thrillers
Citadel, Prime Video review - did Amazon really pay $300m for this?Sunday, 30 April 2023
The Russo brothers, makers of Amazon Prime’s much-hyped, $300m new spy drama, decided to keep the concept simple – it’s Good versus Evil. In the Good corner we have Citadel, a super-secret global spy network which has the modest ambition of keeping... Read more... |
Filmmaker Tarik Saleh: ‘A director is at heart an immigrant’Saturday, 15 April 2023
Tarik Saleh was born between two worlds, with a Swedish mum and Egyptian dad. His Egyptian side has inspired his two highest-profile releases.Seedy, sweeping noir epic The Nile Hilton Incident (2017) followed Cairo cop Noredin (Fares Fares) as his... Read more... |
Blu-ray: The Bullet TrainTuesday, 11 April 2023
Last year’s Brad Pitt vehicle Bullet Train was an affable action comedy except in those parts – including the dreadful coda – when it was an insufferably smirky one. Freighted with more thrills, intelligence, gravitas, and social commentary, 1975’s... Read more... |
Under the Black Rock, Arcola Theatre review - political thriller turns soapySaturday, 11 March 2023
“Darkly comic thrillers” (as they like to say) set in Ireland tracking how families, or quasi-families, fall apart under pressure are very much in vogue just now. Whether The Banshees of Inisherin will garner the Oscars haul it hardly deserves... Read more... |
The Walworth Farce, Southwark Playhouse Elephant review - dysfunctional Irish myth-makingMonday, 27 February 2023
The farce in question is fast and furious, but not often hilariously funny; that’s because it’s the invention of a scary Irish dad who forces his sons to act it out with him every day in their seedy Walworth Road flat. Go with conventional... Read more... |
Decision to Leave review - sly, slow-burning love and deathSunday, 23 October 2022
In Park Chan-wook’s strange Cannes prize-winning thriller, a husband is discovered mangled beneath a mountain, and pretty widow Seo-rae (Tang Wei) isn’t noticeably upset.Brilliant young detective Hae-jun (Park Hae-il) becomes obsessed as... Read more... |
Crossfire, BBC One review - pacy and nail-biting, the holiday from hellWednesday, 21 September 2022
A sun-baked island resort; Keeley Hawes taking a leisurely dip in an infinity pool as we hear her in voiceover musing on how events happen unchosen, with you in them; then we are up in her room, where she is texting somebody. The sounds of gunshots... Read more... |
The Capture, Series 2 finale, BBC One review - gripping ride to a barnstorming conclusionTuesday, 13 September 2022
[Here be spoilers.] If you have been glued to the second season of The Capture, just ended, does it bother you that its content is borderline science fiction? Probably not. Writer Ben Chanan’s depiction of artificial intelligence may outstrip... Read more... |
Munich Games, Sky Atlantic review - superbly crafted thriller races to prevent a terrorist attackSaturday, 10 September 2022
A black box with a red blinking light is being stashed in a cabinet under the seating of the Olympic stadium in Munich. Then a hoodie-ed man is seen in silhouette, the stadium in the background. We are about to be plunged into the darker corners of... Read more... |
The Gray Man, Netflix review - the Russo brothers explore big-bang theorySaturday, 23 July 2022
Directed by the fraternal duo Anthony and Joseph Russo, who have helmed several of the colossally successful Marvel Cinematic Universe movies, The Gray Man ought at least to be entertaining and stuffed with blockbusterish thrills.And it is, darting... Read more... |
The Control Room, BBC One review - twisty thriller set in an ultra-noir GlasgowTuesday, 19 July 2022
The BBC publicity department doesn’t want reviewers to reveal too much about this three-parter in advance, so the description of its content here may seem skimpy. If you watch this mini-series, you will sort of understand why – its plot relies on... Read more... |
Blu-ray: PickpocketTuesday, 12 July 2022
Pickpocket regularly makes it into the list of best films of all times. It is a film-maker’s film, more of an essay on the art of cinema and a discourse on crime than a thriller. Much French art house cinema is characterised by serious intent and... Read more... |
