fri 20/06/2025

New York

Collective Rage, Southwark Playhouse review - a rollicking riot

“Pussy is pussy” and “bitches are bitches” but Jen Silverman’s Collective Rage at Southwark Playhouse smashes tautologies with roguish comedy in a tight five-hander smartly directed by Charlie Parham.The play is set in New York and follows the ad...

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Dry Powder/Yous Two, Hampstead Theatre review - Hayley Atwell has competition

Sometimes it pays to come in under the radar. By way of proof consider two simultaneous Hampstead Theatre premieres, one boasting star wattage courtesy Hayley Atwell fresh off TV's Howards End, the other a debut play from a young writer...

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John, National Theatre review - in for the long haul?

On their return home from Ohio to New York, young couple Jenny and Elias (Anneika Rose and Tom Mothersdale, main picture) make a detour to Gettysburg for a few days’ sightseeing. Elias has been fascinated by the town and its bloody history since he...

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DVD/Blu-ray: Alice in the Cities

“With that film I became a filmmaker,” Wim Wenders remembers in one of the extras accompanying this new release of his 1974 Alice in the Cities. More importantly, it’s the one that convinced him that he wanted to be one. His third film after...

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Molly's Game review - Jessica Chastain gets her poker face on

After her brittle and unloveable turn in John Madden’s Washington-lobbyist drama Miss Sloane, Jessica Chastain gets the chance to do it again, properly. This is thanks to Aaron Sorkin, whose directing debut Molly’s Game is. More to the point, his...

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Menashe review - Yiddish-language film with a heart of gold

On paper this film sounds so worthy: a widowed Orthodox Jewish father struggles to convince the Hassidic community elders that he can raise his young son alone after the death of his wife. But it’s the opposite of worthy on screen – Menashe is...

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The Melting Pot, Finborough Theatre review - entertaining morals

Israel Zangwill’s 1908 play The Melting Pot characterises Europe as an old and worn-out continent racked by violence and injustice and in thrall to its own bloody past. America, on the other hand, represents a visionary project that will “melt...

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Tina Brown: The Vanity Fair Diaries 1983-1992 review - portrait of an era of glitz and excess

Tina Brown’s first Christmas issue of Vanity Fair in 1984 had this to say about “the sulky, Elvisy” Donald Trump: “…he’s a brass act. And he owns his own football team. And he thinks he should negotiate arms control agreements with the Soviet Union...

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Good Time review - heist movie with stand-out performance by Robert Pattinson

This is not a movie to see in the front row – intrusive close-ups, hand-held camerawork, colour saturated night shots and a relentless synthesiser score all conspire to make Good Time a wild ride. An unrecognisable Robert Pattinson plays Connie...

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The Best of AA Gill review - posthumous words collected

Word wizard. Grammar bully. Sentence shark. AA Gill didn’t play fair by syntax: he pounced on it, surprising it into splendid shapes. And who cared when he wooed readers with anarchy and aplomb? Hardly uncontroversial, let alone inoffensive (he...

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Age of Terror: Art Since 9/11, Imperial War Museum review - affecting but incoherent

The Imperial War Museum’s Age of Terror: Art since 9/11 brings together art made in response to the immediate events and long-term consequences of the events of 11 September. In the main the exhibition is more historical survey of conflict-related...

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Venus in Fur, Theatre Royal Haymarket review - pain and pleasure in a starry two-hander

A hit on Broadway, David Ives’s steamy two-hander now boasts Natalie Dormer and David Oakes, well-known for their screen work, in its West End cast, with Patrick Marber on directing duties. That plus the tabloid panting over Dormer’s skimpy S&M...

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