thu 27/06/2019

National Theatre

The Best Plays in London

London is the theatre capital of the world, with more than 50 playhouses offering theatrical entertainment. From the mighty National Theatre to the West End, the small powerhouses of the Donmar Warehouse and the Almeida and out to the fringe...

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Rutherford and Son, National Theatre review - authentic northern tale

Githa Sowerby is the go-to playwright if you want a feminist slant on patriarchy in the industrial north in Edwardian times. Her 1912 classic, Rutherford and Son, has been regularly revived over the past 30 years, and now the National Theatreis...

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The Lehman Trilogy, Piccadilly Theatre review - stunning chronicle of determination and dollars

Mammon and Yahweh are the presiding deities over an epic enterprise that tells the story not just of three brothers who founded a bank but of modern America. Virgil asked his Muse to sing of ‘arms and the man’, yet here the theme becomes that of ‘...

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ANNA, National Theatre review - great thriller, shame about the tone

Stasiland is a fascinating mental space. As a historical location, the former East Germany, or GDR, is the archetypal surveillance state, in which each citizen spies on each other citizen, even if they are intellectual dissidents. The Communist...

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Small Island, National Theatre review - fun epic takes ages to warm up

Novelist Andrea Levy's 2004 masterpiece, Small Island, is a tribute to the Windrush Generation, those migrants to England from the Caribbean that came first on the HMT Empire Windrush in 1948, and then subsequently on other ships. Being British...

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Top Girls, National Theatre review - dazzlingly perceptive classic

Caryl Churchill is a phenomenal artist. Not only has she written a huge body of work, but each play differs in both form and content from the previous one, and she has continued to write with enormous creative zest and flair well into her maturity....

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Follies, National Theatre review - the Sondheim spectacular returns, better than ever

This is a golden age of London Sondheim revivals, with Marianne Elliott’s thrilling Company still playing in the West End, and Dominic Cooke’s Follies getting a hugely welcome second run at the National – both testament to a director’s...

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Tartuffe, National Theatre review - morality-heavy version of the comedy classic

Here's a recipe for a successful National Theatre production: take a well-loved classical comedy, employ an outstanding young director and a talented writer (so much the better if they have a proven track record together) and cast gold-standard...

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Home, I'm Darling, Duke of York's Theatre review - Katherine Parkinson rules the roost

The Fifties? They were terrible: bone-cold houses where people huddled round the fireplace for heat, empty Sundays that lasted a month, drawn-out rationing, bread you could build houses with. It was all making do and mending and "grey meat, grey...

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When We Have Sufficiently Tortured Each Other, Dorfman Theatre review - Cate Blanchett's underwhelming debut at the National

When it was announced that Cate Blanchett was making her National Theatre debut with Martin's Crimp's new play, When We have Sufficiently Tortured Each Other, its website exploded with people wishing to buy tickets. To those many thousands...

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Best of 2018: Theatre

Will pride of place amongst theatre productions every year go in perpetuity to the work of Stephen Sondheim? One might be tempted to think so given the preeminence during 2017 of Dominic Cooke's breathtaking revival of Follies (due back in the...

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The Tell-Tale Heart, National Theatre review - bloody good fun as well as bloody

The Tell-Tale Heart may be the title of an 1843 short story by Edgar Allen Poe, but rest assured that Anthony Neilson's adaptation of it for the National contains this theatre maverick's signature throughout. To be sure, the play charts a Poe-esque...

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