politics
Edinburgh Festival 2018 reviews: Daughter / Huff / First Snow/Première NeigeMonday, 13 August 2018![]() Launched just last year to celebrate the country’s 150th anniversary, CanadaHub has quickly become one of the Edinburgh Fringe’s most exciting and intriguing venues, presenting a small but richly provocative programme of work from across that vast... Read more... |
Who Is America?, Channel 4 review - sudden return of Sacha Baron CohenTuesday, 17 July 2018![]() Cunningly kept under wraps until the last moment, Sacha Baron Coen’s new show is a timely reminder of his gift for trampling the boundaries of good taste and decorum. But despite a certain amount of hyped-up pre-uproar, it doesn’t represent any... Read more... |
DVD: New Town UtopiaFriday, 13 July 2018![]() You come to Christopher Ian Smith’s New Town Utopia expecting a damning indictment of post-war British planning. But while there are melancholy moments, this is mostly an upbeat documentary. Smith manages, without the use of CGI, to make the much-... Read more... |
Postcards from the 48% review - wistful memorial to forgotten valuesSaturday, 07 July 2018![]() Writer and director David Nicholas Wilkinson felt moved to make his reflective, rather melancholy documentary on the 48% who voted to remain in the EU, he says, because nobody else was making one. When it came to funding the project, not a single... Read more... |
DVD: The Nile Hilton IncidentFriday, 06 July 2018![]() The world was captivated by the Arab Spring – thousands of citizens rising up in unity against longstanding dictatorships, filling squares and refusing to bow. But for many of us, it was a world away; the crowds were a single organism, thinking and... Read more... |
Imperium, Gielgud Theatre review - eventful, very eventful, Roman epicThursday, 05 July 2018![]() History repeats itself. This much we know. In the 1980s, under a Tory government obsessed with cuts, the big new thing was “event theatre”, huge shows that amazed audiences because of their epic qualities and marathon slog. A good example is David... Read more... |
The London Mastaba, Serpentine Galleries review - good news for ducks?Thursday, 21 June 2018![]() It’s not as immersive as New York’s The Gates, 2005, nor as magnificent as Floating Piers, 2016, in Italy’s Lake Iseo – it has also, according to Hyde Park regular Kay, “scared away the ducks,” – but superstar artist Christo’s... Read more... |
English, Festival of Voice, Wales Millennium Centre review – lost in languageMonday, 18 June 2018![]() Despite the Welsh repute for singing, the Festival of Voice in Cardiff has always been more than just music. Indeed, on the Friday evening, Welsh/Cornish pop enigma Gwenno was appearing alongside the gloriously titled one woman show Lovecraft (Not... Read more... |
Panorama: Putin's Russia with David Dimbleby, BBC One review - jolly football weatherThursday, 14 June 2018![]() There was a lovely moment at the beginning of this Panorama where David Dimbleby was chatting to a schoolgirl – not just any schoolgirl actually, because she came from a family of 10 children, which surely makes her a bit out of the ordinary, even... Read more... |
Frank Gardner: Ultimatum review - topical terrorismSunday, 03 June 2018![]() The journalist Frank Gardner has turned to fiction to illuminate with imagination the world that he knows inside out from years of reporting. His biographical trajectory, from scholar of the Middle East and the Arab world, through BBC correspondent... Read more... |
A Very English Scandal, BBC One review - making a drama out of a crisisMonday, 21 May 2018![]() There was a time when Hugh Grant was viewed as a thespian one-trick pony, a floppy-haired fop dithering in a state of perpetual romantic confusion. But things have changed. He was excellent in Florence Foster Jenkins, hilariously self-parodic in... Read more... |
DVD/Blu-ray: The PostFriday, 18 May 2018![]() Spielberg’s prequel to All the President’s Men was filmed at speed, and aimed squarely at the press-hating Trump, not the late Tricky Dick. This contemporary intent is already fading. What remains is the director’s second return, after Munich, to... Read more... |
