sun 01/09/2024

world music

The Mongol Khan, London Coliseum review - unique operatic spectacle utterly overwhelms flaws in pacing and story

“But that’s what they’re paying for!” replied my son as we, a little shellshocked by the previous three hours, skirted Trafalgar Square on the way home. I had reservations about some key components of the alchemy that produces great theatre, but...

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Jambinai & Leenalchi, Southbank Centre review - contrasting faces of contemporary Korean music

Friday’s double-header at the Queen Elizabeth Hall on the Southbank was not only one of the final gigs in this year’s K-Music Festival – entering its tenth year with an eclectic range of Korean artists and bands performing across London and beyond...

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Album: Mayssa Jallad - Marjaa: The Battle of the Hotels

Atmospherically and musically, the debut album from Lebanon’s Mayssa Jallad swiftly makes its case. It opens with a drifting, elegiac voice singing a wandering melody over a sound-bed including what sounds like a koto and a droning cello. The...

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Music Reissues Weekly: Ibrahim Hesnawi - The Father of Libyan Reggae

Initially, it doesn’t sound so unusual. The collection’s first song is titled “Never Understand.” Sung in English, it’s poppy reggae with a light feel, twinkling keyboard lines and a lengthy, rock-oriented guitar solo. The singer appears to be a fan...

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Album: Nitin Sawhney - Identity

Nitin Sawhney never fails to produce albums that draw on the talent of his brilliant friends, touch on issues of current urgency, and bridge musical styles with great deftness and in a way that avoids the frequent artifice of fusion.Perhaps more...

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theartsdesk on Vinyl 79: Primal Scream, Girl Ray, Mort Garson, Barbie, Nina Simone, Dengue Fever and more

VINYL OF THE MONTHAfrican Head Charge A Trip to Bolgatanga (On-U Sound)The latest album from percussionist Bonjo Iyabinghi Noah and On-U Sound producer-par-excellence Adrian Sherwood is stunning. 40-something years into their collaborative career,...

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Album: Erol Josue - Pelerinaj (Pilgrimage)

I first saw Erol Josue on stage in Essaouria, Morocco, during the Gnawa Festival of 2011, when he fronted Jazz-Racine Haiti. The Haitian-born voudou priest turned R&B singer struck me as one of the most flamboyant frontmen ever to hit a...

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WOMAD Festival 2023 review - the party for the whole World spreads good vibes and almost escapes Soggy July

theartsdesk team arrived at the WOMAD site with a degree of trepidation this year. Coming at the end of one of the wettest Julys in recent memory and the day after a serious deluge, was it going to be another Womud?Fortunately, Thursday was a day...

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Album: Peter Culshaw - Music from the Temple of Light

Music from the Temple of Light has for its cover image a minimalist 17th century representation of Tantra. In this instance, a deep blue field bordering on black, scored by a golden yellow square, an arrow hanging down from the square’s centre, and...

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Glastonbury Festival 2023: Down to the Paradise City

TUESDAY 27TH JUNE 2023I wake up around 11.00, get outta bed around 12.00.My carcass has been ridden over by Immortan Joe’s entire fleet of vehicles from Mad Max: Fury Road. My inner head has been scooped out like a cantaloupe. Where my brain once...

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Peter Gabriel, OVO Hydro, Glasgow review - beaming with optimism and creativity

Even when Peter Gabriel is bleak, he has reasons to be cheerful. Early on in his set he opined that soon enough “none of us will have jobs anymore”, referring to the ongoing rise of artificial intelligence, although this was followed by him...

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Album: Jantra - Synthesized Sudan: Astro-Nubian Electronic Jaglara Sounds from the Fashaga Underground

Synths has a special attraction in a world that aspires to modernity. Thirty years ago Algerian Rai, which combined elements of traditional North African music with rock, was characterised by the sweet and slight tinny sound of electronic keyboards...

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