sun 06/10/2024

thrillers

Under the Black Rock, Arcola Theatre review - political thriller turns soapy

“Darkly comic thrillers” (as they like to say) set in Ireland tracking how families, or quasi-families, fall apart under pressure are very much in vogue just now. Whether The Banshees of Inisherin will garner the Oscars haul it hardly deserves...

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The Walworth Farce, Southwark Playhouse Elephant review - dysfunctional Irish myth-making

The farce in question is fast and furious, but not often hilariously funny; that’s because it’s the invention of a scary Irish dad who forces his sons to act it out with him every day in their seedy Walworth Road flat. Go with conventional...

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Decision to Leave review - sly, slow-burning love and death

In Park Chan-wook’s strange Cannes prize-winning thriller, a husband is discovered mangled beneath a mountain, and pretty widow Seo-rae (Tang Wei) isn’t noticeably upset.Brilliant young detective Hae-jun (Park Hae-il) becomes obsessed as...

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Crossfire, BBC One review - pacy and nail-biting, the holiday from hell

A sun-baked island resort; Keeley Hawes taking a leisurely dip in an infinity pool as we hear her in voiceover musing on how events happen unchosen, with you in them; then we are up in her room, where she is texting somebody. The sounds of gunshots...

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The Capture, Series 2 finale, BBC One review - gripping ride to a barnstorming conclusion

[Here be spoilers.] If you have been glued to the second season of The Capture, just ended, does it bother you that its content is borderline science fiction? Probably not. Writer Ben Chanan’s depiction of artificial intelligence may outstrip...

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Munich Games, Sky Atlantic review - superbly crafted thriller races to prevent a terrorist attack

A black box with a red blinking light is being stashed in a cabinet under the seating of the Olympic stadium in Munich. Then a hoodie-ed man is seen in silhouette, the stadium in the background. We are about to be plunged into the darker corners of...

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The Gray Man, Netflix review - the Russo brothers explore big-bang theory

Directed by the fraternal duo Anthony and Joseph Russo, who have helmed several of the colossally successful Marvel Cinematic Universe movies, The Gray Man ought at least to be entertaining and stuffed with blockbusterish thrills.And it is, darting...

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The Control Room, BBC One review - twisty thriller set in an ultra-noir Glasgow

The BBC publicity department doesn’t want reviewers to reveal too much about this three-parter in advance, so the description of its content here may seem skimpy. If you watch this mini-series, you will sort of understand why – its plot relies on...

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Blu-ray: Pickpocket

Pickpocket regularly makes it into the list of best films of all times. It is a film-maker’s film, more of an essay on the art of cinema and a discourse on crime than a thriller. Much French art house cinema is characterised by serious intent and...

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Death on the Nile review - Kenneth Branagh flounders again as Poirot

Death on the Nile, Kenneth Branagh's second visit to Agatha Christie's oeuvre, was supposed to be released in November 2020 but Covid, a studio sale and some embarrassing revelations about one of its cast members put paid to that. Was it worth the...

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Ozark, Series 4 Part 1, Netflix review - the Macbeths of the southern lakes in even deeper waters

They’re back, the Lord and Lady Macbeth of the Ozark District, otherwise sleek-seeming middle class Chicagoans Marty and Wendy Byrde. And thanks to the super-subtle performances of Jason Bateman and Laura Linney, we hate them more than ever – except...

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Munich: The Edge of War review - Jeremy Irons excels in a revisionist portrait of Neville Chamberlain

The name of Neville Chamberlain and the term “appeasement” have become indelibly linked, thanks to his efforts to accommodate Adolf Hitler’s bellicose ambitions in the run-up to what became World War Two.This film version of Robert Harris’s novel...

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