violence
Slow Horses, Season 4, Apple TV+ review - Gary Oldman returns as the 'gross and inappropriate' Jackson LambWednesday, 04 September 2024News reaches us that Gary Oldman has mysteriously been vetoed from playing George Smiley in a new film version of Smiley’s People, despite his Oscar-nominated performance as John le Carre’s wiley spymaster in 2011’s Tinker Tailor Soldier Spy. Oldman... Read more... |
Fiddler on the Roof, Regent's Park Open Air Theatre review - dazzling gem of a production marks its diamond anniversaryThursday, 08 August 2024If I were a rich man, I'd be inclined to put together a touring production of Fiddler on the Roof and send it around the world, a week here, a week there, to educate and entertain. But, like Tevye, I also have to sell a little milk to put... Read more... |
Miss Julie, Park Theatre review - Strindberg's kitchen drama still packs a punchThursday, 13 June 2024You have to tiptoe around the edge of the set just to take your seat in the Park’s studio space for Lidless Theatre’s Miss Julie. There’s a plain wooden table, a few utensils on it, wooden chairs and a small cabinet – not much, but, we’re smack... Read more... |
Multiple Casualty Incident, The Yard Theatre review - NGO medics in training have problems of their ownFriday, 10 May 2024We open on one of those grim, grim training rooms that all offices have – the apologetic sofa, the single electric kettle, the instant coffee. The lighting is too harsh, the chairs too hard, the atmosphere already post-lunch on Wednesday and it... Read more... |
Richard, My Richard, Theatre Royal Bury St Edmund's review - too much history, not enough dramaTuesday, 16 April 2024History is very present in Philippa Gregory’s new play about Richard III. Literally - History is a character, played by Tom Kanji. He strides around in a pale trenchcoat, at first rather too glib and pleased with himself, but quickly sucked into the... Read more... |
Foam, Finborough Theatre review - fascism and f*cking in a Gentlemen's Lavatory that proves short of gentlemenThursday, 28 March 2024In a too brightly tiled Gentlemen’s public convenience (Nitin Parmar’s beautifully realised set is as much a character as any of the men we meet), a lad is shaving his head. He’s halfway to the skinhead look of the early Seventies, but he hasn’t... Read more... |
Samuel Takes a Break... in Male Dungeon No. 5 after a long but generally successful day of tours, The Yard Theatre review - funny and thought-provokingFriday, 23 February 2024You do not need to be Einstein to feel it. If the only dimension missing is time, 75% of a place’s identity can invade your very being, hollow you out, replace your soul with a void. It happened to me at Auschwitz and it’s happening to Samuel at... Read more... |
The Settlers review - a western populated only by anti-heroesFriday, 09 February 2024From its opening shot – of a flock of sheep backlit by the sun’s rays – The Settlers is visually stunning. But the beauty ends there; as the narrative unfolds, it becomes clear that everything else about this episode in Chile’s history is cruel and... Read more... |
Othello, Sam Wanamaker Playhouse review - 21st century interpretation delivers food for thoughtThursday, 08 February 2024Detective Chief Inspector Othello leads a quasi-paramilitary team of Metropolitan Police officers investigating gang activity in Docklands. With a chequered past now behind him, he has reformed and has the respect of both the team he leads and his... Read more... |
10 Questions for 'The Settlers' film director Felipe Gálvez HaberleThursday, 08 February 2024Felipe Gálvez Haberle’s Chilean Western The Settlers traces the roles played in the genocide of the country’s indigenous Selk’nam people by the Spanish businessman José Menéndez (1846-1918) and his brutal Scottish sheep station manager Alexander... Read more... |
The Most Precious of Goods, Marylebone Theatre review - old-fashioned storytelling of an all-too relevant taleTuesday, 30 January 2024As last week’s news evidenced, genocide never really goes out of fashion. So it’s only right and proper that art continues to address the hideous concept and, while nothing, not even Primo Levi’s shattering If This Is a Man, can capture the scale of... Read more... |
The Good John Proctor, Jermyn Street Theatre review - Salem-set drama loses some of its power in LondonSaturday, 13 January 2024It is no surprise that the phrase “Witch Hunt” is Donald Trump’s favoured term to describe his legal travails. Leaving aside its connotations of a malevolent state going after an innocent victim whilst in the throes of a self-serving moral panic, it... Read more... |
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