Rachmaninov
Classical CDs: Cannons, culverts and mooching cattleSaturday, 07 June 2025
Antal Doráti in London: The Mercury Masters Vol. 1 (Decca Eloquence)A couple of recent YouTube videos show DG engineers hard at work remastering Karajan’s 1970s Bruckner and Mahler recordings for new vinyl LP pressings. The process looks... Read more... |
Classical CDs: Antiphons, ale dances and elvesSaturday, 11 January 2025
Paavo Järvi: The Complete Erato Recordings (Erato)Big box sets celebrating great conductors are piling up thick and fast, and this one, unusually, features an artist who’s very much alive. Paavo Järvi is just 62 (still young for a conductor).... Read more... |
Classical CDs: Vitamins, kings and magic spellsSaturday, 23 November 2024
Brahms: Piano Concertos 1 and 2, Solo piano works Igor Levit (piano), Wiener Philharmoniker/Christian Thielemann (Sony)Who’d have thought that Igor Levit and Christian Thielemann would be such effective partners? Levitt is one of the most... Read more... |
Kanneh-Mason, Sinfonia of London, Wilson, Barbican review - taking the roof off the BarbicanWednesday, 16 October 2024
A programme of less-loved siblings – Shostakovich’s gnarly Second Cello Concerto and Rachmaninov’s “not-the-Second” Symphony No. 1 – gave John Wilson and his Sinfonia of London the chance to do what they do best: force an audience to take a second... Read more... |
Andsnes, London Philharmonic Choir and Orchestra, Gardner, RFH review - total clarity in classic-romantic and prophetic RachmaninovMonday, 30 September 2024
If there was ever a time for the inevitable "Rach Three” (piano concerto, not symphony) in the composer’s 150th anniversary year – and I confess I dodged other occasions – it might as well have come in the fresh and racy shape of Leif Ove... Read more... |
Wang, Lapwood, LSO, Pappano, Barbican review - grace and power from two keyboard heroinesMonday, 16 September 2024
It takes stiff competition to outshine Yuja Wang, who last night at the Barbican complemented her spangled silver sheath with a disconcerting pair of shades. But the super-heroine pianist, who played Rachmaninov’s First Piano Concerto, turned out to... Read more... |
Prom 23, Grosvenor, LPO, Gardner review - strange meetingsWednesday, 07 August 2024
Not everyone knew what to expect from this fascinating programme. Rachmaninov’s Symphonic Dances, last of his orchestral masterpieces, is nothing like the more familiar aspects of his piano concertos. Nor is Busoni’s nominal attempt at the form,... Read more... |
Ashton Celebrated, Royal Ballet review - peerless delights from the master step-smithMonday, 17 June 2024
Launching a four-year global project to proclaim the genius of Frederick Ashton might seem unnecessary. His work is the bedrock of what’s widely known as The English Style and rarely absent from any British ballet season, whether at the Royal Ballet... Read more... |
Classical CDs: Coffee, peppercorns and puppetsSaturday, 11 May 2024
Sir Neville Marriner: The Complete Warner Classics Recordings (Warner)Assembling Sir Neville Marriner’s complete discography would probably require a crate; this weighty but compact box (80 CDs), released to celebrate his centenary, collects... Read more... |
Sheku Kanneh-Mason, Philharmonia Chorus, RPO, Petrenko, RFH review - poetic cello, blazing chorusFriday, 12 April 2024
Purple patches flourished in the first half of this admirable programme: it could hardly have been otherwise given Sheku Kanneh-Mason’s devotion to a new work in his repertoire, and the current strength of the Royal Philharmonic Orchestra under... Read more... |
Cavalleria Rusticana/Aleko, Opera North review - a new foil for MascagniFriday, 16 February 2024
Opera North have a new pairing for Mascagni’s popular but clichéd Cavalleria Rusticana in this double bill: an early Rachmaninov one-acter, written when he was 19. The production of the former is a revival of the one seen in 2017 in their Little... Read more... |
Lugansky, Strasbourg Philharmonic Orchestra, Letonja, Cadogan Hall review - Russian soul, French flairWednesday, 14 February 2024
To judge by the post-interval empty seats near me, some of the Cadogan Hall audience had turned up last night solely to hear Nikolai Lugansky play Rachmaninov’s Second Piano Concerto. Well, the more fool them. For sure they would have enjoyed their... Read more... |
- 1 of 11
- ››
