painters
Soutine's Portraits, Courtauld Gallery review - a superb, unsettling showMonday, 23 October 2017![]() This is the latest in a line of beautifully curated, closely focused exhibitions that the Courtauld Gallery does so well. Its subject is the great Russian-French painter Chaim Soutine (1893-1943) who, remarkably, has not had a UK exhibition devoted... Read more... |
David Bomberg, Pallant House Gallery, Chichester review - a reputation restoredSaturday, 21 October 2017![]() During his time at the Slade David Bomberg — the subject of a major new retrospective at Pallant House Gallery — was described as a "disturbing influence". The fifth son of Polish-Jewish parents who fled the pogroms, he grew up at the turn of the... Read more... |
Loving Vincent review - Van Gogh biopic of sorts lacks language to match its visualsFriday, 13 October 2017![]() Loving Vincent was clearly a labour of love for all concerned, so I hope it doesn't seem churlish to wish that a Van Gogh biopic some seven or more years in the planning had spent more time at the drawing board. By that I don't mean yet further... Read more... |
Matisse in the Studio, Royal Academy review - a fascinating compilationFriday, 04 August 2017![]() A 19th-century silver and wood pot in which to make chocolate, pertly graceful; 17th-century blue and white Delftware; a Chinese calligraphy panel; a 19th-century carved wooden god from the Ivory Coast; a bronze and gold earth goddess from South-... Read more... |
Sargent, Dulwich Picture Gallery review - wonders in watercolourThursday, 29 June 2017![]() This sparkling display of some four score watercolours from the first decade of the last century throw an unfamiliar light on the artistry of John Singer Sargent (1856-1925), the last great swagger portrait painter in the western tradition. None... Read more... |
Fahrelnissa Zeid, Tate Modern review - rediscovering a forgotten geniusFriday, 16 June 2017![]() I can’t pretend to like the work of Fahrelnissa Zeid, but she was clearly an exceptional woman and deserves to be honoured with a retrospective. She led a privileged life that spanned most of the 20th century; born in Istanbul in 1901 into a... Read more... |
Canaletto & the Art of Venice, The Queen's Gallery - previewTuesday, 16 May 2017![]() Even today, the perception of Venice as a city only half-rooted in mundane reality owes a great deal to Canaletto (1697-1768), an artist who made his name producing paintings for English tourists visiting Italy in the 18th century. Recognisable... Read more... |
Alberto Giacometti, Tate ModernSaturday, 13 May 2017![]() Chain-smoking and charismatic, the painter, sculptor, draughtsman and printmaker Alberto Giacometti (1901-1966) lived much of his life in Paris from his arrival there in his twenties. He was just in time for post-war cubism and pre-war surrealism,... Read more... |
Bruegel, Holburne Museum, BathSaturday, 11 March 2017![]() Painted in c.1640, David Teniers the Younger’s Boy Blowing Bubbles depicts a theme that would have been entirely familiar to his wife’s great-grandfather, the founder of one of art’s most illustrious dynasties, Pieter Bruegel the Elder (c.1525-1569... Read more... |
Vanessa Bell, Dulwich Picture GalleryTuesday, 28 February 2017![]() The Other Room, dating from the late 1930s, is the largest painting in Dulwich Picture Gallery's landmark retrospective, the first show to be dedicated to Vanessa Bell since a posthumous Arts Council show in 1964. In it, three women inhabit a space... Read more... |
Michael Andrews, Gagosian GalleryTuesday, 31 January 2017![]() Drifting, floating, running, crowding: all these feelings of movement and stasis apply in a mesmerising selection of scenes, imagined and observed over 40 years by a true original. Michael Andrews (1928-1995), born and brought up in Norwich, studied... Read more... |
Painters’ Painters, Saatchi GalleryMonday, 05 December 2016![]() The nine artists in this exhibition mainly paint large, eye-catching canvases; yet the most arresting image on show is a tiny, rather tentative picture of an unprepossessing man with yellow hair. It is hard to say why Richard Aldrich’s ethereal... Read more... |
