Founder rate ends 9th September.

We’re rebuilding theartsdesk to secure the future of real arts journalism. Be part of it by subscribing: if you do it now, the founders’ rate of just £40 yearly is yours FOR LIFE!

SUBSCRIBE NOW 

LFF 2013: Enough Said

The best romantic comedy of 2013 stars the late James Gandolfini. It's a peach of a film

share this article

The late, great James Gandolfini was never better than he is here with Julia Louis-Dreyfus, yokking it up in 'Enough Said'

James Gandolfini stars as an overweight charmer in the best romantic comedy of the year, written and directed by Nicole Holofcener (Friends With Money). As Albert, Gandolfini – it's one of his last roles, in a film dedicated to “Jim” – brings all his warmth and allure to bear on lively divorced masseuse Eva (Julia Louis-Dreyfus).

When the two meet at an LA party they’re so adorable that we instantly want them to become a couple. At the same party, however, ominous tones reverberate as Eva also meets the fabulous poet Marianne (Catherine Keener). Not only is Marianne fascinating, she mesmerises Eva in a social, girly whirl of wonder, becoming Eva’s client and new best friend. Marianne’s downside is that she also spews a fiery stream of vitriol against her ex-husband, dragging hapless Eva into the discussion. Of course, said ex is none other than Eva's new squeeze.

Beer guts, bad behaviour and lack of appropriate bedroom furniture all play their role in this true-feeling comedy about the damage of gossip, falling for the Mr Right Who Looks Wrong and making adult decisions. Holofcener keeps the laughs light and plentiful, taking us close to the edge only to drag us back, hysterical and breathless. Fresh, hopeful, wise and funny, Enough Said is more than just a comedy: it’s a realistic best-case scenario of a realistic bad-case scenario. Dazzling.

  • Enough Said screens as part of the London Film Festival and is on general release from Friday
Holofcener takes us close to the edge only to drag us back, hysterical and breathless

rating

5

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 9th September this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more film

Daft but endearing cult film, the first 'space musical'
The pioneering journalist E Jean Carroll's story is heartening, funny and troubling
A surprise Thai hit combines deadpan-dry humour with sharp-toothed social commentary
School shootings and social media alienation queasily satirised
Enthralling and witty political drama from 1960s East Germany
Matt Damon stars in Christopher Nolan's IMAX-sized recreation of Homer's epic poem
Dip your toes into these Homeric movies before Christopher Nolan’s 'The Odyssey' ties us to its mast
A Bellocchio classic is retooled as a stifllng rich-brats' revenge story
A potential camera in every hand: SMart celebrates smartphone directors
Hitchcockian black comedy from Luis Buñuel’s Mexican period
Olivia Wilde's snappy comedy on the perennial subject of reviving a failing marriage
Kiss kiss, bang bang in a moving Middle East documentary