wed 14/05/2025

Soho Theatre

Citysong, Soho Theatre review - big writing, big heart

Irish playwright Dylan Coburn Gray's new play won the Verity Bargate Award in 2017, and his reward is a fine production of this beautifully written account of one Dublin family over several decades. It is a light-touch epic which is partly a...

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Angry Alan, Soho Theatre review - superb monologue about the rise of 'meninism'

Penelope Skinner's monologue was a critical and audience hit at last year's Edinburgh Fringe, when its talking point found its moment. Here is Roger, a divorced father who lives in Walnut Creek and has lost his senior management job at AT&T,...

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Sheeps, Soho Theatre review - sketch comedy with a touch of the surreal

Sheeps, the sketch comedy threesome, had never really gone away but when they performed Live and Loud Selfie Sex Harry Potter at the Edinburgh Fringe last year after a four-year absence, it was called a comeback. More a welcome reunion, as...

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Natalie Palamides, Soho Theatre - challenging show about consent

The #MeToo movement is barely a year old, but it is already prompting some clever and insightful comedy – from standalone jokes or set-pieces in several comics’ shows, or, here, a very funny but frequently discomfiting hour that delves deep into the...

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Ayesha Hazarika, Soho Theatre review - feminism examined

As a former adviser to Harriet Harman and Ed Miliband – and a woman who has put her name forward to be a Labour Party candidate at a Westminster election – Ayesha Hazarika certainly knows her politics from the inside. So a show with the title Girl...

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Ivo Graham, Soho Theatre review - the perils of growing up

Considering where Motion Sickness ends up, Ivo Graham's new show begins a million miles away, as he talks about his love of trains and his favourite train company, Chiltern – or “The Chilt”. But don't be fooled by this quotidian fare; what begins as...

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Underground Railroad Game, Soho Theatre review - scratching the American wound

Underground Railroad Game is scabrous theatre – in every sense. To start with, Jennifer Kidwell and Scott R Sheppard’s two-hander is as down and dirty as anything you’ll find on the London stage at the moment, with one sex scene that’s belly laugh-...

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Flo and Joan, Soho Theatre review - sisters in satirical harmony

Flo and Joan are sisters (Nicola and Rosie Dempsey: they have borrowed their stage names from their nan and her sister) and you may have recently seen them on television doing advertisements for Nationwide. Others may know them from social...

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Simon Evans, Soho Theatre review - intellect examined

Simon Evans, at 52, is far too young to be a grumpy old man, but he’s doing his best to prepare for the role, with this amusingly dyspeptic standup show at Soho Theatre about the ageing process, and how the evolutionary model appears to be moving...

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Fern Brady, Soho Theatre review - opinions with raw edge

Fern Brady is a young Scot with plenty of provocative opinions – on politics, society and relationships – with a delivery that can only be described as dry as a desert. It means that some pieces of information – as well as a few gags – take some...

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Rose Matafeo, Soho Theatre review - sassy and she knows it

New Zealand comic Rose Matafeo is a fan of romcoms and has decided she is destined to appear in one at some point in her career. As she explains, it's not possible – as a mixed-race woman – to play the film's heroine, but she is surely a shoo-in for...

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Hannah Gadsby, Soho Theatre review - misogyny explored

Hannah Gadsby was awarded best show (jointly with John Robins) at the 2017 Edinburgh Comedy Awards for Nanette, which had already been given the equally prestigious Barry award at last year's Melbourne Comedy Festival. Gadsby draws us in gently,...

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