Daniel Saldaña Paris
Articles By Daniel Saldaña Paris
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Currie, Hallé, Wong, Bridgewater Hall, Manchester review - s...
Kahchun Wong’s final concert of 2024 in the Hallé Manchester season was something of a surprise. At first sight, the sparkle in the programme...
theartsdesk on Vinyl 87: Roots Manuva, Bogdan Raczynski, Son...
VINYL OF THE MONTH
Blood Incantation Absolute Elsewhere (Century Media)
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Blu-ray: Juggernaut
That Juggernaut is as good as it is seems in hindsight to have been a happy accident. Inspired by a bomb hoax on the QE2 in 1972, the...
Rigoletto, Irish National Opera / Murrihy, Collins, NCH Dubl...
How many Rigolettos have regular operagoers among you sat through where there wasn’t some major defect, in either the production or the...
Electric Dreams: Art and Technology Before the Internet, Ta...
Last month a portrait of Alan Turing by AI robot AI-Da sold at Sotheby’s for $1.08 million – proof that, in some people’s eyes, artificial...
Album: Panelia - Nothing and All At Once
Nothing and All at Once is the debut album from New Delhi...
Music Reissues Weekly: John Cale - The Academy in Peril, Par...
The return to shops of a consecutive sequence of five of John Cale's Seventies albums through different labels is undoubtedly coincidental. All...
Blu-ray: Black Tuesday
The universal fear of dying is the theme of Black Tuesday, a terse, bleak 1954 thriller that is belatedly being recognized as a major...
The Importance of Being Earnest, National Theatre review - n...
If Harold Pinter’s work represents, as he slyly joked, the weasel under the cocktail cabinet, then...