violence
A Sicilian Ghost Story review - a beautiful, confusing journeyTuesday, 31 July 2018![]() Childhood is an inimitable experience – the laws of the world are less certain, imagination and reality meld together, and no event feels fixed. A Sicilian Ghost Story recreates this sensation in the context of real world trauma, producing a... Read more... |
Pity, Royal Court review - whacked-out and wearingSaturday, 21 July 2018![]() The apocalypse arrives as a series of collegiate sketches in the aptly-named Pity, the Rory Mullarkey play that may well prompt sympathy for audiences who unwittingly find themselves in attendance. Less provocative by far than this same writer's... Read more... |
Pin Cushion review - a twisted fable of daydreams and bulliesTuesday, 10 July 2018![]() On the surface, Pin Cushion is a whimsical British indie, packed with imagination and charm. But debuting director Deborah Haywood builds this on a foundation of bullying and prejudice, creating a surprisingly bleak yet effective film.Teenager Iona... Read more... |
DVD: The Nile Hilton IncidentFriday, 06 July 2018![]() The world was captivated by the Arab Spring – thousands of citizens rising up in unity against longstanding dictatorships, filling squares and refusing to bow. But for many of us, it was a world away; the crowds were a single organism, thinking and... Read more... |
The Lieutenant of Inishmore, Noel Coward Theatre review - Aidan Turner makes a magnetic West End debutThursday, 05 July 2018![]() Aidan Turner may not reveal those famously bronzed pecs that have made TV's Poldark box office catnip in his West End debut. But what Michael Grandage's funny and fiery revival of The Lieutenant of Inishmore reveals in spades is the... Read more... |
Aftermath: Art in the Wake of World War One, Tate Britain review - all in the mindTuesday, 05 June 2018![]() Not far into Aftermath, Tate Britain’s new exhibition looking at how the experience of World War One shaped artists working in its wake, hangs a group of photographs by Pierre Anthony-Thouret depicting the damage inflicted on Reims. Heavy censorship... Read more... |
Sophie Mackintosh: The Water Cure review - on the discipline of survivalSunday, 27 May 2018![]() A body can be pushed to the brink, to the point where thoughts flatten to a line of light, and come back from death, but the heart is complex and the damage it wreaks barely controllable. For Grace, Lia and Sky, the three sisters of Sophie... Read more... |
Revenge - a blood-soaked joyThursday, 10 May 2018![]() Deep in an unnamed desert, a violent and psychedelic retribution is sought. The aptly named Revenge is a brutally rewarding experience, bringing classic horror and exploitation tropes kicking and screaming into the 21st century. It is the debut... Read more... |
Westworld, Series 2, Sky Atlantic review - big trouble in synthetic paradiseTuesday, 24 April 2018![]() Some critics complain that Westworld is too complicated for its own good, and you can see their point. Even on a basic level, it’s an exploration of the nature and potential of artificial intelligence, as it depicts the consequences of super-... Read more... |
Stephen: The Murder That Changed A Nation, BBC One review - ‘He was a cool guy and everybody loved him’Wednesday, 18 April 2018![]() When doctors told Doreen Lawrence her son had died she thought, "That’s not true." Spending time with his body in the hospital, aside from a cut on his cheek, it seemed to her he was sleeping. The death of a child will always be strange, and in the... Read more... |
Far Cry 5 review – forget the story and just go with the flowMonday, 02 April 2018![]() Civilisation is under threat from a bunch of religious rednecks, and it’s your job as the new Deputy Sheriff of fictional Hope County to right the wrongs of a year-long silent coup initiated by Eden’s Gate, a fanatical doomsday cult, intent on... Read more... |
You Were Never Really Here review - a wild ride to the dark sideThursday, 08 March 2018![]() The gripping paradox of Lynne Ramsay’s terse, brutal thriller is suggested in its title. Adapted from Jonathan Ames's novella, it’s a film distinguished by the force of its images and the compression of its narrative, and while its impact leaves you... Read more... |
