Wilde
Lady Windermere's Fan, Vaudeville Theatre review - Wilde abandonedTuesday, 23 January 2018
Imagine, if you will, discovering a ninth-rate old melodrama about upper-class nonsense, hiring a bunch of actors including a couple of starry friends big in comedy and putting it on stage. And then realising there’s a paying audience so, to make it... Read more... |
A Woman of No Importance, Vaudeville - Eve Best is superb as a woman scornedTuesday, 17 October 2017
In a rather clever wheeze, Dominic Dromgoole, former artistic director of Shakespeare's Globe – who therefore knows a thing or two about historically accurate stagings – has established Classic Spring, a new company dedicated to celebrating work by... Read more... |
Queer British Art 1861-1967, Tate BritainThursday, 20 April 2017
"Good for the history of music, but not for music," one of Prokofiev's professors at the St Petersburg Conservatoire used to say of artistically dubious works which created a splash, according to the composer's diaries. I'm not even sure that this... Read more... |
Travesties, Menier Chocolate FactoryWednesday, 05 October 2016
Is this the most dazzling play of a dazzling playwright? First staged in 1974, Travesties is the one which manages to squeeze avant-garde novelist James Joyce, Dada godfather Tristan Tzara and communist revolutionary Lenin into a story which... Read more... |
Blu-ray: The Glass Key/The Blue DahliaFriday, 23 September 2016
In popular accounts of Hollywood history, Humphrey Bogart and Lauren Bacall, the insolent real-life first couple of Warner Bros film noirs, have traditionally overshadowed Alan Ladd and Veronica Lake. Paramount's fallen angels were quieter... Read more... |
The Importance of Being Earnest, Royal Opera, BarbicanWednesday, 30 March 2016
Some new operas worth their salt work a slow, sophisticated charm, but the handful that holler "masterpiece" grab you from the start and don't let go. Gerald Barry's shorn, explosive Wilde – more comedy of madness than manners – was so obviously in... Read more... |
The Importance of Being Earnest, Vaudeville TheatreThursday, 02 July 2015
Geoffrey Rush has done it, Gyles Brandreth has done it, Stephen Fry came close to doing it, and now David Suchet is giving it a go – donning drag and a perpetually disgusted expression to play everyone’s favourite drawing-room gorgon, Lady Bracknell... Read more... |
Prom 58: Salome, Deutsche Oper Berlin, RunniclesSunday, 31 August 2014
So here’s where I join the ranks of Old Opera Bores by declaring this Salome, Nina Stemme, the best I’ve seen since Hildegard Behrens in 1978, and this Salome as in Richard Strauss’s Wilde opera from Donald Runnicles and his Deutsche Oper Berlin... Read more... |
Lady Windermere's Fan, King's Head TheatreMonday, 11 August 2014
“We are all in the gutter, but some of us are looking at the stars,” declares Lord Darlington in Act II of Oscar Wilde’s Lady Windermere’s Fan. He’s the classic Wildean cad - unprincipled, facetiously witty and in this production, possessed of the... Read more... |
The Importance of Being Earnest, Harold Pinter TheatreFriday, 18 July 2014
“Some might say we’re getting too old for this sort of thing,” declares Martin Jarvis’s Jack Worthing, going off Wlldean piste. Well, we did wonder whether the reunion of Jarvis with Nigel Havers’s Algernon after 32 years might not be some sort of... Read more... |
Dorian Gray, Riverside StudiosWednesday, 23 April 2014
Adapted by Linnie Reedman and with music by Joe Evans, Oscar Wilde’s only novel – the more scandalous original version serialised in 1890, which Wilde himself later expurgated – finds a new lease of life narrated by one of its minor characters:... Read more... |
The Importance of Being Earnest, Linbury Studio TheatreSaturday, 15 June 2013
If you were new to contemporary opera, you might think it was forbidden for modern works to be funny. Tragedy is still the default setting for major commissions. You only get serious money if you have serious thoughts and serious music, it seems. At... Read more... |
- 1 of 2
- ››
