mon 21/09/2020

Mahler

Classical CDs Weekly: Mahler, Vaughan Williams, Sandbox Percussion

 Mahler: Symphony No. 4 Turku Philharmonic Orchestra/Leif Segerstam, with Essi Luttinen (mezzo-soprano) (Alba)Leif Segerstam can be a maddeningly inconsistent conductor, a musician whose recordings can frustrate as much as they inspire. He’s...

Read more...

The Telephone, Scottish Opera/Cargill, RSNO, Søndergård, Edinburgh International Festival online - human emotions in digital form

Lockdown, perhaps more than any other time, has amplified how modern technology can be both a blessing and a curse. Of course, it’s wonderful to have the means to connect with friends and family scattered across the globe; carry on working, learning...

Read more...

Luis Sagasti: A Musical Offering review – the sounds of silence

Luis Sagasti attends closely to the silence that precedes, pauses, and follows music in this mesmeric collage of stories inspired by the sounds that humans – and animals, and stars – create. Like many authors before him, the Argentinian novelist and...

Read more...

Live from Covent Garden 2, Royal Opera and Ballet online review - heaven and earth in a nutshell

Solitude, mortality and transcendence have never been more profoundly expressed in music than by Mahler, who composed Das Lied von der Erde (The Song of the Earth) in the valley of the shadow of death (too superstitious to give it the name of Ninth...

Read more...

Classical CDs Weekly: Beethoven, Mahler, Strauss

 Beethoven Symphonies 1-3 – arrangements by Ries & Ebers Compagnia di Punto (Deutsche Harmonia Mundi)Just Beethoven’s first three symphonies in this two-disc set, so you wonder whether he’d still be described as a genius had he stopped...

Read more...

Classical Music/Opera direct to home 9 - musicians start cautiously reuniting

It seems like a different world when the Berlin Philharmonic and Simon Rattle gave a full concert to an empty hall as the world began to go into lockdown. Now, on continental Europe at least, orchestral musician plus the occasional star conductor...

Read more...

Mahler's 'Resurrection' Symphony, Philharmonia, Hrůša, RFH review - big picture, stunning details

So many performances of Mahler's most theatrical symphony every season, so few conductors who have something radically fresh to say about it. Two who do are London Philharmonic Orchestra chief Vladimir Jurowski, perfecting his vision over the years...

Read more...

Mahler's Eighth, CBSO, Gražinytė-Tyla, Symphony Hall Birmingham review - a symphony of 600

“Try to imagine the whole universe beginning to ring and resound” wrote Gustav Mahler of his Eighth Symphony. “There are no longer human voices, but planets and suns revolving.” It’s an image that captures the impossible scale and mind-boggling...

Read more...

Wegener, LPO, Jurowski, RFH review – on the revolutionary road to Mahler

For better or worse, because of Visconti’s classic film the Adagietto of Mahler’s Fifth Symphony now inevitably means Venice in its gloomiest moods. So there turned out to be a grim timeliness in a performance on an evening that coincided with the...

Read more...

Pavlů, Prague SO, Inkinen, Cadogan Hall review - exhilarating but uneven Mahler Third

The Prague Symphony Orchestra are in town, their Cadogan Hall concert the London leg of a UK tour. It’s ambitious, including Mahler’s epic Third Symphony in five different cities, each with a local chorus. The orchestra itself, Prague’s second band...

Read more...

Classical CDs Weekly: Haydn, Mahler, Matthew Whiteside

 Haydn: Opus 20 String Quartets, Nos 2, 3 & 5 Dudok Quartet Amsterdam (Resonus)When discussing Haydn’s music it's difficult to avoid using words like ‘elegant’, ‘witty’ and ‘brio’, but I'll do my best. The writer E.T.A Hoffman should...

Read more...

theartsdesk Q&A: Gianandrea Noseda on conducting Mahler and the Pan-Caucasian Youth Orchestra

There's something about the very opening of a Mahler symphony which gives you an idea of how the rest of the performance will go. In the case of the Second, the inescapable "Resurrection", it's the ferocity behind the upper string tremolo and the...

Read more...
Subscribe to Mahler