug in and the Read more ...
Simon Munk
Anna Skodbo's route to designing her ethical, environmental and "crosstown" fashion brand Phannatiq has hardly been ordinary. From teaching martial arts, to living on rice and ketchup, to stints playing cello in a Norwegian black metal band, Skodbo has had what you might term a "portfolio career".She brings that eclectic approach, as well as a deep commitment to a more sustainable and less narrow approach to fashion, and a passion for her home in Walthamstow, eastLondonto Phannatiq – her clothing label.Phannatiq has recently moved from a traditional "high fashion" approach, to using Read more ...
Peter Quantrill
The BBC Radio 3 announcer came on stage to introduce the concert and promised us "the 100 minutes" of Bruckner’s Eighth Symphony in the second half. Some of us smiled and assumed he (or his scriptwriter) had made a howler. Last time the Eighth was done in London, Jukka-Pekka Saraste led a vigorous account, not unduly rushed, taking under 75 minutes. The announcer, did we but know it, was giving us fair warning. Three hours later, boos and cheers mingled as the Brahmsian figure of Leif Segerstam shuffled off stage, wreathed in unBrahmsian smiles. London audiences boo at horrid German purveyors Read more ...
Jenny Gilbert
In the beginning was the Word and, not long after, came a need for ritual purification. “When Adam was banished from Eden, he sat in the river that flowed from the garden. Adam immersed in the water, in the very first Mikvah …”.Goyim audience members will be grateful, as I was, for the gloss on this traditional Jewish practice given by one of the characters in the opening minutes of The Mikvah Project, the first full-length play by Josh Azouz, who is currently on the Royal Court’s writers programme. We were more grateful still for his bringing the ballast of comedy to such topics as faith, Read more ...
Simon Munk
The gloom of Victorian London might be shared with The Order: 1886, also reviewed this week, but the games couldn't be further apart. In Sunless Sea, you play a nautical captain, navigating the "Unterzee" of the waters surrounding a fallen, underground London. Or rather, you play lots of captains – because if this cruel game is about anything, it's about repeated death.Death comes from being eaten by a crew turned cannibal from a lack of supplies, from drowning after pirates hole your hull, or from your ship being swallowed whole by one of many foul monsters prowling the blacked-out waters. Read more ...
Marianka Swain
Has there ever been a successful dinner party on stage? It seems no sooner has the table been set than domestic disharmony erupts: opposing personalities obligingly clash, the veil of marital bliss is torn asunder, and terrible secrets are spilled along with the wine. In other words, dinner parties are the playwright’s bread and butter.Torben Betts pays homage to mentor Alan Ayckbourn with his 2012 serving of darkly comic metropolitan angst, although the Seventies menu adds a soupçon of Mike Leigh. Uptight accountant Jess (Annabel Bates) and failed novelist Mat (Jack Johns) are the doomed Read more ...
Simon Munk
In terms of atmosphere, The Order: 1886 wins out in spades. It's just everywhere else that it falls down, unfortunately.Sneaking through the Ripper-stalked streets of an alternative Victorian Whitechapel, you can almost smell the stink of the slums. And certainly this matches the recent Assassin's Creed: Unity for the detailed and fetid depiction of dirty, litter-strewn cobbled streets. It's moments like this that The Order does excellently.Another high point is when the zeppelin you're on board crashes into Crystal Palace (about 50 years early, but never mind), and you stagger out of the Read more ...