fri 19/04/2024

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The Shape of Things, Park Theatre review - the shape of what, exactly?

It’s been more than 20 years since the premiere of The Shape of Things, Neil LaBute’s prickly drama about couples and friends and the ways we change each other. And boy, does it show. Director Nicky Allpress and a talented young cast try their best...

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F**cking Men, Waterloo East Theatre - sex and not much else

“This audience is very diverse, isn’t it?” joked one of the audience members at Fucking Men at Waterloo East Theatre, a reworking of Tony-winning writer Joe DiPietro’s seminal 2008 play (itself a reworking of Arthur Schnitzler’s La Ronde, written in...

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The Caucasian Chalk Circle, Rose Theatre review - new production of classic proves a gruelling experience

Brecht – as I suppose he intended – is always a shock to the system. With not a word on what to expect from his commitment to the strictures of epic theatre in the programme, a star of West End musical theatre cast in the lead and a venue...

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The Darkest Part of the Night, Kiln Theatre - issues-led drama has its heart in the right place

Music plays a big part in the life of Dwight, an 11-year-old black lad growing up in early 80s Leeds. He doesn't fit in at school, bullied because he is "slow", and he doesn't fit in outside school, would-be friends losing patience with him.But he...

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Album: Kathryn Williams - Night Drives

Kathryn Williams’ creativity leaves most singers standing. She’s always up to something and it’s usually interesting. As well as multiple albums over two decades, including one themed around Sylvia Plath and another created with the poet Carol Anne...

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Mieko Kawakami: All the Lovers in the Night review - the raw relatability of loneliness

Mieko Kawakami is the champion of the loner. Since achieving immense success in the UK with her translated works, she has become an indie fiction icon for her modern, visceral depictions of characters who exist on the fringes of Japanese society....

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The False Servant, Orange Tree Theatre review - Marivaux's cruel comedy gets a modern spin

There probably isn’t a more able translator of vintage drama than Martin Crimp, the playwright whose 2004 version of Pierre Marivaux’s 1724 play about deceit, greed and sexual politics has been revived at the enterprising Orange Tree. The finale has...

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Kim Hye-jin: Concerning My Daughter review - room for complication

In this best-selling Korean novella, recently translated into English by Jamie Chang, Kim Hye-jin offers us the perspective of a Korean mother. It’s narrated entirely from the perspective of a woman of around 60 who has a daughter in her thirties...

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Legally Blonde, Regent's Park Open Air Theatre review - a joyous Gen-Z musical makeover

The 2001 Reese Witherspoon-starring film Legally Blonde, upon which Heather Hach, Laurence O’Keefe and Nell Benjamin’s peppy Broadway musical is based, was something of a Trojan horse: a bubblegum-pink comedy with a feminist spine.Now Lucy Moss, co-...

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Bliss, Finborough Theatre review - bleak but tender

When Bliss, a new play adapted from an Andrei Platonov short story by Fraser Grace, made its debut in Russia in early 2020, Cambridge-based company Menagerie were told that their production was “very Russian”.I’m no expert on Russian culture, but I...

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Album: Harry Styles - Harry's House

Harry Styles’ previous two albums sounded like someone rifling pleasantly through the history of pop and rock, but always genially and politely. More entertaining than his scalpels-ready critics wished when One Direction paused in 2016, those albums...

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Bonnie & Clyde, Arts Theatre review - great songs, but plot fires too many blanks

One of the more irritating memes (it’s a competitive field, I know) is the “Name a more iconic couple” appearing over a photo of Posh and Becks, or Harry and Megan, or Leo and whoever. I’ve always been tempted to close the discussion down with a...

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