singer-songwriters
Albums of the Year 2024: Nick Cave and the Bad Seeds - Wild GodTuesday, 31 December 2024
Young eldritch junkie Nick Cave would have struggled to predict his maturity as a font of wry and sacred wisdom, or the fathomless loss he reckoned with en route.Wild God followed the harrowed Skeleton Tree and grief-illumined Ghosteen, necessary... Read more... |
Albums of the Year 2024: Samara Joy - PortraitSaturday, 21 December 2024
From placing first in the Sarah Vaughan International Vocal Jazz Competition in 2019 to being a triple Grammy winner, Samara Joy’s rise has been nothing short of meteoric. Joy’s third album, Portrait – an astonishingly good collection which saw the... Read more... |
Albums of the Year 2024: Amelia Coburn - Between the Moon and the MilkmanFriday, 13 December 2024
I’ve known for some time that Ariel Sharratt & Matthias Kom’s Never Work is my Album of the Year. This lividly witty, no-filler take-down of workplace servitude arrived on vinyl in May. The creation of two Canadian indie-folkies (from The... Read more... |
Album: Kim Deal - Nobody Loves You MoreSaturday, 23 November 2024
The progress of Kim Deal has been one of the great delights of modern music. Much as one wishes Pixies well, they have never been the same without her distinctive voice and presence, whereas her other band The Breeders have only gone from strength... Read more... |
Hannah Scott, Worthing Pavilion Theatre Atrium review - filling an arctic venue with human warmthFriday, 22 November 2024
London-based singer-songwriter Hannah Scott has warned her next song may reduce us to tears. It is, she says, inspired by events following the death of beloved father. The undertaker advised her, and her sister, that it wasn’t really done for women... Read more... |
ARK: United States V by Laurie Anderson, Aviva Studios, Manchester review - a vessel for the thoughts and imaginings of a lifetimeSaturday, 16 November 2024
Picture this: framing the stage are two pearlescent clouds which, throughout the performance, gently pulsate with flickering light. Behind them on a giant screen is a spinning globe, its seas twinkling like a million stars.Suddenly, this magical... Read more... |
Tucker Zimmerman, The Lexington, London review - undersung old-timer airs songwriting excellenceThursday, 07 November 2024
Tucker Zimmerman is singing a number called “Don’t Go Crazy (Go in Peace)”. At 83, he performs sitting down. Surrounded by support band Iji, who act as his pick-up, he approaches the song in a whispery, affable voice. At the start of his set he was... Read more... |
Album: Chuck Prophet - Wake the DeadSaturday, 02 November 2024
Chuck Prophet speaks the old language of rock’n’roll as if it’s bright and new. His long gone band Green On Red were R.E.M.’s Eighties peers, and as rock’s cultural tide has receded, his loyalty to its spirit of liberty, askance at authority and... Read more... |
Album: Halsey - The Great ImpersonatorSaturday, 26 October 2024
For many performers, flirting with death is a pose or a distant metaphor, or simply don’t-give-a-damn insouciance. This is not the case with Halsey on her fifth album. She’s been assaulted, in recent years, by a range of serious illnesses and... Read more... |
theartsdesk on Vinyl 86: Molly Tuttle, Depeche Mode, Pharoah Sanders, Seefeel, Hinds, Sofi Tukker and moreTuesday, 15 October 2024
VINYL OF THE MONTHHannah Scott Absence of Doubt (Fancourt Music)Sometimes a singer comes along who’s not stylistically my thing at all, but their voice has a quality that wrenches, reaches inside, beyond usual taste judgements. For me, a good... Read more... |
Album: Susanna - Meditations on LoveWednesday, 21 August 2024
For a record whose subject matter involves unfaithfulness, ageing, loneliness, fear of death, darkness, sorrow, battles, haunting, sleeplessness and struggling to breathe, this is a lot of fun. But then Susanna Wallumrød has always leavened... Read more... |
Album: Beabadoobee - This is How Tomorrow MovesThursday, 08 August 2024
Beatrice “beabadoobee” Laus provides strong backup for the common argument that, particularly in the mainstream, genre is no longer particularly important. From the outset, she has consistently dissolved the mainstream/indie binary, and pulled from... Read more... |
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