tue 10/12/2024

media industry

Here in America, Orange Tree Theatre review - Elia Kazan and Arthur Miller lock horns in McCarthyite America

The clue is in the title – not Then in America or Over There in America or even a more apposite, if more misleading, Now in America, but an urgent, pin you to the wall and stick a finger in your face, Here in America.Pre-Trump 2.0, David Edgar’s new...

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Do Not Expect Too Much From the End of the World review - bonkers in Bucharest

Filmmakers of note make long movies for different reasons. Sometimes they may want the viewer to be so immersed in the movie they become “kidnapped” by it, to borrow an idea from Susan Sontag. (Epics by auteurs like Greece’s Theo Angelopoulis or...

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Just For One Day, The Old Vic review - clunky scenes and self-conscious exposition between great songs

So, a jukebox musical celebrating the apotheosis of the White Saviour, the ultimate carnival of rock stars’ self-aggrandisement and the Boomers’ biggest bonanza of feelgood posturing? One is tempted to stand opposite The Old Vic, point at the...

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It’s a Motherf**king Pleasure, Soho Theatre review - disability-led comedy hits hard

Just when you’ve relaxed a little, privilege duly checked and confident that you won’t be guilt-tripped for nipping into that disabled loo a few years ago at the National (c’mon, the interval was nearly over and needs must), FlawBored drop a bomb...

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Succession, Season Four, Sky Atlantic review - powerful beginning for the endgame

How much more is there left to be said about the excellence of Succession? It’s back for a final season, and devotees will pore over every detail, every conversational ploy from robust to downright crude, every chess move on this volatile board. As...

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Ride, Charing Cross Theatre review - A true story of female empowerment

Who tells your story? Something of a theme in new musicals since Hamilton posed the question in those long ago pre-Covid, pre-inflation days. In Ride, the once famous cyclist who had hardly ever ridden a bike, Annie Londonderry, circumvents the...

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Nina-Sophia Miralles: Glossy - debut author takes on Vogue and the Condé Nasties

“Bringing out a luxury magazine in a blitzkrieg is rather like dressing for dinner in the jungle,” wrote Audrey Withers, editor of British Vogue, in December 1940. No slacking was allowed, even in the midst of an air raid. Everyone kept a suitcase...

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Patrick Barwise and Peter York: The War Against the BBC review - we won't know what we've got until it's gone

When in June 2019 the BBC announced plans to restrict free TV licences to households with at least one person aged over 75 in receipt of Pension Credit, there was of course, an outcry – naturally, the BBC itself copped the blame. Just as Chancellor...

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How to Build a Girl review - riotous fun

Ever felt like you could express yourself more freely, if only you could get away from everything that made you who are? British romcom How to Build a Girl tackles this paradox in joyful fashion, using the 90s music scene as the backdrop for a...

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The Rise of the Murdoch Dynasty, BBC Two review - how the Aussie tycoon acquired huge political leverage

As an opening line to BBC Two's new three-part series, “Rupert Murdoch is an enigma” failed to set pulses racing. It rather implied that after three hours of documentary TV, we may end up none the wiser about what makes the scary Australian media...

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DVD: The Year of the Sex Olympics

Originally aired in BBC2’s “Theatre 625” slot in July 1968, Nigel Kneale’s The Year of the Sex Olympics has gathered a reputation as a groundbreaking piece of TV drama which uncannily anticipated the broadcasting future. Its depiction of a society...

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Richard Jewell review - a portrait of duty and dignity in this true-life tale

Since Play Misty For Me in 1971, Clint Eastwood has been tearing up the American myth with a body of muscular, often melancholic work. He continues this theme with Richard Jewell, the story of a security guard falsely accused of the 1996 Atalanta...

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