Enrique Mazzola

Articles By Enrique Mazzola

Friday, 30 July 2021 Read more...

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

For 30 years, La Serenissima have re-mapped the landscape of the Italian Baroque repertoire so that its towering figures, notably Vivaldi, no...

Jon Fosse talks a lot about thinking. He also thinks – hard – about talking. His prolific and award-winning career in poetry, prose, and drama,...

Is this the same Roman Rabinovich who drew harp-like delicacy from one of Chopin’s Pleyel pianos, and seeming authenticity from a 1790s grand...

Jerzy Kawalerowicz’s Pharaoh (Faraon) is a state-funded superprodukcja, a 152-minute Polish epic, set, incongruously,...

Carmina Burana isn’t a masterpiece: it’s primarily a bit of fun; fun to listen to, fun to play, really fun to sing.

Few and far...

Kenny Barron, revered as the best jazz pianist around, is a perfect gentleman and a master of “cool” – a quality once described in great depth by...

Anna Clyne’s This Moment had its UK ...

Rapper, actor and occasional media celebrity, Ice-T’s heavy metal band, Body Count have been around since the early ‘90s and have turned out some...

The British writer and Africa specialist Michela Wrong recently wrote a whistle-stop summary of the upheavals that afflicted Congo in the early...