Los Angeles
Thomas H. Green
The best thing about Warpaint is their rhythm section. The all-female LA quartet have received critical plaudits for both their albums, wisely releasing their latest eponymous collection in the dead zone of January, maximizing media attention (why don’t more bands do this? It was the making of the Scissor Sisters back in 2004). The foursome are determinedly un-showbiz, letting their music do the talking and dealing in tasty power-femme sound-bites. In this they are admirable but their music, a woozy amalgam of the Cocteau Twins and grunge, lacks actual songs (although there are three catchy Read more ...
Kieron Tyler
Various Artists: Love, Poetry and RevolutionThe subtitle “A Journey Through the British Psychedelic and Underground Scenes” – with “A” as the operative word – suggests this box set isn’t going to tell a familiar story. Most of the bands were and still are barely heard of. Twenty-four of the 65 tracks compiled were not originally issued.The opening shot is “Pretty Colours”, by obscure West Midlands band Deep Feeling which included future Traffic member Jim Capaldi. Although unreleased at the time of its October 1966 recording, The Animals’ Eric Burdon cocked an ear and declared it “ Read more ...
Kieron Tyler
Beachwood Sparks: Desert SkiesBeachwood Sparks didn’t become Fleet Foxes, but their DNA is integral to the harmonious Seattleites. Both bands have been issued by the Sub Pop label, but after two albums Beachwood Sparks drifted apart in 2002. Fleet Foxes picked up the torch in 2008. The connection is more than a shared label and general musical preferences. It’s through the torch held for Gram Parsons's “cosmic American music” and the debt both owe to David Crosby’s 1971 solo album If I Could Only Remember my Name. Beachwood Sparks had started something – a parallel path to, but not, Read more ...
Thomas H. Green
Britney has become an icon. Partly this is down to her shiny, unreadable Hollywood exterior, partly down to her classic child star downfall, partly her relentless campness, partly the way she’s become unstoppable, but most of all because her career has been speckled with some fantastic songs – “Toxic”, “Piece of Me”, “Sometimes”, “Oops, I Did It Again”, “If You Seek Amy”. Again and again she has defied her critics’ desire to dismiss her. These are songs that long outlive their crass promotional campaigns and objectifyjng videos. The question is, then, whether, Britney Jean is packed with such Read more ...
Russ Coffey
Sometimes TV doesn’t need to be “challenging” or “groundbreaking” to be thoroughly worthwhile. The first episode of Sky Arts' new “…talks music” series saw the familar format of a live, seated interview applied to one of pop music’s highest achievers: Lindsey Buckingham of Fleetwood Mac. TV producer Malcolm Gerrie led proceedings in an attractive theatre in front of an audience of students. Most memorable were some blistering live demonstrations of Buckingham’s craft.Gerrie’s interview style may have been a little more One Show than Parkinson but still he kept the singer/guitarist well at Read more ...
Kieron Tyler
Brenda Holloway: The Artistry of Brenda Holloway / Various Artists: ERA Records Northern SoulAs the home of the Motown empire, Detroit dominated American soul music in the Sixties. Yet the label’s boss Berry Gordy bowed to the inevitable and opened a Los Angeles office in November 1963. The West Coast’s home of film was taking over as America’s music business hub. Brenda Holloway was among Motown’s first California signings and spent her time with the label shuttling between LA and Detroit, recording in both cities. ERA Records was Los Angeles born, and competed with Motown on its new turf. Read more ...
Thomas H. Green
It’s a condition of certain music journalists – myself very much included – that we can be blindsided by originality to the detriment of much else. Thus I might rate a chunk of electronic weirdness that blows my mind on the first couple of listens over a more derivative piece of song-writing. Later on I sometimes find that the sonic weirdness wears thin, sucked dry of its original sparkle, while the more derivative music slowly reveals itself as something rather brilliant.I admit, then, that when I first caught up with Deap Vally, a female L.A. two-piece, one on electric guitar, the other on Read more ...
Karen Krizanovich
James Gandolfini stars as an overweight charmer in the best romantic comedy of the year, written and directed by Nicole Holofcener (Friends With Money). As Albert, Gandolfini – it's one of his last roles, in a film dedicated to “Jim” – brings all his warmth and allure to bear on lively divorced masseuse Eva (Julia Louis-Dreyfus).When the two meet at an LA party they’re so adorable that we instantly want them to become a couple. At the same party, however, ominous tones reverberate as Eva also meets the fabulous poet Marianne (Catherine Keener). Not only is Marianne fascinating, she mesmerises Read more ...
Joe Muggs
The hip hop music of California has always been deeply stoned, and the wave of instrumental beats that have emerged from LA in recent years have taken this to quite some extreme. The scene around the Brainfeeder collective and Low End Theory club have, in fact, produced some of the most deeply psychedelic music of the 21st century, and Sam Baker aka Samiyam is one of the key figures within that.Baker's profile is relatively low outside the scene but he is a foundational figure within it, and his influence is subtly felt more widely: key UK label Hyperdub released an EP in 2008, and electronic Read more ...
Simon Munk
If you think games are for kids, or not art, or beneath you – read on. Grand Theft Auto V, while flawed in many ways, proves you wrong. The latest in the controversial and 18-rated series has already broken first-day sales records for just about every artistic medium ever. Huge numbers of adults across the UK will be sitting down to play it tonight. Take that, Hollywood. Or, Vinewood, as the game would have it.Vinewood as GTA V is set in Los Santos – a virtual replica of Los Angeles and its surroundings. Like its predecessors it's a "freeroaming" or "sandbox" game. There is a spine of plot- Read more ...
Matt Wolf
If you're going to make a film whose title mocks a particular tone of voice, it helps to have a voice of your own. And that turns out to be one of the many hugely beguiling aspects of In A World ... , the actress Lake Bell's first film trebling as writer-director after years playing goofball also-rans in films starring the likes of Meryl Streep. A wry look at Hollywood and the (sometimes) wonderfully whacked-out people who inhabit it, the venture takes its name from the doomily spoken opening words beloved (or not) of movie trailers. How lovely, then, that Bell's own achievement heralds so Read more ...
Joe Muggs
This is an incredibly hard album to work out. One major clue comes, though, with its second track, “Maxim's 1”, the backing for which is a dead ringer for a lost track from Cocteau Twins's 1990 Heaven or Las Vegas album. Not that any of the rest of the album sounds like Cocteau Twins, but it does hit a very similar magic formula. That is, though it ostensibly comes from an “indie” milieu, it has vast sonic ambition closer to the biggest pop/soul/R&B records of its time than to any guitar-wrangling mitherers, but it is also psychedelically alien to the point of indecipherability.Los Read more ...