Rachmaninov
Gabetta, NHK SO, Järvi, RFH review - transparency and dynamismTuesday, 25 February 2020
This concert represented the British leg of the NHK Symphony Orchestra’s European tour. Tokyo’s radio orchestra is Japan’s flagship ensemble, and they are fine advocates for the country’s thriving musical culture, the playing precise and the tone... Read more... |
Classical CDs Weekly: Eller, Musorgsky, RachmaninovSaturday, 08 February 2020
Heino Eller: Symphonic Poems – Night Calls, White Night, Twilight, Dawn Estonian National Symphony Orchestra/Olari Elts (Ondine)Heino Eller was described as the ‘Estonian Sibelius’ in the first decades of the last century. Predictably, the... Read more... |
Preludes, Southwark Playhouse review - journeying into the mind of RachmaninoffThursday, 12 September 2019
Where does music come from? That’s the vital question posed to Sergei Rachmaninoff in Dave Malloy’s extraordinary 2015 chamber work, as the great late-Romantic Russian composer – stuck in his third year of harrowing writer’s block – tries to... Read more... |
Prom 63: Wang, Staatskapelle Dresden, Chung review – private passionsFriday, 06 September 2019
Weirdly enough, it was “Tea for Two” that definitively proved her class for me. As a second encore to Rachmaninov’s Third Piano Concerto, after a mesmeric transcription of that composer’s Vocalise, Yuja Wang’s goodbye treat channelled the mighty Art... Read more... |
Prom 23: Floristán, BBC Philharmonic, Gernon review - concerto lacks heftTuesday, 06 August 2019
Ben Gernon is only 30 (and looks about ten years younger) but has been Principal Guest Conductor of the BBC Philharmonic since 2017. He really impressed in last night’s Prom but, after an exciting overture, things fell away a bit with an under-... Read more... |
theartsdesk at the Three Choirs Festival - the beautiful and the damnedTuesday, 30 July 2019
Our greatest Berlioz scholar, David Cairns, has called Le Damnation de Faust “an opera of the mind’s eye, not of the stage,” and I’ve certainly never seen a production that successfully staged its curious, episodic, actionless mixture of set piece,... Read more... |
A Previn treasurySaturday, 02 March 2019
In a way, he was a second Bernstein. Only 11 years Lenny's junior, and living to the much riper age of 89 – his 90th birthday would have been on 6 April – André Previn was a film composer and arranger at the start of his 70-plus-year career, a jazz... Read more... |
Rachvelishvili, ROH Orchestra, Pappano, Royal Opera House review - perfect night and daySaturday, 09 February 2019
There's now something of a gala atmosphere when the Orchestra of the Royal Opera House takes to the Covent Garden stage with its music director Antonio Pappano. Admittedly some of the players are not the same as when he took up his tenure, but the... Read more... |
Lupu, Philharmonia, Järvi, RFH review - concerto magical in parts, symphony stupendousMonday, 04 February 2019
Pianists most often cite Radu Lupu alongside Martha Argerich and Grigory Sokolov as the greatest. So it was hardly surprising to see so many top musicians in a packed audience, buzzing with expectation for the 73-year-old Romanian's most recent UK... Read more... |
Kempf, Devin, St Petersburg Philharmonic, Sinaisky, Symphony Hall, Birmingham review - aglow but not alightSaturday, 02 February 2019
In the fourth performance of their UK tour, with Vassily Sinaisky replacing an indisposed Yuri Temirkanov, the St Petersburg Philharmonic gave a warm and rousing performance at Symphony Hall, Birmingham. Prokofiev’s First Symphony – written in "... Read more... |
Two-Piano Marathon, Kings Place review - dazzling duos, deep watersMonday, 08 October 2018
You get a lot of notes for your money in a two-piano recital - especially when seven pianists share the honours for two and a half hours' worth of playing time. Well, they did call it a marathon, crowning the London Piano Festival so shiningly... Read more... |
Nikolai Lugansky / Pavel Kolesnikov, Wigmore Hall review - lucidity and depth from two master pianistsTuesday, 01 May 2018
Reaching for philosophical terms seems appropriate enough for two deep thinkers among Russian pianists (strictly speaking, Kolesnikov is Siberian-born, London-based). In what Kant defined as the phenomenal world, the tangible circumstances, there... Read more... |
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