Shakespeare
Lady Macbeth review - memorably nastyThursday, 27 April 2017
The Scottish play’s traces are faint in this bloody, steamy tale of feminist psychosis. Based on Nikolai Leskov’s Dostoevsky-commissioned novel Lady Macbeth of Mtsensk, its 1865 setting is transferred from Tsarist Russia to Northumberland.... Read more... |
Stoller Hall Opening, Chetham's School of Music, ManchesterMonday, 24 April 2017
The opening of a new concert hall offers two options for opinionizing: the venue itself – or the performances in it? Review the acoustics – or the music? It has to be a mixture of the two, in the end. Chetham’s School of Music, in Manchester, has... Read more... |
'What did you do?' Actors reveal their Shakespearean secretsSunday, 23 April 2017
Much of the brilliance of Shakespeare lies in the openness, or ambiguity, of his texts. Whereas a novelist will often describe a character, an action or a scene in the most minute detail, Shakespeare knew that his scenarios would only be fully... Read more... |
The Winter's Tale, Barbican review - Cheek by Jowl's latest wavers in toneMonday, 10 April 2017
This is a well-travelled Winter’s Tale. Declan Donnellan has long been a director who's as much at home abroad as he is in the UK, and with co-production support here coming pronouncedly from Europe (there's American backing, too), Cheek by Jowl... Read more... |
Roman Tragedies, Toneelgroep Amsterdam, BarbicanSaturday, 18 March 2017
It felt good to be encountering Shakespeare at his most political with a world event to smile about, for once (hailing, of course, from this brilliant Dutch company's homeland). It felt even better to emerge six hours later spellbound and deeply... Read more... |
Romeo and Juliet, West Yorkshire PlayhouseMonday, 13 March 2017
Amy Leach’s energetic Romeo and Juliet is fast, furious and a little breathless, the setting transposed from Verona to a fairly grim contemporary Leeds. Think West Yorkshire Side Story. Leach’s starting point was hearing about conflict resolution in... Read more... |
Rosencrantz and Guildenstern Are Dead, Old VicWednesday, 08 March 2017
To the list of abiding theatrical partnerships one must surely add Tom Stoppard and the director David Leveaux. From his Tony-winning revival of The Real Thing onwards to Jumpers and Arcadia, all of which played both London and Broadway, Leveaux has... Read more... |
Othello, Tobacco Factory, BristolMonday, 06 March 2017
Intimacy is a mixed blessing: Richard Twyman’s close-up exploration of sex and violence in his production of Othello for Bristol’s Shakespeare at the Tobacco Factory takes the audience on a gripping emotional journey, but one that is at times almost... Read more... |
Othello, Sam Wanamaker PlayhouseFriday, 03 March 2017
There's no reason why ruffs and candles shouldn't mesh with bursts of contemporary speech, song and lighting, given a defter hand than director Ellen McDougall's. Shakespeare's timeless issues of racism and sexism have plenty of mileage in them,... Read more... |
10 Questions for Director Ellen McDougallThursday, 02 March 2017
In a few days' time, Ellen McDougall will become artistic director of the dynamic little Gate Theatre in Notting Hill where she is already an associate artist. She's not taking it easy in the run-up to her new responsibilities though: her production... Read more... |
Hamlet, Almeida TheatreWednesday, 01 March 2017
How often do you leave a production of Shakespeare's most layered drama in tears, thinking "what an astonishing play!" even more than "what a fine Hamlet!" (or not)? Last night the Bard proved even greater than his Dane. Not that Andrew Scott was... Read more... |
The Winter's Tale, English National OperaTuesday, 28 February 2017
After a Royal Opera performance of Birtwistle's The Minotaur, a friend spotted Hans Werner Henze in the foyer and had the temerity to ask that annoying question "What did you think?" "Very competent and extremely well performed," came the reply.... Read more... |
