mon 10/02/2025

Paul Vale

Articles By Paul Vale

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

The Years, Harold Pinter Theatre review - a bravura, joyous...

Annie Ernaux’s semi-autobiographical book Les Années charts a woman’s life across time and space, history and memory, through...

Cyndi Lauper, OVO Hydro, Glasgow review - still having chaot...

Cyndi Lauper was preceded onstage by a brief video that zipped through her career, which she drily declared was just in case someone was at the...

Philip Marsden: Under a Metal Sky review - rock and awe

Working on materials was basic to human culture from the start: chipping at flint to make a hand-axe; fashioning bone or wood; drying hides....

Nina Conti: Whose Face Is It Anyway?, Brighton Dome review -...

“I really am the repository for all your shit,” Nina Conti’s famous Monkey hand puppet tells her. Monkey may have a point.

The brilliance of...

Braimah Kanneh-Mason, Fernandes, Gent, 229 review - a beguil...

It was the sonically adventurous, shiveringly atmospheric cello piece by Latvian composer Preteris Vasks that proved to be the first showstopper...

Phaedra + Minotaur, Royal Ballet and Opera, Linbury Theatre...

Greek myths are all over theatre stages at the moment, their fierce, vengeful stories offering unnerving parallels with events in our modern world...

Music Reissues Weekly: Beggars Arkive - The Lurkers’ 1978 Jo...

On its own, the second session The Lurkers recorded for the BBC’s John Peel show on 18 April 1978 is arguably a curio, a footnote. Four tracks of...

Manchester Collective, RNCM review - something special in ne...

When a piece of music is heard for the first time ever, there’s always the delicious hope that, just by being there, an audience might witness...

The Marriage of Figaro, Welsh National Opera review - no con...

Drained as they are at present of crucial funds, WNO are managing to...