sculpture
Barbara Hepworth, Tate BritainWednesday, 24 June 2015
One of the earliest surviving sculptures by Barbara Hepworth is a toad made from a khaki-coloured, translucent stone; you can imagine it cool and heavy in your hand, not so very different from the animal itself, in fact. Made nearly 30 years later,... Read more... |
Rachel Kneebone, Brighton FestivalSaturday, 16 May 2015
In an oft quoted moment of self-deprecation, WH Auden once described his own face as looking like “a wedding cake left out in the rain”. But the poet might have thought twice if confronted with the Porcelain confections of Rachel Kneebone. The... Read more... |
Defining Beauty: The Body in Ancient Greek Art, British MuseumThursday, 26 March 2015
We think we know it when we see it. But how, pray, do we define beauty? The ancient Greeks thought they had the measure of it. In the 4th century BC, the “chief forms of beauty,” according to Aristotle, were “order, symmetry and clear delineation.”... Read more... |
Gift Horse, Fourth PlinthFriday, 06 March 2015
The unveiling of the Fourth Plinth has, since his election to office, been an opportunity for Mayor Boris Johnson to work the press pen with a comic turn. So, the commission, sponsored by the mayoral office, gets a media-chummy spokesperson whose... Read more... |
Sculpture Victorious, Tate BritainFriday, 27 February 2015
Recent attitudes to Victorian Britain have changed radically. The popular view used to be of a period filled with a kind of smug imperial confidence, underwritten by the increasing wealth of the industrial age. This ingrained assumption was perhaps... Read more... |
Richard Serra, Gagosian GallerySaturday, 18 October 2014
The septuagenarian American sculptor Richard Serra can treat the most massive sheets of steel as though they are handy pieces of paper for his version of origami; or he can decide to stack huge dense metal blocks as though they were children’s play... Read more... |
Richard Tuttle, Tate Modern / Whitechapel GalleryThursday, 16 October 2014
It could be an aircraft, hastily covered with some very inadequate wrappings and squeezed into the great hangar of the Turbine Hall. Or perhaps an eccentric sort of bird, its bedraggled wings missing chunks of orange plumage, in contrast to its... Read more... |
Franz West: Where is My Eight, Hepworth WakefieldSaturday, 21 June 2014
The windows of Hepworth Wakefield command some attractive views, and for the present show looking out the window might even be a valid alternative to looking at the work. Curator Eva Badura-Triska reports that Austrian artist Franz West was a... Read more... |
The Human Factor, Hayward GalleryWednesday, 18 June 2014
When a large and ambitious group exhibition is mounted on a particular theme or subject, in this case the human figure in contemporary sculpture, it’s always interesting to note what gets left out as well as what goes in. It’s reasonable to ask what... Read more... |
Body & Void: Echoes of Moore in Contemporary Sculpture, Henry Moore FoundationSunday, 04 May 2014
The lawns, fields, meadows and sheds of the Henry Moore Foundation themselves exemplify the notion of in-and-out, exterior-interior and are thus the ideal setting for exploring the notion of body and void in Moore’s work and the way it is echoed in... Read more... |
Rodin, Eifman Ballet, London ColiseumWednesday, 16 April 2014
Before Boris Eifman’s second visit to London this week, ballet lovers who missed the divisive Russian dancemaker last time round will have been weighing up the merits of a punt on a ticket. If they were basing their calculations on reviews, I... Read more... |
Richard Deacon, Tate BritainWednesday, 05 February 2014
A retrospective is often a daunting prospect for all concerned, not least the poor visitor who must prepare for a gruelling marathon, visiting every forgotten cul-de-sac of an artist’s career. Putting together a retrospective of a living artist... Read more... |
