fri 19/04/2024

Pina Bausch

Auf dem Gebirge hat man ein Geschrei gehört, Tanztheater Wuppertal, Sadler's Wells

Retrospectives are difficult in dance, and for Pina Bausch's brand of Tanztheater, even more difficult. A great deal of her oeuvre's impact derives from the special atmosphere of her Wuppertal company, whose dancers were devoted to her and to each...

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Sweet Mambo, Tanztheater Wuppertal Pina Bausch, Edinburgh Playhouse

The Edinburgh Playhouse is the largest UK theatre regularly used for dance. The stalls alone seat more than the total capacity of Sadler’s Wells, and the two circles combined seat even more again, for a maximum audience of 3,059. To see it filled...

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1980, Tanztheater Wuppertal, Sadler's Wells

Review convention is to put this at the end, but I can’t risk you stopping reading before I can say: go and see 1980 while it is at Sadler's Wells this week. It is one of the most extraordinary works you will ever watch.If ballet is about...

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Still Shocking - The Rite of Spring 100 Years On

Victims driven to death by the mob, women and men violently rutting in animal costumes, a black comedy about a snatched baby, a naked man dancing alone in his own fantasy - many and varied are the images in the nearly 200 danceworks created to the...

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Vollmond, Tanztheater Wuppertal Pina Bausch, Sadler’s Wells

If you are a Bausch newbie, Vollmond (Full Moon) may well be the place to start. “It’s a full moon,” says Nazareth Panadero, giving us a cynical smirk. “Don’t get drunk,” she adds before sauntering off. Glasses are raised and, as always in Bausch,...

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Wiesenland, Tanztheater Wuppertal Pina Bausch, Sadler's Wells

Let us conclude, after London’s season of World Cities - 10 dance shows - that Pina Bausch was not a choreographer. She began 50 years ago in Essen as a ballet dancer and like so many dancers in that field got bored with the rules. When she took...

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Palermo, Palermo, Tanztheater Wuppertal Pina Bausch, Sadler's Wells

The curtain rises onto a wall that totally blocks the view. A long silence... then, without warning, the wall collapses – to cheers of delight from the audience. For the rest of the evening, the dancers have to pick their way over rubble strewn...

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Água, Tanztheater Wuppertal Pina Bausch, Barbican Theatre

It opens with a siren saying she’s got cramp. She’s glad she’s got cramp because she can stay outside and enjoy the sky. It closes with people blowing water at each other, glugged from plastic bottles. In between nothing happens.Well, that’s not...

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Nefés, Tanztheater Wuppertal Pina Bausch, Sadler's Wells

Istanbul, even more than Rome, is the point in the world where tectonic plates of civilisations collide: Europe, Arabia and Asia, Muslim Istanbul and Christian Constantinople, fundamentalists and secularists, 21st-century women and 15th-century men...

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Bamboo Blues, Tanztheater Wuppertal Pina Bausch, Barbican Theatre

Premiered in 2007, Bamboo Blues was generated by a visit to Kolkata; and with the simplest of means, designer Peter Pabst conjures the vast landscapes of India. The first half unfolds against a backdrop of white muslin curtains rippling in the wind...

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Der Fensterputzer, Tanztheater Wuppertal Pina Bausch, Sadler’s Wells

It may be that designer Peter Pabst is the unsung hero of Tanztheater Wuppertal’s “World Cities” extravaganza. When the lights go down at Sadler’s Wells for Der Fensterputzer (The Window-washer), the stage is dominated by a vast mountain of glowing...

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Ten Chi, Tanztheater Wuppertal Pina Bausch, Barbican Theatre

The Japanese dance public is overwhelmingly female, so it’s not surprising that Pina Bausch’s paean to Saitama, Ten Chi, is so girly. The fourth in the series of “World Cities” that’s sold out London’s two great dance centres, the Barbican and...

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