Harry Thorfinn-George

Articles By Harry Thorfinn-George

Caroline, Islington Assembly Hall review - south London octet mesmerises Friday, 06 June 2025 Read more...	Mongrel review - deeply empathetic filmmaking from Taiwan Saturday, 24 May 2025 Read more...
Albums of the Year 2024: Chihei Hatakeyama & Shun Ishiwaka - Magnificent Little Dudes Vol. 1 Monday, 06 January 2025 Read more...	Nosferatu review - Lily-Rose Depp stands out in uneven horror remake Tuesday, 24 December 2024 Read more...
theartsdesk Q&A: Anna Bogutskaya on her new book about the past decade of horror cinema Tuesday, 22 October 2024 Read more...	Smile 2 review - worthy follow up to runaway hit Saturday, 19 October 2024 Read more...
Strange Darling review - love really hurts Friday, 20 September 2024 Read more...	Red Rooms review - the darkest of webs Tuesday, 10 September 2024 Read more...
In a Violent Nature review - inverted slasher is fascinating Sunday, 21 July 2024 Read more...	Longlegs review - like its titular killer, this summer's most hyped horror film leaves no trace Saturday, 13 July 2024 Read more...
The Moor review - Yorkshire chiller is ambitious but muddled Saturday, 15 June 2024 Read more...	DVD/Blu-Ray: Priscilla Tuesday, 23 April 2024 Read more...
Album: Fabiana Palladino - Fabiana Palladino Sunday, 07 April 2024 Read more...	Late Night With the Devil review - indie-horror punches above its weight Monday, 25 March 2024 Read more...
Immaculate review - grisly convent horror is timely but flawed Saturday, 23 March 2024 Read more...	Albums of the Year 2023: Jim Legxacy - HNPM Saturday, 30 December 2023 Read more...

latest in today

'We are bowled over!' Thank you for your messages... ...

The Mastermind review - another slim but nourishing slice of...

The clatter of cool jazz on the soundtrack announces writer-director Kelly Reichardt’s latest project, the kind of score that back in the day...

Scottish Chamber Orchestra, Ibragimova, Queen’s Hall, Edinbu...

The Scottish Chamber Orchestra punches well above its weight when it comes to guest artists, and it was a big thing for them to have someone of...

Springsteen: Deliver Me From Nowhere review - the story of t...

There’s something about hauntingly performed songs written in the first person that can draw us in like nothing else. As songs from...

theartsdesk Q&A: Soft Cell

Seven years ago, Soft Cell were about to perform at a sold-out O2, a one-off event they entitled, after 16 years apart, One Night, One Final Time...

Little Brother, Soho Theatre review - light, bright but emot...

Niall is unwell. Very unwell. Very, very. There’s a lot going on in his head. He can’t really hold things together. Evidence? Well, he’s lost his...

Demi Lovato's ninth album, 'It's Not That Dee...

Demi Lovato is impressive on many fronts. She’s a Noughties Disney...

The Unbelievers, Royal Court Theatre - grimly compelling, po...

Change, we're often told, is the engine of drama: people end up somewhere markedly different from where they began. So the first thing to be said...

Kilsby, Parkes, Sinfonia of London, Wilson, Barbican review...

It was guaranteed: string masterpieces by Vaughan Williams, Britten and Elgar would be played and conducted at the very highest level by John...

The Maids, Donmar Warehouse review - vibrant cast lost in a...

Jean Genet’s 1947 play has been quite a clothes-horse over the years, at times a glamorous confection dressed by designers, and...