Puccini
La rondine, LSO, Pappano, Barbican review - sumptuous orchestral playing in an underrated scoreWednesday, 11 December 2024
There are no battlement leaps or murderous vows, no pistols or daggers, not so much as a slight cough disturbs the serene plot of La rondine – the Puccini opera once labelled a “poor man’s Traviata”.And yet it’s all the better for it. This is a... Read more... |
Il trittico, Welsh National Opera review - welcome back (but not a good sign)Tuesday, 01 October 2024
This revival of Puccini’s Trittico a mere three and a half months after it was first shown on the Millennium Centre stage seems to bear witness to WNO’s current financial uncertainty. In effect, it reduces their 2024 repertory to half what it was a... Read more... |
Suor Angelica, English National Opera review - isolated one-acter lacks emotional inscapingSaturday, 28 September 2024
Puccini elevated the operatic tearjerker to tragic status in three masterpieces: La bohème, Madama Butterfly and Suor Angelica, rivalling the other two in intensity despite its brevity. Its special atmosphere works best as the central part of a... Read more... |
The Butterfly House, Clonter Opera review - Puccini in biographical briefsWednesday, 24 July 2024
For 50 years Clonter Opera, the song-on-the-farm project in rural Cheshire, has been encouraging would-be opera stars by giving them a chance to perform in undemanding conditions under the guidance of experienced professional.It all began with... Read more... |
Il Trittico, Welsh National Opera review - another triumph for a hard-pressed companyMonday, 17 June 2024
It’s somehow typical of the Welsh National Opera I’ve known now for the best part of sixty years that it should confront its current funding difficulties with brilliant productions of two of the more challenging works in the repertory.The company’s... Read more... |
Tosca, Opera Holland Park review - passion and populismWednesday, 29 May 2024
Set in a tensely polarised Roman neighbourhood, with an election in the offing and radicals scrapping with reactionaries under poster-plastered walls, Stephen Barlow’s smart update of Tosca from 1800 to 1968 might have felt like a double dose of... Read more... |
Manon Lescaut, English Touring Opera review - a nightmare in too many waysMonday, 26 February 2024
Opera in Britain is currently cursed by funders, politicians and ideologues – of right and left – who heartily detest the form. Alas, some directors do their work for them with interpretations seemingly designed to undermine the very art they are... Read more... |
Classical CDs: Microphones, mazurkas and mad scenesSaturday, 25 November 2023
Beethoven: Piano Concertos 1-5 Garrick Ohlsson (piano), Grand Teton Music Festival Orchestra/Sir Donald Runnicles (Reference Recordings)This set would be an artistic treat had it been captured onto a couple of C90 cassettes with a boombox.... Read more... |
La Rondine, Opera North review - rehabilitation for a Puccini damp squib?Saturday, 21 October 2023
The signal achievement of this production of La Rondine may be that James Hurley (director) and Kerem Hasan (conductor) have rehabilitated it to its proper place, against the perception that it’s the least successful of Puccini’s mature operas.Even... Read more... |
Turandot, Royal Opera review - spectacle and sound wow in this significant revivalTuesday, 21 March 2023
Nearly 40 years old, Andrei Serban’s Royal Opera Turandot feels like a gilded relic (I felt like a relic myself on learning that my writer neighbour wasn’t born when I saw Gwyneth Jones as the ice princess in 1984). Yet so too, outwardly, did... Read more... |
La bohème, Glyndebourne Tour review - Death and the Parisienne doing the roundsFriday, 14 October 2022
The sopranos are Ethiopian-Italian and Hispanic-American, the tenor Uzbek, the baritones South African (no EU principals, but it seems you can't have everything). This is opera at its best: the cream of international singers coming together to make... Read more... |
Tosca, English National Opera review - a tale of two erasSaturday, 01 October 2022
Rome, 14/15 June 1800: the specifics of the original Sardou melodrama are preserved in Puccini’s thriller mixing love, lust, religion and tyranny. Many productions move forward in time, and sometimes change the place, with ease: after all, feudalist... Read more... |
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