Soho Theatre
Tatty Macleod, Soho Theatre review - cross-Channel relationsThursday, 11 January 2024
Tatty Macleod, whose debut show is about the differences between the French and the English, has a confession to make: she's not French. She not even half English/half French, despite having lived her life between the two countries. But she's... Read more... |
Pandemonium, Soho Theatre review - satire needs a shot of Pfizer's finest to revive tired storylinesWednesday, 13 December 2023
In 2020, throughout the country, many people’s lives were affected adversely by an ever-present threat to our already fragile society. Though most got over it, many people still bear the cost every day, sapping them of energy, making them cough and... Read more... |
FLIP!, Summerhall Edinburgh review - sassy, satirical parableFriday, 03 November 2023
You can almost feel the energy blazing off the stage in this fast, furious and fiercely funny two-hander from writer Racheal Ofori and Newcastle-based Alphabetti Theatre. Don’t blink or you’ll miss a crucial plot twist, or a nifty swerve into new... Read more... |
Boy Parts, Soho Theatre review - not subversive enoughSaturday, 28 October 2023
We’ve all heard of the male gaze, but what about its subversion? Overturning masculine dominance is one of the themes of Boy Parts, the acclaimed debut novel by Eliza Clark, first published in 2020 and now adapted as a monologue for the stage by... Read more... |
Urooj Ashfaq, Soho Theatre review - assured UK debut by Mumbai stand-upTuesday, 01 August 2023
It's takes a confident comic performing only her second show in English – her second language – to joke near the top of the hour: “I didn't know I wasn't as funny in English.” Urooj Ashfaq also told us she would get upset if the audience didn't like... Read more... |
It’s a Motherf**king Pleasure, Soho Theatre review - disability-led comedy hits hardMonday, 01 May 2023
Just when you’ve relaxed a little, privilege duly checked and confident that you won’t be guilt-tripped for nipping into that disabled loo a few years ago at the National (c’mon, the interval was nearly over and needs must), FlawBored drop a bomb... Read more... |
Crybabies, Soho Theatre review - sharp sci-fi spoofThursday, 09 March 2023
Crybabies – a sketch group comprised of Michael Clarke, James Gault and Ed Jones – were nominated for best newcomer for Danger Parade, a brilliant parody of Second World War adventure stories, at the 2019 Edinburgh Comedy Awards. Their second... Read more... |
A Christmas Carol-ish, Soho Theatre review - Mr Swallow causes havoc againThursday, 15 December 2022
At this time of year you can't move for productions of A Christmas Carol, Dickens' seasonal morality tale. Some are brilliant, some so-so, but this one by the power-crazed impresario Mr Swallow, whose ambition always exceeds his talent, is a joy.... Read more... |
Super High Resolution, Soho Theatre review - the NHS at breaking pointMonday, 14 November 2022
Every day there is bad news about the NHS — junior doctors are exhausted, nurses need foodbanks and the stats are hitting all-time lows. So a new play about a junior doctor facing the stresses of the job is certainly timely.In fact, Nathan Ellis was... Read more... |
Kim Noble, Soho Theatre review - final part of trilogy about lonelinessWednesday, 28 September 2022
A dead pigeon. A dead squirrel. A dead fox. Lots of maggots – very much alive. I might be describing your worst nightmare (throw in a rat or two and it would be very close to mine) but this array of wildlife forms an important part in Kim Noble's... Read more... |
Sikisa, Soho Theatre review - a confident debutMonday, 18 July 2022
Sikisa is a new name on the comedy scene, but trust me you'll hearing and seeing a lot more of the south Londoner with Barbadian roots. Twerk in Progress, her in-progress version of her debut show Life of the Party, is a winning mixture of... Read more... |
The White Card, Soho Theatre review - expelling the audience from its comfort zoneFriday, 01 July 2022
We’re in New York City, in an upscale loft apartment, with that absence of stuff that speaks of a power to acquire anything. There are paintings on the walls, but we see only their descriptions: we learn that the owner (curator, in his word) really... Read more... |
