soul music
Kieron Tyler
One of the essays in the booklet accompanying Loma Northern Soul describes the titular label as an “outlet aimed at secondary or tertiary record markets, issuing product that it was hoped would prove strong in R&B radio, yet had the potential to crossover and do battle with Motown in the pop charts”.In this reading, Loma Records was either addressing distinct markets – as other labels specifically did for, say, country – or was a dumping ground for recordings which didn’t make the grade as records which could be promoted as chart friendly or for pop radio. Or some of both at the same time Read more ...
joe.muggs
“If you’re going to do it, do it well” goes a chanted refrain in the opening title track here. And it’s words Jessie Ware clearly lives by – she is not someone who has time to do anything rubbish. From featuring on the cream of post-dubstep electronic dance production circa 2010 (SBTRKT, Joker, Disclosure), through creating a gorgeously brooding Eighties flavoured hinterland on her Mercury Prize nominated debut album Devotion, all the way to creating one of the brightest rays of sunshine during the Covid weirdness of 2020 with a magical video for her Rotary Connection indebted single “ Read more ...
Kieron Tyler
An original pressing of 1979’s Thrust fetches at least £1000. Its 1980 follow-up Thrust Too can be a relative bargain at around £400. The prices are partly explained by J Dilla having sampled Thrust Too’s “Survival of the Funkiest” and Thrust’s “Summer Fun” being sampled by Daphni. Both funk-soul albums – the first credited to McNeal and Niles, the second to Wilbur Niles and Thrust – were barely circulated and barely sold. Text-book collector’s items.But without the music, potential buyers’ wallets would stay in their pockets (though the attraction rarity brings can, of course, sometimes Read more ...
joe.muggs
There’s something charmingly unassuming and humble about The Zombies. Nowadays their 1968 second album Odyssey and Oracle regularly figures in all time greatest albums lists, but it was a flop at the time and its reputation grew through a gradually snowballing cult status, and the band split soon after its release. Most of their existence, in fact, has been in this century, with Rod Argent and Colin Blundstone reviving the name in 2004 and staunchly putting in the legwork on the revival rock circuit ever since. If you ever see them talk, even now at knocking on 80, they are just seemingly Read more ...
joe.muggs
We are way, way past the point where it makes any sense to talk of jungle or drum’n’bass “revivals”. Thirty years from the emergence of jungle from the rave scene, its tempo and tropes have remained a staple sound for generation upon generation of clubbers, boy racers and festival goers. It is woven into the fabric of global, and particularly British, culture just as integrally as, say, indie rock guitars are.That said, it has lately had an upsurge in popularity, but it makes more sense to think of what’s happened in the Twenties as a consolidation. What we’ve seen is a young generation of Read more ...
Tim Cumming
This double album takes Van Morrison back to one of his early muses – Skiffle and its repertoire, that precursor to the rock'n'roll years that took hold of Britain in the 1950s, having percolated across the USA through the first half of the century, combining folk, blues, country, bluegrass and jazz into one steaming head of home-brewed folk, hopped up on washboards, jugs, washtub bass and the like.It was arguably the first flame of the fire that consumed the music world of the 1960s as Skiffle-addicted teens like Van grew into leaders of the Sixties beat boom and the subsequent invasion of Read more ...
Barney Harsent
“All of this music, it’s nothing to do with the listener,” Stormzy announced to Louis Theroux in a recent TV interview. “All I can do is feel what I feel and document that, and whatever that is, that’s what it’s going to be.”The 29-year-old rapper singer and songwriter, also known as Michael Omari, was talking about This Is What I Mean, his third album and, by some distance, the biggest departure, both musically and lyrically, since his incredible rise from the UK’s underground grime scene to stadium-filling stardom.The conversation comes after listening to a, then unfinished, version of “ Read more ...
joe.muggs
I had high hopes for this show. After all, Eska Mtungwazi is pretty much the only singer on earth I’d go out of my way to hear sing Joni Mitchell songs.Not only does she have the necessary vocal range and control, but her own sole solo album sits exactly in the right intersection of folk, jazz and experimental songwriting to suggest she’s got the stylistic fluidity to carry it off. And she’s an amazing performer. She may have only made that one album in 2015, but her work with everyone from Grace Jones and UNKLE to Tony Allen and Matthew Herbert over many years has demonstrated that she’s one Read more ...
Tim Cumming
The Larkin Poe story goes back to 2010, when they released four beautiful and distinctive seasons-related EPs, displaying the Lovell sisters Rebecca and Megan’s rich, absorbing vocal harmonies, slippery slide guitar work and a winning with with crunchy blues-rock riffs. They’ve released five albums since then, and Blood Harmony is, for the Georgia-born siblings, a musical homecoming to the sultry humidity of the American South of their musical and familial roots. The cover art looks like a Seventies vintage that’s been hauled around in a crate ever since, and that decade spreads its own aura Read more ...
Liz Thomson
Bruce is back! His 21st studio album (can it really be 50 years next year since Greetings from Asbury Park?) and his second covers album. It’s a musical world away from the first, We Shall Overcome: The Seeger Sessions (2006), but like that collection it’s a deep dive into a genre totally different to his own – American soul classics from the 1960s and 1970s.Begun in 2020, shortly after the release of Letter to You, the world in lockdown, it’s an opportunity for the Boss to put his “badass voice” at the service of 15 of the “most beautiful songs in the American pop sound book” – songs which Read more ...
Kieron Tyler
“You Turned my Bitter Into Sweet” sounds like a hit. The 1965 Mary Love single was issued by the Los Angeles-based Kent label and had a Motown flavour and a hint of The Supremes’s “Come See About me”, from the previous year. “You Turned my Bitter Into Sweet” was a killer 45.However, the single escaped widespread attention until 1982 when it became the opening cut of For Dancers Only, a top-drawer compilation of dancefloor-friendly soul sides. Its inclusion recognised that “You Turned my Bitter Into Sweet” had become a UK club staple when played out. In 1983, it reached even more ears by Read more ...
joe.muggs
You’ll want to love Loyle Carner. There’s so much about what he gives and how he delivers it that’s disarming, charming, brilliant even. His lyrics across this album are very obviously from the heart and took real courage to hammer into shape. He talks about his sense of self as he’s struggled to form it in the battlegrounds of race, class, masculinity and nationality, in clear and direct language that leaves you in no doubt that he’s telling the truth. He tells the kind of stories that are all too often completely pushed to the side in UK pop culture by the sellability of the slick brutality Read more ...