Paris
Markie Robson-Scott
Elie Wajeman’s moodily lit film noir is, among other things, a great advertisement for the French healthcare system. Doctors in Paris do home visits! Even at night, and even for minor troubles such as a painful leg or stomach upset. It costs slightly more than going to the surgery, but t’inquiète pas, you’ll be reimbursed. Just don't lose your insurance card.Mikaël Kourtchine (Vincent Macaigne), leather-jacketed, bearded and slightly hang-dog, is one of these night doctors and although apparently a devoted father, has been doing more than his fair share of night shifts. Although the film Read more ...
Marianka Swain
One of the many theatrical casualties of Omicron in December was the official UK opening of Moulin Rouge!, the stage version of Baz Luhrmann’s indelible 2001 film that has already racked up 10 Tony Awards for its 2019 Broadway production (albeit in a depleted season). Thankfully, the show is now back at full strength, and, if anything, its explosion of song, colour and eye-popping spectacle is even more welcome during these grey January days.Once again, we’re entering the fantasy that is the Moulin Rouge nightclub in fin de siècle Paris, where the show’s star, courtesan Satine (Liisi Read more ...
Graham Fuller
The restrictiveness of conventional gender identities explains the extreme body horror of Titane, in which a pregnant rookie firefighter frequently invoked as Jesus bleeds car oil from her vagina and from the stigmatic splits in her swollen belly. The miracle of Julia Doucournau’s luridly beautiful Palme d’Or-winner is that the memory of the violence puncturing the film's first half recedes as loving tenderness takes hold.Protagonist Alexia (first-time actor Agathe Rousselle magnificently channelling punk snottiness and catwalk hauteur) may be a serial killer who’s been impregnated by a car, Read more ...
Mark Kidel
The exhibitions of the German artist Anselm Kiefer have always been spectacular: large works with a numinous presence, often breath-taking and always mysterious. His new installation in Paris’s Grand Palais Ephémère, the temporary structure at the end of the Champ de Mars which stretches south from the Eiffel Tower, is perhaps the most ambitious work he has ever presented in a museum space.As in the Grand Palais, which is undergoing a major restoration, this is a cavernous space, one that invites artworks of gigantic scale. “Anselm Kiefer Pour Paul Celan” belongs to the tradition established Read more ...
Graham Fuller
GW Pabst’s The Love of Jeanne Ney (1927), adapted from the novel by the Russian revolutionary author Ilya Ehrenburg, is a fascinating example of a major movie, vividly rendered by a filmmaker at his peak, that was compromised by its producers’ commercial agenda.Survive though it does as a late-silent-era German classic, Pabst’s sixth feature suffers in comparison with his Joyless Street (1925), the Louise Brooks vehicles Pandora’s Box and The Diary of a Lost Girl (both 1929), and The Threepenny Opera (1931).The arch-realist Pabst was the leading exponent of the socially driven Neue Read more ...
Sebastian Scotney
Jef Costello, the lone contract killer in Le Samouraï (Jean-Pierre Melville, 1967), carries out the murder of the boss of a night club. We see how meticulously he has prepared for it, including the construction of an airtight alibi involving precise times – which others will corroborate – for his arrivals and departures at locations other than the scene of the crime. In spite of that, he is rounded up on the same night, identity-paraded the following morning, and once he is released by the police, he still remains their main suspect. And then finds he is also being pursued by his Read more ...
Jenny Gilbert
How do you picture Gene Kelly? Most likely in his effervescent screen persona, either as the burly ex-GI of An American in Paris, or as the hoofer without a raincoat in Singin’ in the Rain.You’re less likely to picture him peering through a movie camera lens. Yet of the 47 films Kelly made over his 50-year career, he directed 11 of them and was choreographer on 27. His legacy, he believed, was what he delivered behind the camera, not in front of it.He also attained the distinction, in 1960, of being the first American commissioned to choreograph for the Paris Opera Ballet (George Balanchine Read more ...
Bill Knight
Paris Photo 2021 was a wonderful show. Back after the pandemic it was moved to the Grand Palais Éphémère, a temporary structure built to host major art exhibitions while the Grand Palais itself is modernised in preparation for the 2024 Olympics. There were 178 exhibitors at the Grand Palais from 29 countries, 19 solo shows and 8 duo shows. There were thousands of images on display.Paris Photo is conceived on a grander scale than say, Photo London. The French love photography and between Paris Photo, the Rencontres d’Arles and other major shows, such as the Walther collection currently at the Read more ...
Graham Rickson
This weighty box set contains all 52 episodes of the BBC’s take on George Simenon's Maigret, four seasons of which were made and broadcast between 1960 and 1963. Given how much vintage BBC material has been wiped, that this series can now be watched on Blu-ray is little short of miraculous.Decently restored from the monochrome originals, the majority of the instalments stand up pretty well, despite the spartan sets and bewildering range of accents on display. The amount of Parisian location footage is a surprise, adding to the series’ authenticity. Studio sequences were shot live, leading to Read more ...
Sarah Kent
Isamu Noguchi may not be a household name, yet one strand of his work is incredibly familiar. In 1951 he visited a lamp factory in Gifu, a Japanese city famous for its paper lanterns. This prompted him to design the lampshades that, for decades, have adorned nearly every student’s bedsit.Strips of fine white paper made from mulberry tree bark are glued onto bamboo ribs to create a design that is amazingly versatile and comes in all shapes and sizes. Spheres are the most popular, but Noguchi also designed rectangles, cubes, pyramids, ellipses and columns alongside forms resembling pumpkins, Read more ...
Markie Robson-Scott
This is the story of a boy and a building. Sixteen-year-old Youri (newcomer Alseni Bathily) lives, with his telescope, in Cité Gagarine, a vast red-brick Sixties apartment complex in Ivry-sur-Seine, an eastern suburb of Paris governed by the French Communist party.Named after Soviet cosmonaut Yuri Gagarin, it was once a showcase for the party, a modern, utopian, rent-subsidised setting for working-class supporters. But it mirrored the party’s decline and lapsed into disrepair – asbestos, rats, broken lifts, crime – and was, in reality, demolished in 2019.Directors Fanny Liatard and Jérémy Read more ...
Mark Kidel
Joseph Losey’s career covered a great deal of ground, and several continents. From The Boy with the Green Hair, a noirish sci-fi film from 1948, through to his richly psychological collaborations with Harold Pinter, The Servant (1963), Accident (1967) and The Go-Between (1971), he navigated an outsider’s route, rooted in 1930s left-wing connections – after he had studied with Bertolt Brecht and worked extensively in the American theatre. He was also a master of the thriller, and some of his best (and under-rated) films include The Sleeping Tiger (1954) and The Criminal (1960), both made in Read more ...