Kieron Tyler
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We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
The finale of the Royal Ballet’s 2025-26 programming is an extraordinary sight. At the curtain call for Salle de danse, a world premiere…
Anybody who relished the blistering family rows of Bad Jews or Admissions might be surprised by what their author, Joshua Harmon, wrote…
I just don’t get it. Jon Batiste, deservedly, has a huge career as pianist, composer, inspirer. The prospect of his forthcoming extended…
In the world of contemporary classical music, it takes confidence to launch your seasonal programme with an 18-year-old performer, and no…
Berlioz's intended companion for his Symphonie fantastique was Lélio, or the Return to Life - an assemblage of mostly magical earlier…
“Enola Gay” is perfect pop, the ultimate party-uplift banger. It’s that rare song which only seems to grow better as the years, then…
This beguiling “semi-staged” performance of Mahler’s First Symphony is the latest attempt in a growing movement to interrogate the…
As I started to write this review, I found that Tucker Zimmerman died in January this year. This was news to me, sad news, made worse by…
It’s 1959. Trinidad is fighting for independence from British colonial rule, while the US is beginning to stake its own control over the…