tue 11/03/2025

Miranda Heggie

Articles By Miranda Heggie

Nakariakov, SCO, Emelyanychev, Queen's Hall, Edinburgh review - a frenzied feast of contemporary classics

Read more...

Celtic Connections: Orchestral Qawwali Project, GRIT Orchestra review - two concerts showcasing the cross-genre power of an orchestra

Read more...

Albert Herring, Scottish Opera review - fun, frivolity, and fine music-making

Read more...

Fire in my mouth, Philharmonia, NYCOS, Alsop, Edinburgh International Festival 2024 review - total work of art for our times

Read more...

Oedipus Rex, Scottish Opera, Edinburgh International Festival 2024 review - beautifully uncomplex

Read more...

La Pasión según San Marcos / Carmen, Opéra Comique, Edinburgh International Festival 2024 review - united in story and song

Read more...

Future Islands, Summer Nights at the Bandstand, Kelvingrove Park, Glasgow review - soulful and synth-driven sounds

Read more...

Hidden Door 10th Birthday Party, St James Quarter, Edinburgh review - going underground

Read more...

Mitski, Usher Hall, Edinburgh review - cool and quirky, yet deeply personal

Read more...

Scottish Ensemble, Glasgow Royal Concert Hall New Auditorium review - making a move

Read more...

Marx in London, Scottish Opera review - the humour of history made manifest

Read more...

Ablogin, SCO, Emelyanychev, City Halls, Glasgow review - a happy 50th birthday

Read more...

Young Fathers, Usher Hall, Edinburgh review - powerful set from a band who keep pushing boundaries

Read more...

Songs of Wars I Have Seen, RSNO, Dunedin Consort, Slorach, Queen's Hall, Edinburgh review - moving portrayal of wartime diaries

Read more...

Degun, Scottish Ensemble, Queen's Hall, Edinburgh review - fusion of east and west, ancient and modern

Read more...

The Ossianic Ballads, Edinburgh Quartet, Màiri MacMillan, National Library of Scotland review - good ingredients get lost in the mix

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

theartsdesk Q&A: Raoul Peck, director of the documentary...

With his furious docu-essay I Am Not Your Negro, Raoul Peck caused a stir in 2016. The film...

Jonathan Buckley: One Boat review - a shore thing

One Boat, Jonathan Buckley’s 13th novel, captures a series of...

Blu-ray: The Barnabáš Kos Case

One of The Barnabáš Kos Case’s incidental pleasures lies in its relatively accurate depiction of orchestral life. Much of the action in...

A Form of Exile: Edward Said and Late Style, CLS, Wood, QEH...

You could plan an entire concert season around the theme of “late style”, its paradoxes and variations. For this one-off, many of us expected a...

Edward II, RSC, Swan Theatre, Stratford review - monarchs, m...

“Don’t put your co-artistic director on the stage, Mrs Harvey,” as Noel Coward once (almost) sang. 

Tamara...

BBC Philharmonic, Bihlmaier, Bridgewater Hall, Manchester re...

Anja Bihlmaier returned to the BBC Philharmonic – for the first time in the Bridgewater Hall as principal guest conductor – with a programme to...

Album: Reg Meuross, Fire & Dust: A Woody Guthrie Story

I come to this album from a week or so spent among the denizens of the New York and Boston...

Music Reissues Weekly: Liverpool Sunset - The City After Mer...

What happens after the spotlight is directed towards another target? In the case of Liverpool and the Merseybeat boom – which, in terms of chart...

Sheku Kanneh-Mason, Czech Philharmonic, Bychkov, Barbican re...

Exactly half a century ago, Semyon Bychkov fled the USSR for the United States as he sought to swap tyranny for liberty. Last night, in a world...