Serpentine Gallery
Sarah Kent
I thought I might never be able to say it’s been a great year for women artists, so forgive me for focusing solely on them.Things were kickstarted with a retrospective of Barbara Kruger (Serpentine Gallery) who uses words and images to illuminate the way language is (mis)used to cajole, bully, manipulate and lie. Having explored similar territory for 50 some years, you’d have thought the American artist would have run out of ideas. Not a bit of it. Dominating the central space was a huge screen showing Untitled (No Comment) (main picture) which explores the Orwellian soup of Read more ...
Sarah Kent
Being a successful artist is not Judy Chicago’s primary goal. She abandoned that ambition six decades ago when the Los Angeles art world greeted her with hostility. Now she’s having the last laugh, though. At 84 she is being heaped with accolades, including induction into America’s National Women's Hall of Fame, and is enjoying worldwide celebrity.Currently filling four floors of the New Museum in New York, for instance, is Herstory, a major retrospective of her work. Which explains why the Serpentine Gallery survey feels a bit thin; inevitably, this show is only an echo of the full- Read more ...
Sarah Kent
Yinka Shonibare’s Serpentine Gallery exhibition opens with a piece of cloth twirling in the breeze; except that it’s a bronze sculpture probably weighing a ton or more – such is the power of art (pictured below right: detail of Wind Sculpture IV, 2024 with African Bird Magic, 2023).And metaphorically speaking, this is the airiest piece on show. Other works address weighty and contested subject matter, but with such beauty and lightness of touch that you never feel preached at or pulverised with guilt.Take The War Library 2024, for instance (pictured below: detail). Gallery Read more ...
Sarah Kent
American artist Barbara Kruger started out as a graphic designer working in advertising, and it shows. Her sharp design skills and acute visual intelligence now produce funny, clever and thought provoking installations in which words and pictures illuminate the way language is (mis)used to cajole, bully, manipulate and lie.The Serpentine Gallery show opens with one of her most iconic pieces – a hand holding up a card which reads: “I shop therefore I am” (pictured below), a witty rejoinder to the famous maxim “I think, therefore I am” penned by philosopher René Descartes in the 17th century. Read more ...
mark.kidel
The fire which engulfed Grenfell Tower in London’s North Kensington on 14 June, 2017, with a death toll of 72, is still under investigation. The dead were largely recent immigrants to the UK. The tragedy, it’s clear now, was caused by an unholy mixture of neglect, racism, greed and corruption. There’s been much shameful denial and buck-passing, and the issues around the building’s shockingly inadequate cladding haven’t led to much action elsewhere.Steve McQueen’s film, now showing in a continuous programme at the Serpentine Gallery, addresses these issues with a mixture of anger and Read more ...
Sarah Kent
Three years ago Rose Wylie won the prestigious John Moore’s Painting Prize. She was 80 years old and had been painting away in relative obscurity for many decades. You might suppose, then, that the prize was given in recognition of past achievements – a reward for dogged perseverance. Not a bit of it; she won because her paintings were the freshest, most vital and most anarchic of them all, because she consistently ignores the rules and takes no prisoners.She painted figuratively when abstraction was all the rage, yet refused to conform to expectations of what figurative painting might Read more ...
Sarah Kent
The most popular exhibition of a living artist ever held at the Tate was David Hockney’s recent retrospective, which attracted 478,082 visitors. If Grayson Perry is to top that, as the title of his Serpentine Gallery show optimistically predicts, his exhibition will have to attract a throng of 5,900 visitors a day!Even though his current Channel 4 series Divided Britain and earlier ones like In the Best Possible Taste and All Man have turned him into a household name, I doubt if Perry’s celebrity status gives him that much pulling power. The exhibition title is tongue-in-cheek, of course, but Read more ...
Sarah Kent
It is appropriate that this exhibition of Zaha Hadid’s early drawings and paintings should be shown at the Serpentine’s Sackler Gallery, which adjoins the restaurant she designed in 2013. The white, curvilinear extension was one of the first permanent structures she was able to build in London. And looking at her visionary drawings and paintings, it becomes clear why she had to wait so long for her work to be accepted here.Take a project she carried out as a fourth-year student at the Architectural Association in 1977. She borrowed Kasimir Malevich’s Architekton – a building-like sculpture, Read more ...
Sarah Kent
Black Brook, 2014, is sublime. Two bands of acid-green grass frame a horizontal band of deep-violet water that appears to have hidden depths. Dotted randomly over the darkness are clusters of light blobs; they could be floating leaves or reflections dancing on the surface. There’s no way of telling. Hovering midway between the abstract and figurative, the painting is deliberately paradoxical. The language used to create the image is as important, and as visible, as the image itself. This allows the work to occupy parallel universes – that of material fact (paint on canvas) and that of Read more ...
Sarah Kent
Celebrating the four ages of man, eight huge, semi-abstract paintings create a carnival atmosphere in the Serpentine’s central gallery. The freshness of Childhood is characterised by flowers, petals and stamens floating on a blue ground. The passions of Youth warrant a ground of hot orange crammed with circles and spirals jostling for space like amoeba in a petrie dish. Adulthood is dominated by a large, yellow gourd-like shape on a lavender ground; dancing in attendance are looping letters and clover-leaf swirls. Old Age is no less euphoric, but the colours are subtler and the loops and Read more ...
Sarah Kent
The first thing you encounter is a ballot box bolted to the lid of a school desk; what or whom you might be voting for – apart from the hope of change – is not specified. In the eyes of Jimmie Durham, change is badly needed; in fact, most of the premises on which western society is built could do with a radical rethink. Judging by the state of the box, though – the lid looks as if it has been prized open and bolted down many times – fair and free elections seem unlikely. Mostly probably, the outcome would be rigged.Nearby is a revolving door that returns you (rather like a rigged election) to Read more ...
fisun.guner
I’ll admit, there's a scene that made me well up during the excellent Marina Abramović biopic The Artist is Present. If you've seen it you’ll know the scene I mean – it’s where Ulay, Abramović’s former partner, in art and in life, takes the seat opposite her on the last day of her MoMA marathon performance. And the tears come, hers and his and then ours, and she takes his hands, and then more tears. Oh god.Abramović and Ulay did some powerful work in the Seventies. As a couple they gave expression, in a highly wrought, often florid fashion, to the psychological violence that often bubbles Read more ...