Soviet Union
Radically different: Horn player Anneke Scott on The Prince Regent's BandSaturday, 25 November 2017The Prince Regent’s Band was formed in 2013 and, like very many chamber ensembles, was created when a group of us found that we shared a number of interests in common. The musicians that make up the ensemble are all specialist historic brass players... Read more... |
Classical CDs Weekly: Howells, Karayev, LotichiusSaturday, 18 November 2017Herbert Howells: Music for Clavichord Julian Perkins (Prima Facie)Herbert Howells was at a low ebb in the 1920s. His energies were sapped by ongoing health issues and resultant medical treatment. A severe creative crisis followed the disastrous... Read more... |
Storyville: Toffs, Queers and Traitors, BBC Four review - the spy who was a scampTuesday, 14 November 2017“There is something odd, I suppose, about anyone who betrays their country.” It’s an excellent opening line, particularly when delivered in director George Carey’s nicely querulous narrative voice, for Toffs, Queers and Traitors (BBC Four). He... Read more... |
Red Star Over Russia, Tate Modern review – fascinating history in a nutshellWednesday, 08 November 2017Ilya and Emilia Kabakov’s Tate Modern exhibition features an installation made in 1985 of a Moscow bedsit, its walls lined with political posters. There’s a gaping hole in the ceiling made when the occupant apparently catapulted himself through the... Read more... |
October, LSO, Strobel, Barbican review - Eisenstein with steel scoreFriday, 27 October 2017Forget the ersatz experience of Sergey Eisenstein's mighty silent films accompanied by slabs of Shostakovich symphonies composed years later. This collaboration between the London Symphony Orchestra and Kino Klassika is as close as we can ever come... Read more... |
The Death of Stalin review - dictatorship as high farceFriday, 20 October 2017Like Steptoe and Son with ideological denouncements, Stalin’s Politburo have known each other too long. They’re not only trapped but terrified, a situation whose dark comedy is brought to a head by Uncle Joe’s sudden, soon fatal stroke in 1953. The... Read more... |
Ilya and Emilia Kabakov, Tate Modern review – funny, moving and revelatoryWednesday, 18 October 2017The Kabakovs' exhibition made me thank my lucky stars I was not born in the Soviet Union. A recurring theme of their work is the desire to escape – from the hunger and poverty caused by incompetence and poor planning, and the doublethink required to... Read more... |
Russia 1917: Countdown to Revolution, BBC Two review - words stronger than pictures 100 years onWednesday, 11 October 2017It’s getting to that time of the century. A hundred years ago to the month, if not quite the day, the Winter Palace was stormed, and the Russian Revolution came to pass. To commemorate the communists’ accession, Russia 1917: Countdown to Revolution... Read more... |
John le Carré: A Legacy of Spies review - the master in twilight moodSunday, 10 September 2017Over his long career – 23 novels, memoirs, his painfully believable narratives adapted into extraordinary films (10 for the big screen) and for television – John le Carré has created a world that has gripped readers and viewers alike. He has... Read more... |
DVD: Revolution - New Art for a New WorldMonday, 03 April 2017Revolution - New Art for a New World film starts well: the opening shot (main picture) is of young women painting white letters onto a red banner. “We all knew what to paint,” says the voice-over. “Bread, Work, Vote, but the message was ‘... Read more... |
Classical CDs Weekly: Beethoven, Rasmussen, Shostakovich, TchaikovskySaturday, 25 February 2017Beethoven: Piano Sonatas Op.110 and Op.111, with music by András Szöllösy and Gyula Csapó Gábor Csalog (piano) (BMC)Two Beethoven sonatas coupled with shorter pieces by a pair of contemporary Hungarian composers makes for an engaging mixture.... Read more... |
DVD: The Spring River Flows EastSunday, 19 February 2017There’s rich irony in the timelining of 1940s Chinese blockbuster The Spring River Flows East. Cai Chusheng and Zheng Junli’s melodrama dates its 14-year timespan – events unroll from 1931 to the end of the war in 1945 – with reference to the... Read more... |