politics
David Kettle
There is, let’s be honest, a certain self-congratulatory self-satisfaction among some particularly well-heeled sections of the Edinburgh International Festival audience, event-goers who’ve forked out a fortune to be fed high culture carefully curated for them, and who either reside in some of the city’s most well-off districts or have perhaps travelled hundreds, even thousands of miles for the pleasure.Heck, a group in front of me were even discussing the merits of the city’s various private members’ clubs, and the intricate exclusionary processes for admission, while waiting for their Read more ...
Matt Wolf
Would Jamie Lloyd's mind-bending revival of Evita win through twice in four weeks, I wondered to myself, paraphrasing a Tim Rice lyric from his 1978 collaboration with Andrew Lloyd Webber?This is the first Lloyd Webber musical I ever saw in its original production on Broadway, which is to say the storied Hal Prince staging that brought Tonys to all concerned, including co-stars Patti LuPone and Mandy Patinkin.But could my visceral response at a press preview be equalled several weeks later once all involved had settled into their (too-short) run? As the show itself puts it in a different Read more ...
Gary Naylor
Now 45 years in the past, its dazzling star gone a decade or so, The Long Good Friday is a monument of British cinema. Its extraordinary locations, caught just before London’s Docklands were transformed forever, speaks to a past world. But the wheeler-dealer, Harold Shand, played by Bob Hoskins at the peak of his powers, left many ancestors, from his near contemporary, Arthur Daley, to a few who have ascended to the highest Offices of State.One such, conjured into life by Robin Hawdon in the early 90s, is Arthur Bullhead (of course, Arthur Bullhead) owner of The Bunty, moored on the Thames Read more ...
aleks.sierz
The first rule for brown people, says the main character – played by BAFTA-winner Adeel Akhtar – in this highly entertaining dramedy, is not to let white people know how badly non-whites treat each other. This provocative statement comes towards the end of Shaan Sahota’s debut, The Estate, and with hilarious irony it perfectly describes the main vibe of the family conflict at the heart of the play.Staged in the National Theatre’s Dorfman space, and one of the final productions programmed by former artistic director Rufus Norris, the play tells the story of a British Sikh politician whose Read more ...
Nick Hasted
A glamorous black woman sits in a Forties bar under a Vichy cop’s gaze, cigarette tilted at an angle, till two male companions join her in clandestine conversation. The woman is Suzanne Césaire (Zita Hanrot), an influential Martinican journalist and essayist on Surrealism, feminism, Négritude (Francophone black consciousness) and an anti-colonial philosophy honed to a dangerous edge by the Fascist-aligned authorities. More intriguingly for director Madeleine Hunt-Ehrlich, following this feverishly productive period, Césaire never published another word.That conventional biopic scenario, with Read more ...
Gary Naylor
What am I, a philosophical if not political Marxist whose hero is Antonio Gramsci, doing in Harvey Nichols buying Comme des Garçons linen jackets, Church brogues and Mulberry shades? It’s 1987 and I do wear it well though…Chiara Atik’s comedy crosses the Atlantic bearing prizes and venom and could hardly have fetched up anywhere more suited than leafy Richmond’s Orange Tree Theatre. A once Lib-Dem / Conservative marginal seat has swung decisively to the former and seems unlikely to swing back rightwards any time soon. In the programme, the playwright says she wants “to challenge us… to take a Read more ...
Heather Neill
The National Health Service was established 77 years ago this month. Resident doctors are about to strike for more pay, long waiting lists for hospital treatment and the scarcity of GP appointments continue to dog political conversation, while the need for reform of the system provides a constant background hum. The idea for a national health service free at the point of need was always ambitious and remains challenging, but the NHS has become a cross between a religion and a beloved – if problematic – family. And it still deserves to be celebrated as it is here, even ending with Read more ...
Joe Muggs
I met Mark Stewart once. It was on a platform at Clapham Junction, I wouldn’t normally approach a famous person like that, but I felt I had to pay my respects. It turned out he was getting on my train – going down to Dorset to “visit his old Ma” – and we talked on and off down to Southampton. He was hilarious, half scholar and gentleman, half lively uncle at a family function loudly telling old-school “blue” jokes, all in the thickest West Country burr this side of The Wurzels. I was glad I had done the gauche thing, doubly so after he died in 2023. Where meeting your heroes can sometimes Read more ...
caspar.gomez
MONDAY 30th JUNE 2025“I think you’d better drive,” says Finetime, his face sallow, skull-sockets underscored by dark brown rings. He looks peaky.“Why?” I enquire. Sweat nodules down my face, my body, everywhere. So saline-intense it leaves powdery white steaks.“My eyes,” he replies, “They’re wobbling about.”We pull over in Cannards Grave, a Somerset hamlet named for a thieving 17th century publican hanged here. Every third car passing contains battered detritus from the annual Worthy Farm pilgrimage.“You don’t look too good yourself,” says Finetime.“I’ll be fine.”But will I? Inside of my head Read more ...
Joe Muggs
One of the great untold stories of the past decade is just how potent a cultural force R&B has been. It might not have had the wild musical innovation it did in the 2000s when the likes of Neptunes, Missy Elliot, Timbaland and Rodney Jerkins reigned supreme as producers – but through the 2010s and ‘20s, it has established a whole set of performers who are able to exhibit extreme range in subject matter, style and seriousness, held together with force of artistic personality.Post-Lemonade Beyoncé tends to absorb the majority of critical attention, but Kehlani, Jhene Aiko, Tinashe, SZA, H.E Read more ...
Gary Naylor
The safe transfer of power in post-war Western democracies was once a given. The homely Pickfords Removals van outside Number Ten, a crestfallen now ex-PM and family mooching about, for once trying not to be on camera, it's a tabloid front page cliché. Or the pomp and circumstance on Capitol Hill, cold, crowded and celebratory, a rebuke to the slab-faced gerontocracy, back yet again to survey Moscow’s Red Square parade.Shakespeare knew that such displays concealed dramas both political and personal and poured that knowledge (and a whole lot more) into Hamlet, state and court disintegrating Read more ...
Gary Naylor
There was a time when the only daytime TV (ex-weekends and ex-Wimbledon fortnight) comprised the annual party conferences and the Trade Union Congress. A seemingly endless parade of indistinguishable middle-aged balding white men, with Barbara Castle’s fiery redhead and Margaret Thatcher’s immovable blonde hairdo the only relief, would grab 15 minutes of fame speechifying on the minutiae of policy, some puffing on pipes, some on full-strength Capstans. It was parochial, boring and almost always of no consequence a week or so later, but I rather miss those days… If you do (and even if you don’ Read more ...