#MeToo
Rose Plays Julie review - a sombre story of rape, adoption and a search for identitySaturday, 18 September 2021
Rose (Ann Skelly; The Nevers) is adopted. The name on her birth certificate is Julie and the possibility of a different identity – different clothes, different hair, different accent - beckons. If she could embrace this second life, she thinks, she... Read more... |
Oleanna, Arts Theatre review - Mamet on power and tragedyThursday, 29 July 2021
Before seeing this play, I decided to eat a steak. It seemed the right culinary equivalent to David Mamet, one of America’s most provocative and, at times, especially past times, red-blooded writers. This play, whose British premiere was at the... Read more... |
The Most Beautiful Boy in the World review - a harrowing tale vividly toldWednesday, 28 July 2021
The Most Beautiful Boy in the World is the most harrowing film you are ever likely to watch, but don’t let that put you off. This was a documentary waiting to be made. It tells the story of a young beauty propelled into international stardom before... Read more... |
theartsdesk Q&A: Author Sam Mills on the phenomenon of the 'chauvo-feminist'Monday, 29 March 2021
Sam Mills’s writing includes the wondrously weird novel The Quiddity of Will Self, the semi-memoir Fragments of My Father, and Chauvo-Feminism (The Indigo Press), which was released in February 2021. Chauvo-Feminism is a non-fiction long-form essay... Read more... |
Katherine Angel: Tomorrow Sex Will Be Good Again review – the complexities of consentMonday, 08 March 2021
Katherine Angel borrows the title of her latest book, Tomorrow Sex Will Be Good Again, from an essay by Foucault. The phrase parodies the supposed sexual liberation on the horizon in the ‘60s and ‘70s, picking apart the notion that sexuality and... Read more... |
Moxie review - likeable if confused high school comedyWednesday, 03 March 2021
A teen comedy with a thematic difference, Moxie has enough memorable moments to firmly establish comedian Amy Poehler as a director worth reckoning with in what is her second film, following Wine Country in 2019. Telling of the teenage Vivian's... Read more... |
Albums of the Year 2020: Fiona Apple - Fetch the Bolt CuttersMonday, 28 December 2020
Back in October, Fiona Apple – whose Fetch the Bolt Cutters, released in April, captured a particular early pandemic mood – was interviewed by Emily Nussbaum for The New Yorker Festival. “I think we women should be marrying our friends,” she told... Read more... |
Natalie Palamides: Nate: A One Man Show, Netflix review - deep dive into toxic masculinity still has powerThursday, 03 December 2020
Edgy comedy runs the risk of discomfiting the audience so much that they can't relax and enjoy the show. But Natalie Palamides, appearing as Nate, her alter ego, in Nate: A One Man Show on Netflix, pulls it off, and then some.The show, which has a... Read more... |
The Other Lamb review - a surreal portrait of an abusive cultSaturday, 17 October 2020
“Thank you, Shepherd, for allowing us to be your wives. Come down upon me and fill me with yourself.” Collective ecstasy – and a lot of wool – is the order of the day in this cult led by Michael, aka Shepherd (Michiel Huisman; Game of Thrones; The... Read more... |
theartsdesk Q&A: Sally Anne Gross and Dr George Musgrave, authors of 'Can Music Make You Sick?'Saturday, 10 October 2020
Today is World Mental Health Day and of course that means an awful lot of hugs and homilies, thoughts and prayers, deep-breathing exercises and it’s-good-to-talk platitudes from people speaking from positions of immense privilege – ranging from the... Read more... |
Ian Williams: Reproduction review - a dazzling kaleidoscope of life's tragicomedyMonday, 28 September 2020
Ian Williams’s writing is always in motion. For his 2012 poetry collection Personals, and since, he has composed little circular poems, similar (in style though not sentiment) to the posies you sometimes find inscribed on the inside of rings. He... Read more... |
Emma Cline: Daddy review - scintillating short stories by the author of The GirlsMonday, 28 September 2020
The Girls, Emma Cline’s acclaimed debut novel of 2016, was billed as a story based on the Manson murders. But in fact, like some of the stories in Daddy, her new short-story collection (written over a decade, several have already been published in... Read more... |
