violence
Blue RuinWednesday, 30 April 2014
Ah, revenge. Why does something so bad sometimes feel so necessary? Particularly in its most bloodthirsty form, it's a concept well explored onscreen, from almost every western and martial arts film to the final act of so many horrors – and the... Read more... |
The Raid 2Wednesday, 09 April 2014
After reinvigorating the actioner in 2011 with The Raid and its furious flurry of feet and fists, what next for the obscenely talented Welsh writer-director Gareth Evans? More of the same? Well, not quite. The sequel widens its net and extends its... Read more... |
300: Rise of an EmpireFriday, 07 March 2014
300: Rise of an Empire is the follow-up to perhaps the most homoerotic film of all time, 300 - a film whose obsession with the well-lubricated muscularity of the male form was matched only by its unabashed exaltation of ultra-violence (rendered... Read more... |
Non-StopFriday, 28 February 2014
At some point during Non-Stop - a mostly serviceable though increasingly nuts peril-on-a-plane movie - I began to doubt that Liam Neeson had ever had a credible career. Recently we've seen him starring in assorted nonsense such as Battleship and... Read more... |
theartsdesk's Top 13 Films of 2013: 5 - 1Tuesday, 31 December 2013
With the end of 2013 nearly upon us it's time for a last look back before we step forward into the unknown. Yesterday our rundown of the year's finest films took you from a radiant romance to a bristling biopic, but the nature of such lists means... Read more... |
Television: 10 Top Performances from 2013Friday, 27 December 2013
No definitive answers to what was "the best" of 2013 of course, and I daresay opinions will differ wildly. For instance, despite the plaudits showered on it elsewhere, I felt that Broadchurch stretched itself too thin after showing initial promise.... Read more... |
American Psycho, Almeida TheatreFriday, 13 December 2013
Among the multiple achievements of American Psycho, any one of which might be enough to make Rupert Goold's long-awaited Almeida season-opener the banner musical of a notably busy year for the form, a particular paradox deserves mention up front.... Read more... |
DVD: Only God ForgivesTuesday, 03 December 2013
Reactions to Only God Forgives are going to be defined by expectations. Its star, Ryan Gosling, is an all-purpose arts polymath equally at home with music and film, who has directed and written as well as acted. Its director, the Danish-born Nicolas... Read more... |
War Requiem, BBCSO, Bychkov, Royal Albert HallMonday, 11 November 2013
How many reviews of War Requiem do you want to read in Britten centenary year? This is theartsdesk’s fourth, and my second – simply because though I reckon one live performance every five years is enough, Rattle’s much-anticipated Berlin... Read more... |
Machete KillsWednesday, 09 October 2013
In a deranged world where Charlie Sheen is President of the United States, Hollywood gets a much-deserved and highly amusing roasting. Robert Rodriguez’s sequel to Machete goes straight for the jugular by mocking Hollywood's golden child, that "... Read more... |
Metro ManilaMonday, 16 September 2013
The malign influence of the big city on countryside folk has fuelled filmmakers since cinema had the means to produce feature-length productions. In 1927, with the America-made Sunrise: A Song of Two Humans, F. W. Murnau brought the disruptive... Read more... |
PietaSaturday, 07 September 2013
We learn from the front titles of Pieta that it’s Kim Ki-duk’s 18th film, and it won the Korean director the Golden Lion award at last year’s Venice film festival, against strong competition. Viewers may be asking themselves a rather different... Read more... |
