wed 07/05/2025

pop music

Foals, Usher Hall, Edinburgh review - a euphoric return

Much has changed for Foals since their current run of shows were first announced. Initially scheduled to support 2019’s twin releases of Everything Not Saved Will Be Lost Parts 1 and 2, so much time has passed that the group are now set to release...

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Album: Swedish House Mafia - Paradise Again

Returning with their first new music in almost a decade, EDM supergroup Swedish House Mafia (the producer-DJ trio Steve Angello, Axwell and Sebastian Ingros) deliver their debut album with a sense of vaulting ambition and anything-is-possible belief...

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Music Reissues Weekly: My World Fell Down - The John Carter Story

Fat Man’s Music Festival. The Haystack. Red Line Explosion. Stormy Petrel. Butterwick. Sweet Chariot. Names which don't immediately spring to mind.The factor linking them is also common to 1967’s “Let’s go to San Francisco” hit-makers The Flower Pot...

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Album: Camila Cabello - Familia

The global popularity of Latin music in the past few years is almost incomprehensibly huge. 2017’s “Despacito” by Puerto Rican Luis Fonsi was the point where it became clear that Latin America – like South Korea – was now operating entirely on its...

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Album: Let's Eat Grandma - Two Ribbons

“You know you’ll always be my best friend” and “There’s no-one else who gets me quite like you” run a couple of the lyrics to “Happy New Year”, the opening song from Norwich duo Let’s Eat Grandma’s third album. And the whole is laced with love songs...

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10cc, London Palladium review - still firing rubber bullets 50 years on

What a remarkable band 10cc were. For most of the 1970s they made highly unusual pop that careered without a care between bubblegum and prog. Their ease migrating across style lines from Pythonesque japes to dense seriosity lay in the personnel:...

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Album: Confidence Man - Tilt

Despite a five-year career and no breakout hits, Australian outfit Confidence Man has grabbed the attention of some heavyweights.Signed to Heavenly Records, a label which knows their Roscoff onions from the common-or-garden variety, their 2017...

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Sophie Ellis-Bextor, Royal Concert Hall, Glasgow review - pop songstress partying like it's 2020

There are few people, especially musicians, who would wish to revisit the spring and summer of 2020 with any fondness, but Sophie Ellis-Bextor might be an exception. Her kitchen discos, in which she and her husband Richard Jones, aided by their...

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Album: Ibibio Sound Machine - Electricity

The fourth Ibibio Sound Machine album is produced by Hot Chip (who also contribute musically). However, fans will not hear a drastic step away from their last album, 2019’s Doko Mien. Instead, it has the feel of a logical progression, albeit with...

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Album: Charli XCX - Crash

Charli XCX is the pop stars’ pop star. Working with everyone from K-pop megastars BTS to US rapper Lil Yachty to indie-rockers Vampire Weekend, her career arc has a meta aspect, initially personified by her joyously electro-punky second album Sucker...

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Album: The Boo Radleys - Keep On With Falling

Britpop-era favourites have been critically buried for the most part, unwelcome reminders, much like a hangover, of a wild party now seen as a regrettable generational aberration. The Boo Radleys were outsiders even at the time, Wirral experimental...

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Music Reissues Weekly: Blossom Toes - We Are Ever So Clean

In July 1967, a British band called The Ingoes changed their name. Up to this point they’d traded in R&B, blues and soul, and tackled some rock ’n roll covers too. Ingoes referenced the 1958 Chuck Berry song “Ingo”. As they’d just recorded their...

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