new writing
Imposter 22, Royal Court Theatre review - ace on representation, less so on structureWednesday, 04 October 2023
The Royal Court’s collaboration with Access All Areas (AAA) may not be theatre’s first explicit embrace of the neurodiverse community on stage: Chickenshed has five decades of extraordinary inclusive work behind them and Jellyfish, starring Sarah... Read more... |
Infamous, Jermyn Street Theatre review - Lady Hamilton challenges the patriarchy and losesThursday, 14 September 2023
Towards the end of the 18th century, Lady Emma Hamilton (like so much in this woman's life, hers was a title achieved as much as bestowed) was the “It Girl” of European society.They’ve always been around – women who have the combination of... Read more... |
Disruption, Park Theatre review - relevant and resonantFriday, 21 July 2023
Plays chronicling the unscrupulous collision of high finance and big tech seem 10 a penny these days. Some writers, such as Joseph Charlton, seem to have built entire careers around telling glossy tech morality tales (for my money the best in this... Read more... |
Stumped, Hampstead Theatre review - Beckett and Pinter, waiting for DoggoWednesday, 28 June 2023
Much of cricket comprises waiting – you wait on the boundary to hear news of the toss, you wait your turn to bat, you heed the call of your batting partner to wait to see if a run is on, you wait for the rain to stop. A friend once told me that he... Read more... |
Dear England, National Theatre review - filtering the national narrative through sportWednesday, 21 June 2023
"Is everything loss?" the great Oliver Ford Davies once asked on the National's Olivier stage, in the closing moment of David Hare's masterful Racing Demon. That question informs another masterful play, James Graham's Dear England, newly opened... Read more... |
Jacqueline Rose: The Plague review - tracing our response to tragedySaturday, 17 June 2023
In The Plague: Living Death in Our Times, Jacqueline Rose makes a surprising pivot from her usual topics – Sylvia Plath, children’s fiction, Zionism, to name a few – to throw a spotlight on the Covid-19 pandemic. It was hard to process the... Read more... |
Caleb Azumah Nelson: Small Worlds review - Ghana and London dance togetherWednesday, 14 June 2023
Small Worlds, the second novel from Caleb Azumah Nelson, is a delight: a book with a real feeling for sound and dance, and a sense of place from London to Ghana and back again. It’s a story of a first romance, the intricacies of family life, the... Read more... |
Andrey Kurkov: Jimi Hendrix Live in Lviv review - a city speaks its multitudesSaturday, 10 June 2023
Rock music helped to subvert the Soviet Union by glamorising youthful rebellion and the West. In the opening scene of Andrey Kurkov’s novel Jimi Hendrix Live in Lviv, a bunch of ageing hippies gather at night on the anniversary of the American... Read more... |
F**cking Men, Waterloo East Theatre - sex and not much elseMonday, 22 May 2023
“This audience is very diverse, isn’t it?” joked one of the audience members at Fucking Men at Waterloo East Theatre, a reworking of Tony-winning writer Joe DiPietro’s seminal 2008 play (itself a reworking of Arthur Schnitzler’s La Ronde, written in... Read more... |
A Brief List of Everyone Who Died, Finborough Theatre review - 86 years, punctuated by fun and funeralsSaturday, 20 May 2023
The family pet dies. It’s a problem many parents face, and when Gracie learns from her evasive father that her dog isn’t just gone, but gone forever, her five-year-old brain cannot process it and so begins a lifelong relationship with deaths,... Read more... |
Biscuits for Breakfast, Hampstead Theatre review - hunger and an aching humanityThursday, 18 May 2023
Food is the centrepiece of Gareth Farr’s chilling new play Biscuits for Breakfast. Meals are described so delicately that the rich steams of them cooking are almost scented. But though they are prepared, shared and savoured with fondness,... Read more... |
Susan Finlay: The Lives of the Artists review - the knotted threads of memoir and artWednesday, 17 May 2023
Benvenuto Cellini’s My Life (1728) is not the artist-biography to which Susan Finlay’s The Lives of the Artists pays its most obvious homage, but it appears to have followed its advice. All men of achievement and honesty, Cellini argues, "should... Read more... |
