sun 24/11/2024

mental health

It’s a Motherf**king Pleasure, Soho Theatre review - disability-led comedy hits hard

Just when you’ve relaxed a little, privilege duly checked and confident that you won’t be guilt-tripped for nipping into that disabled loo a few years ago at the National (c’mon, the interval was nearly over and needs must), FlawBored drop a bomb...

Read more...

First Person: playwright Joe White on how he came to write his Hampstead Theatre hit

Before I knew – or realised – I wanted to write about alcoholism in my play Blackout Songs (premiered last autumn at the Hampstead Downstairs and moving this weekend to the mainstage), I wanted to write about love and memory...

Read more...

Album: Black Honey - A Fistful of Peaches

There’s a disconnect on the third album by Brighton rockers Black Honey. The music is rousing post-grunge indie rock, tuneful, full of vim, but the lyrics speak of someone deeply troubled. The mood is, perhaps, best summed up by “Rock Bottom” which...

Read more...

Standing at the Sky's Edge, National Theatre review - razor-sharp musical with second-act woes

Buildings can hold memories, the three dimensions of space supplemented by the fourth of time. Ten years ago, I started every working week with a meeting in a room that, for decades, had been used to conduct autopsies – I felt a little chill...

Read more...

A Streetcar Named Desire, Almeida Theatre review - Patsy Ferran rises above fussy staging

It’s a long way from the dank chill of an English winter to the stultifying heat of a New Orleans summer, but we’ve been here before at this venue. Five years on from their award-winning Summer And Smoke, Rebecca Frecknall is back in the director’s...

Read more...

Here, Southwark Playhouse review - award-winning kitchen sink drama goes down the drain

The kitchen sink drama has been a standby of English theatre for 70 years or more, but not always with an actual sink on stage. But there it is, in an everyday home that harbours a secret or two in Clive Judd’s debut play, the winner of the 2022...

Read more...

The Wonderful World of Dissocia, Theatre Royal Stratford East review - wild trip gets a welcome revival

Lisa has lost an hour in a (somewhat contrived) temporal glitch. As a consequence, her world is always sliding off-kilter, not quite making sense, things floating in and out of memory. A watchmaker (himself somewhat loosely tethered to reality)...

Read more...

Tasting Notes, Southwark Playhouse review - whining in the wine bar

LJ's dream has come true - she has her very own wine bar. Unfortunately for us, it turns into a bit of a nightmare.This new musical open on a nostalgic 70s vibe. Tables and chairs fill almost all of Southwark Playhouse's smaller space, a set that...

Read more...

The Darkest Part of the Night, Kiln Theatre - issues-led drama has its heart in the right place

Music plays a big part in the life of Dwight, an 11-year-old black lad growing up in early 80s Leeds. He doesn't fit in at school, bullied because he is "slow", and he doesn't fit in outside school, would-be friends losing patience with him.But he...

Read more...

Mad House, Ambassadors Theatre review - David Harbour is magnificent in Theresa Rebeck's family drama

For sheer extremes of family dysfunction Theresa Rebeck’s Mad House must be aiming to set new records in American drama. The latest in a line that stretches back to Eugene O’Neill, the plentiful other contenders that have appeared over the decades...

Read more...

Mieko Kawakami: All the Lovers in the Night review - the raw relatability of loneliness

Mieko Kawakami is the champion of the loner. Since achieving immense success in the UK with her translated works, she has become an indie fiction icon for her modern, visceral depictions of characters who exist on the fringes of Japanese society....

Read more...

The Glass Menagerie, Duke of York's Theatre review - memories flare and fade

The stage is cluttered with objects; a pianola sits stage left; a large cabinet, soon to be revealed as a display case for tiny glass ornaments, dominates the centre. A man, gaunt, in his 40s perhaps, wanders among this stuff.He is our narrator (...

Read more...
Subscribe to mental health