TV drama
Adam Sweeting
Once upon a time, they all laughed at Inspector Morse because it was felt to be too "highbrow". In 2007, ITV axed Foyle's War, despite regular ratings of about 7 million, allegedly to go in pursuit of a "younger" audience. But people power swung into action, and a surge of protest caused ITV to think again. Hence, DCS Christopher Foyle returned for a sixth series, and now here he is again in a seventh.Although that means only three episodes, a two-hour Foyle can normally be relied on to pack in a nutritious mix of whodunnit, plausible characterisation and (the trump card) a well-researched Read more ...
Adam Sweeting
For The Pacific, the 10-part saga of a group of US Marines involved in the campaign to drive back the rampant Japanese army in the aftermath of Pearl Harbor, Spielberg has resumed the executive producer role he adopted to make Band of Brothers nearly a decade ago, once again in partnership with Tom Hanks. Filmed on location in Australia at a cost of $230m, it's reckoned to be the most expensive TV series ever made, and the screen is duly crammed with wall-to-wall action – naval fleets and landing craft, dogged Marines digging in against charging hordes of Japanese soldiers, squadrons of Read more ...
theartsdesk
Two films with a East European flavour, Katalin Varga and Tales from the Golden Age, are among our March selection, which also includes the lovely, bittersweet Irish drama Kisses. Our US release (available worldwide, of course, by mail-order) is Wim Wenders' Paris, Texas with succulent extras. Alastair Sim stars in Guy Hamilton's 1954 film of An Inspector Calls, while the late Edward Woodward lives on in the Callan box-set. The footballer-producers Ashley Cole and Rio Ferdinand score a resplendent own goal in our stinker, Dead Man Running.Films we have covered previously, including Fantastic Read more ...
gerard.gilbert
Benjamin Franklin once said that fish and guests start to smell after three days – and something similar happened to BBC One’s latest “event drama”, Five Days. The odour was that of decaying promise, and, if duty hadn’t called, I probably wouldn’t have hung around until the final episode of Gwyneth Hughes’s week-long saga. Not that it was boring exactly – in an unhurried, linear kind of way, Hughes’s storytelling pulled you in and kept you there. But the longer it went on, the more it felt like being held under false pretences.It was all to do with some sort of seedy drugs mess in the end - Read more ...
Jasper Rees
We’ve been here before. In the first week of theartsdesk’s existence, the BBC began screening a daily drama by the name of The Cut. Daily drama has never been the BBC’s thing, unless you happen to speak Welsh and follow Pobol y Cwm, and so it proved with this online soap dished out in bite-size five-minute pieces. It was my solemn duty to issue daily reports for the first five days of The Cut's life. And now here comes Five Days, which will run eponymously till the end of the week: five episodes, one a night, till we find out whodunwhat. Will it keep you hanging on? For this second outing of Read more ...
gerard.gilbert
The new series of the Glenn Close litigation drama Damages began like the previous two series of Damages – in the future tense. Someone deliberately slammed their car into the side of Patty Hewes’s car, and a grisly discovery was made in a wheelie bin. How we get to this dénouement will be revealed over the next three months. Am I up for such a commitment? Because miss just 10 minutes of this tortuous legal thriller and you’re up the proverbial creek. It’s easy to see why Damages does extraordinarily well in DVD box-set sales – if you’re going to get hooked, then it’s good to have some Read more ...
Adam Sweeting
As one of the opening captions put it, "you couldn't make it up", and this sprightly drama about the House of Commons expenses scandal duly tacked its way skilfully up the channel between satire and slapstick. Concluding correctly that wallowing in moral outrage was not the way to handle a subject whose full ramifications have yet to land on us (and them) with their full crushing force, writer Tony Saint instead deftly depicted the Commons as a kind of Swiftian monstrosity, ludicrous yet malevolent.Speaker Michael Martin, Labour MP for Glasgow Springburn, was presented as an antediluvian Read more ...
Veronica Lee
It was Stacey whodunnit. EastEnders’ first live broadcast last night, to celebrate 25 years on BBC One, ended with Stacey Branning (Lacey Turner) declaring, “It was me. I did it. I killed Archie. It was me.” So now we know, as one of the most drawn-out storylines in the history of soaps finally reached its conclusion (Archie Mitchell was killed at Christmas). Only it didn’t, because next week’s episodes (which were pre-recorded as normal, with dual storylines to cover all 10 suspects' possible guilt or innocence) will explain why Stacey done it, as they say in this mythical part of east Read more ...
Adam Sweeting
It was a bit like the Ghost of Labour Past at Channel 4’s screening of this biopic of Mo Mowlam at BAFTA a couple of weeks ago. A cohort of party veterans turned out, including Charles Clarke, Neil Kinnock and Adam Ingram (a close ally of Mowlam’s and played by Gary Lewis in the film). There was even a brief introductory talk by "Batty" Hattie Harman, recalling how she first met Mowlam at Westminster. What a thrill that must have been for Mo.The star of the piece, Julie Walters, admits that she has become so disillusioned with politicians that she doesn’t know if she can bear to vote for any Read more ...
Jasper Rees
Only Fools and Horses, whose last new episode was broadcast to the traditionally bloated Christmas audience in 2003, has enjoyed several kinds of afterlife. It lives on lexically, in the form of the Peckhamspeak inherited by its viewers – “cushty” and “luvly jubbly”, “plonker” and “dipstick”. It is also frequently exhumed in clips packages and on repeat channels. Then came the spin-off sitcom The Green Green Grass, a fifth series of which is said to be in the pipeline. And now this: a prequel to Only Fools and Horses, a whole hour-and-a-half’s worth of back story explaining the birth of Read more ...
simon.curtis
When Cranford was first shown in 2007 on a Sunday night and then repeated the following weekend, those first two showings got over 10 million people watching each week. You obviously pay attention to that. And because the first series wasn’t a straight adaptation of a finished book but based on a set of short stories by Elizabeth Gaskell, there was always the potential for more.When people first came to Cranford they found it surprising in a very obvious way. Unlike a Jane Austen adaptation, when you know how it’s going to end, or David Copperfield which I have directed for the BBC, the Read more ...
Adam Sweeting
Luckily, the budget for this two-part adaptation of Andrea Levy's prizewinning novel stretched to some location shooting in Jamaica. The contrast between the Caribbean's luminous skies and brilliant colours and crushed, monochrome, half-dead 1940s London is almost too painful to watch. It's the perfect visual metaphor for a story about Technicolor dreams crashing to earth"Why would you leave such a place to come all this way and fight for us?" Queenie Bligh asks Gilbert Joseph, who has come from Jamaica to join the RAF. Gilbert (David Oyelowo) gives a poetic reply about how Jamaicans regarded Read more ...