new writing
Brian Klaas: Fluke review - why things happen, and can we stop them?Saturday, 27 January 2024
One day in the early 90s I accepted the offer of a lift from a friend to a university open day I hadn’t been planning to go to. I ended up attending that university and there met my wife, and if I hadn’t done that my life would have been very... Read more... |
Best of 2023: BooksSunday, 31 December 2023
From wandering Rachmaninoff to Ulysses tribute, or a poet’s boyhood in Dundee to sleeplessness and arboreal inner lives, our reviewers share their literary picks from 2023.Prototype Press continues to publish much of the most interesting British... Read more... |
A Woman Walks into a Bank, Theatre 503 review - prize-winning play delivers on its promiseThursday, 14 December 2023
We’re in Moscow (we hear that quite a lot) where an ageing woman on a rare trip out of her apartment block catches sight of an advert in a bank’s window. She is soon inside and subjected to a sales pitch by a keen young bank "manager", torn between... Read more... |
Pandemonium, Soho Theatre review - satire needs a shot of Pfizer's finest to revive tired storylinesWednesday, 13 December 2023
In 2020, throughout the country, many people’s lives were affected adversely by an ever-present threat to our already fragile society. Though most got over it, many people still bear the cost every day, sapping them of energy, making them cough and... Read more... |
Infinite Life, National Theatre review - beguiling new comedy about a world of painMonday, 04 December 2023
A sun deck with seven pale-green padded loungers is the latest setting for the latest National Theatre premiere from American playwright Annie Baker to people in her inimitable way. In her hands this banal space is as dramatically charged as... Read more... |
£1 Thursdays, Finborough Theatre review - dazzling new play is as funny and smart as its two heroinesMonday, 04 December 2023
It’s 2012 and the London Olympics might as well be happening on the Moon for Jen and Stacey. In fact, you could say the same for everyone else scrabbling a living in Bradford – or anywhere north of Watford – and we know what those left-behind places... Read more... |
Passing, Park Theatre review - where do we go from here?Monday, 20 November 2023
“It’s nothing like Christmas,” Rachel (Amy-Leigh Hickman) hisses at her brother David (Kishore Walker). She’s trying to wrangle her family into their first ever Diwali celebration, but everything’s going wrong. Her dad Yash (Bhasker Patel) is... Read more... |
Nineteen Gardens, Hampstead Theatre Downstairs review - intriguing, beautifully observed two-hander tilts power this way and thatSaturday, 11 November 2023
A middle-aged man, expensively dressed and possessed of that very specific confidence that only comes from a certain kind of education, a certain kind of professional success, a certain kind of entitlement, talks to a younger woman. Despite the fact... Read more... |
Backstairs Billy, Duke of York's Theatre review - starry and gently subversive, tooWednesday, 08 November 2023
Rarely has a play's opening been so opportune. Just when it looked as if the West End was slipping into decline, along comes the smart, shrewd Backstairs Billy to allay mounting fears of late that the commercial theatre had lost all sense of quality... Read more... |
Lyonesse, Harold Pinter Theatre review - a step backwards for #MeTooThursday, 26 October 2023
Penelope Skinner’s new play is one of the most eccentric things I’ve seen in a long time. It’s undoubtedly entertaining, with an engagingly bonkers attempt by Kristin Scott Thomas to navigate an almost impossible role, perched between victim,... Read more... |
The Flea, The Yard Theatre review - biting satire fails to stingThursday, 19 October 2023
A flea bites a rat which spooks a horse which kicks a man and… an empire falls?James Fritz has won writing awards already in his developing career, but he has set himself quite the challenge to weave a thread that can bear that narrative weight. Two... Read more... |
Imposter 22, Royal Court Theatre review - ace on representation, less so on structureWednesday, 04 October 2023
The Royal Court’s collaboration with Access All Areas (AAA) may not be theatre’s first explicit embrace of the neurodiverse community on stage: Chickenshed has five decades of extraordinary inclusive work behind them and Jellyfish, starring Sarah... Read more... |
