Sadler's Wells
Victoria, Northern Ballet, Sadler's Wells - A queen re-instated, once againThursday, 28 March 2019
Given that the life of Queen Victoria spanned the best part of a century, the first task for any biographer is to hack a path through the mountain of facts. It ought to help that the queen was a prolific diarist. Too bad for choreographer Cathy... Read more... |
The Thread, Russell Maliphant & Vangelis, Sadler’s Wells review – an inspiring marriage of old and newMonday, 18 March 2019
In The Thread Russell Maliphant attempts what, at first sight, appears a foolhardy project – the juxtaposition of contemporary and traditional Greek dance. The two genres seem poles apart, the one being collective and in unison, the other more... Read more... |
Bon Voyage, Bob, Tanztheater Wuppertal Pina Bausch, Sadler's Wells review - interminable ennuiTuesday, 26 February 2019
It's a decade since Pina Bausch sadly died, and during that time her company has kept her memory alive by revisiting her amazingly rich legacy. Inevitably, though, the time would come for them to embark on a new phase; but how? The unique mix of... Read more... |
Matthew Bourne's Swan Lake, Sadler's Wells - vivid, enchantingSaturday, 15 December 2018
The Matthew Bourne Swan Lake has become a classic. And – lest that word conjure up dusty tomes and a niggling sense of obligation – this is definitively not the old-but-worthy, improving-but-dull kind of classic. This is the "where has this been all... Read more... |
Formosa, Cloud Gate Dance Theatre of Taiwan, Sadler’s Wells review - perfect in every detailFriday, 11 May 2018
Whatever you do in the next couple of days, be sure to grab a ticket for this wonderfully atmospheric production. A glorious fusion of athletic dance, creative visuals and intoxicating sound, the piece pays tribute to the island of Taiwan, named... Read more... |
Voices of America, English National Ballet review - a punchy programme of contemporary balletSaturday, 14 April 2018
A new William Forsythe ballet is quite a coup for English National Ballet; the choreographer hasn't made a piece in Britain in 20 years. Premiered last night as part of ENB's Voices of America triple bill at Sadler's Wells, Forsythe's Playlist (... Read more... |
Sutra, Sadler’s Wells review – a masterpiece 10 years onWednesday, 28 March 2018
Sutra is back, 10 years after its premier at Sadler’s Wells. This is, in fact, the fourth time it has returned to London and such is the amazing popularity of this beguiling show that, in the past decade, it has been performed more than 200 times in... Read more... |
Richard Alston, Mid Century Modern, Sadler's Wells review - a master choreographer clocks up 50 yearsMonday, 26 March 2018
It took Richard Alston 10 years to start making dances to music. Until the late Seventies he preferred silence, or a Rolodex of scores that he swapped and switched. In this you might say he was a typical product of the time. The fact is more... Read more... |
Best of 2017: DanceSaturday, 30 December 2017
With forelock-tugging celebrations of a choreographer who died 25 years ago and a summer visit by the Mariinsky the highest-profile events in the calendar, 2017 may not be remembered as a vintage year for British dance. But there were striking... Read more... |
Cinderella, Sadler's Wells review - Matthew Bourne puts Cinderella through the BlitzThursday, 21 December 2017
Even if Matthew Bourne were never to choreograph another step, he could fill theatres in perpetuity by rotating old stock. Cinderella, made in 1997, was the follow-up to his break-out hit Swan Lake but, never quite happy with it, he reworked it in... Read more... |
Akram Khan's Giselle, Sadler's Wells review - the migrant crisis in a ballet thrillerThursday, 21 September 2017
Of the many good reasons for seeing Akram Khan’s 2016 remake of Giselle – his work is often a headline event, for one – the most compelling is the company performing it. English National Ballet used to be the poor relation of its plusher sister... Read more... |
Scottish Ballet, Sadler's Wells review - striking and memorable danceFriday, 09 June 2017
Years ago, MC14/22 (Ceci est mon corps), the Angelin Preljoçaj piece with which this Scottish Ballet double bill opens, made a deep impression on Christopher Hampson. So deep that, once he became Artistic Director of Scottish, he actively sought it... Read more... |
