mon 24/09/2018

National Theatre

The Best Plays in London

London is the theatre capital of the world, with more than 50 playhouses offering theatrical entertainment. From the mighty National Theatre to the West End, the small powerhouses of the Donmar Warehouse and the Almeida and out to the fringe...

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The Prisoner, National Theatre review - Peter Brook's latest falls sadly flat

Of the Edinburgh International Festival’s three productions by 2018’s resident company, Paris’s Théâtre des Bouffes du Nord, The Prisoner is the most gnomic, the most baffling, and, frankly, the most disappointing. Which is a great shame,...

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Sir Peter Hall: a day of thanksgiving and celebration for a colossus of culture

Sir Peter Hall had no ordinary life, as might be expected from the director who more than any other defined the British theatre of the last half of the 20th century. The same can be said of the unforgettable two-part send-off he received exactly a...

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Pericles, National Theatre review - a fizzingly energetic production

A break-dancing mini Michael Jackson, a transvestite Neptune, and a hero who wears his hubris as proudly as his gold-tipped trainers, are unconventional even by Shakespeare’s standards, but they all play a key part in this joyful act of subversion....

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Home, I'm Darling, National Theatre review - Katherine Parkinson in career-best form

Add Katherine Parkinson to the top rank of theatre performers in a town where talent abounds. As Judy, the retro-minded housewife at the bruisingly comic heart of Laura Wade's National Theatre/Theatre Clwyd collaboration Home, I'm Darling, ...

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Exit the King, National Theatre review - vivid, brilliant production that somehow leaves you feeling empty

The image of a raging, narcissistic tyrant, convinced that he can crush even death into oblivion, has all too many resonances these days. So this visually spectacular National Theatre resurrection of Ionesco’s 1962 play, adapted and directed by...

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The Lehman Trilogy, National Theatre review - an acting tour de force

There's surprising and then there's The Lehman Trilogy, the National Theatre premiere in which a long-established director surprises his audience and, in the process, surpasses himself. The talent in question is Sam Mendes, who a quarter-century or...

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Julie, National Theatre review - vacuous and unilluminating

It seems appropriate that an onstage blender features amidst Tom Scutt's sleek, streamlined set for Julie given how many times Strindberg's 1888 play has been put through the artistic magimix. Rarely, however, have the results been less illuminating...

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Translations, National Theatre review - an Irish classic returns with cascading force

What sort of physical upgrade can a play withstand? That question will have occurred to devotees of Brian Friel's Translations, a play that has thrived in smaller venues (London's Hampstead and Donmar, over time) and had trouble in larger spaces: a...

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Ian Rickson: 'I'm an introvert, I want to stop talking about myself' - interview

Ian Rickson’s route into theatre was not conventional. Growing up in south London, he discovered plays largely through reading them as a student at Essex University. During those years he stood on a picketline in the miners’ strike, and proudly...

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Nine Night, National Theatre review - Jamaican family drama full of spirit

The good news about so-called black drama on British stages is that it has broken out of its gangland violence ghetto and now talks about a whole variety of other subjects. Like loss. Like death. Like mourning. So London-born actress Natasha Gordon’...

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Absolute Hell, National Theatre review - high gloss show saves over-rated classic

Rodney Ackland must be the most well-known forgotten man in postwar British theatre. His legend goes like this: Absolute Hell was originally titled The Pink Room, and first staged in 1952 at the Lyric Hammersmith, where it got a critical mauling....

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