Old Vic
The Divide, Old Vic review - Alan Ayckbourn’s overblown dystopiaThursday, 08 February 2018
Playwright Alan Ayckbourn basically comes in two flavours: suburban comedies of embarrassment and sci-fi fantasies. His latest, The Divide, which premiered at the Edinburgh International Festival last year in a two-part six-hour version, has been... Read more... |
A Christmas Carol, Old Vic review - Rhys Ifans takes on Scrooge, triumphantlyThursday, 30 November 2017
Fresh from the success of Harry Potter and the Cursed Child, Jack Thorne now gives us his exuberant adaptation of another much-loved text. Charles Dickens’ novella A Christmas Carol is the well-worn morality fable seared into our collective memory... Read more... |
The Lorax, Old Vic Theatre review - a sage tale for young theatre goersWednesday, 25 October 2017
With mentions of Theresa May, cricket jumpers and DMs, Trump slurs and a host of characters with Northern accents, The Old Vic's return version of Dr Seuss' The Lorax, proves itself to be poles apart from the recent, popular Universal Pictures movie... Read more... |
Girl from the North Country, Old Vic review – Dylan songs hit home, the rest is weirdnessThursday, 27 July 2017
Plays with songs in, or more precisely plays with famous songs in, can feel like the uncanny valley of theatre. They’re not quite musicals and not quite tribute shows. They deliver on familiar tunes and disconcert with fresh narrative. You’re... Read more... |
Woyzeck, Old Vic review - John Boyega’s thrillingly powerful triumphWednesday, 24 May 2017
Welcome back, John Boyega. Less than a decade ago, he was an unknown budding British stage actor, then he took off as a global film star thanks to his role as Finn in Star Wars: The Force Awakens after his debut in Attack the Block, the comedy sci-... Read more... |
Rosencrantz and Guildenstern Are Dead, Old VicWednesday, 08 March 2017
To the list of abiding theatrical partnerships one must surely add Tom Stoppard and the director David Leveaux. From his Tony-winning revival of The Real Thing onwards to Jumpers and Arcadia, all of which played both London and Broadway, Leveaux has... Read more... |
Art, Old VicThursday, 22 December 2016
I avoided seeing Art when it was first staged in 1996, even though Matthew Warchus’ production created a huge buzz and won an Olivier Award for Comedy. (On receiving the award, Yasmina Reza joked that she thought she’d written a tragedy not a comedy... Read more... |
King Lear, Old VicSaturday, 05 November 2016
The signs were there early in Glenda Jackson's career that she would one day have what it takes to "ascend the Everest" (as the cliché has it) of Lear. So powerful was her performance as Ophelia in Peter Hall's production of Hamlet in 1965 that... Read more... |
No's Knife, Old VicTuesday, 04 October 2016
Nobody said that a 70-minute audience with the undead was going to be easy. You can read Samuel Beckett's Texts for Nothing in your own time, pausing for thought, leaving off, coming back. When as compelling an actor as Lisa Dwan chooses not just to... Read more... |
Jekyll & Hyde, Old VicFriday, 27 May 2016
From time to time theatre managements hit on the idea that danced drama should be part of their remit. Nick Hytner flirted with it at the National in his day with a run of productions for Lloyd Newson and his company DV8. Now Matthew Warchus, his... Read more... |
The Caretaker, Old VicThursday, 07 April 2016
It’s raining. Well, of course – it’s April in London. But it’s also pouring down on the Old Vic stage, hammering an already battered slate roof. When it lifts to reveal the semi-derelict attic, site of Harold Pinter’s groundbreaking 1960 play, the... Read more... |
The Master Builder, Old VicThursday, 04 February 2016
Demons, trolls and dead souls have a habit of latching onto Ibsen's bourgeois Norwegians. Surely the best way for actors to handle them is to keep it natural, make them part of the furniture and, in Dostoyevsky's words, "render the supernatural so... Read more... |
