fri 19/04/2024

Reissue CDs

Music Reissues Weekly: Osmo Lindeman - Electronic Works

For Finnish composer Osmo Lindeman, the decision to pursue electronic music was made in 1968 during a visit to Poland. He had recently started using graphical notation for the scores of his compositions and was having problems getting conductors and...

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Music Reissues Weekly: Serge Gainsbourg - L'Homme à tête de chou

Marilou lies on the ground. She’s been bludgeoned to death by a fire extinguisher. Its foam covers her body. Her murderer is a forty-something man who has become obsessed with her. She shampoos hair in a barbers, where he first comes across her....

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Music Reissues Weekly: Ibrahim Hesnawi - The Father of Libyan Reggae

Initially, it doesn’t sound so unusual. The collection’s first song is titled “Never Understand.” Sung in English, it’s poppy reggae with a light feel, twinkling keyboard lines and a lengthy, rock-oriented guitar solo. The singer appears to be a fan...

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Music Reissues Weekly: Pale Saints - In Ribbons

In an interview following the release of Pale Saints’ March 1992 second album In Ribbons, the band’s Ian Masters expressed his admiration for Eyeless in Gaza, Laura Nyro and Television. He told Option magazine “I find it incredible how much I am...

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Music Reissues Weekly: Bowes Road Band - Back in the HCA

The acronym “HCA” in the title stands for Hornsey College of Art, the North London college which, in late May 1968, was occupied by its students and a few staff in a high-profile protest which went on into that July. What was wanted were changes in...

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Music Reissues Weekly: Shake That Thing - The Blues in Britain 1963-1973

In September 1955, the grandly named London Skiffle Centre set up for business each Thursday in a room above the Round House pub in Soho’s Wardour Street. A prime mover in the venture was blues acolyte Cyril Davies. Two months after the opening,...

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Music Reissues Weekly: In the Light of Time - UK Post-Rock and Leftfield Pop 1992-1998

“In the Light of Time” was the second track on Side One of April 1995’s Further, the third album by Bristol’s Flying Saucer Attack. At the time, Further felt like a hyper-vaporous take on shoegazing infused with touches of British folk....

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Music Reissues Weekly: David Westlake - D87

Becoming reacquainted with what was originally titled Westlake in 1987 is a pleasure. Yes, at his own measured pace, David Westlake has issued great albums since then and his Eighties and Nineties band The Servants have been the subject of various...

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Music Reissues Weekly: March of the Flower Children - The American Sounds of 1967

“March of the Flower Children” was a June 1967 B-side by Los Angeles psych-punks The Seeds. The track was extracted from their third album Future, a peculiar dive into psychedelia which was as tense as it was turned on. While the song’s lyrics...

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Music Reissues Weekly: Keith Levene and The Clash

Forty-seven years ago this week, a new band called The Clash were seen by a paying audience in London for the first time. On Sunday 29 August 1976 they played Islington’s Screen on the Green cinema, billed between Manchester’s Buzzcocks – their...

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Music Reissues Weekly: The Boo Radleys - Giant Steps

The final track of Giant Steps is titled “The White Noise Revisited.” Its lyrics recount the crushing impact of a job where you “kill yourself at work for what seems nothing at all.” After coming home, “you listen to the Beatles and relax and close...

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Music Reissues Weekly: Playing for the Man at the Door - Field Recordings from the Collection of Mack McCormick

Between the late 1950s and around 1971, Robert “Mack” McCormick (1930–2015) travelled through his base-state Texas, Alabama, Mississippi, west Louisiana and parts of Arkansas and Oklahoma looking for musicians to record. It wasn’t a random process:...

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